1 | Snyder, Allegra Fuller | Copenhagen, 1988 | Levels of event patterns: a theoretical model and its application to the yaqui easter ceremonies | dance event |
2 | Ronström, Owe | Copenhagen, 1988 | The dance event - a terminological and methodological discussion of the concept | dance event |
3 | Dunin, Elsie Ivancich | Copenhagen, 1988 | Dance events as means to social interchange | dance event |
4 | Giurchescu, Anca | Copenhagen, 1988 | A question of method: contextual analysis of dancing at the vlachs "hora" in Denmark | dance event |
5 | Dabrowska, Grazyna | Copenhagen, 1988 | Der tanz als einer von komponenten der traditionellen kultur | dance event |
6 | Zile, Judy Van | Copenhagen, 1988 | Japanese bon dancing in Hawaii: a complex cultural phenomenon | dance event |
7 | Barnett, Sheila | Copenhagen, 1988 | Jonkonnu - Jamaica masquerade as creolizing process | dance event |
8 | Ehm-Schulz, Rosemarie | Copenhagen, 1988 | New dance and custom events in the GDR as a result of revival (summary) | dance event |
9 | Torp, Lisbet | Copenhagen, 1988 | The dance event and the process of transformation - a case study of the anastenaria in Langadha, Greece | dance event |
10 | Staro, Placida | Copenhagen, 1988 | Widespread models for the analysis of folk dance | dance event |
11 | Kowalska, Jolanta | Copenhagen, 1988 | Universal cultural symbols in dance | dance event |
12 | Buckland, Theresa | Copenhagen, 1988 | Family, gender and class in an English ceremonial dance event | dance event |
13 | Shtarbanova, Anna; Zhivkov, Todor | Copenhagen, 1988 | The dance event: a complex cultural phenomenon | dance event |
14 | Reynolds, William C. | Copenhagen, 1988 | Where do we start in describing a dance event? | dance event |
15 | Laudova, Hannah | Copenhagen, 1988 | Die hanf- und flachsbrecheltanzfeste in Böhmen | dance event |
16 | Bing, Zhou | Copenhagen, 1988 | Ecological environment and dance culture | dance event |
17 | Vasić, Olivera | Copenhagen, 1988 | Dance as part of the rites for the deceased in southwestern Serbia | dance event |
18 | Petrides, Ted | Copenhagen, 1988 | Greek folk dances and change | dance event |
19 | Sebök, Geza | Copenhagen, 1988 | Ethnochoreological research in Switzerland in the eighties | dance event |
20 | Urup, Henning | Copenhagen, 1988 | The Danish dance history archives | dance event |
21 | Bakka, Egil | Copenhagen, 1988 | Report and summaries of all papers presented | dance event |
22 | Giurchescu, Anca; Felföldi, László | Budapest, 1990 | Introduction | |
23 | Dunin, Elsie ivancich | Budapest, 1990 | Transmission and diffusion : Macedonian dances 1938—1988 | |
24 | Bakka, Egil | Budapest, 1990 | Dance dialects: traces of local development or of processes of diffusion | |
25 | Quigley, Colin | Budapest, 1990 | Step dancing in Newfoundland: a north American regional style | |
26 | Sebők, Maria | Budapest, 1990 | The transmission of Hungarian dances in west-europa | |
27 | Staro, Placida | Budapest, 1990 | Singing in dance diffusion and transmission | |
28 | Nilsson, Mats | Budapest, 1990 | Dance transmission — a question of learning or teaching? | |
29 | Dúžek, Stanislav | Budapest, 1990 | Dance in the ethnographic atlas of Slovakia | |
30 | Çakir, Ahmet | Budapest, 1990 | The importance of the protection of traditional dances | |
31 | Ohtani, Kimiko | Budapest, 1990 | Bharata natyam, rebirth of dance in India | |
32 | Novák, Petr | Budapest, 1990 | Überlieferte tanzkultur in szenischer interpretation — realität oder fiktion? | |
33 | Schofield, Derek | Budapest, 1990 | The English long sword dance: a comparison between two contemporary traditional teams | |
34 | Bogdani, Ramazan | Budapest, 1990 | Albanian folk dances accompanied with music | |
35 | Freedman, Diane c. | Budapest, 1990 | Gender signs: an effort/shape analysis of Romanian couple dances | |
36 | Kaeppler, Adrienne l. | Budapest, 1990 | Me’etu’upaki and tapaki, paddle dances of Tonga and Futuna, West Polynesia | |
37 | Zile, Judy van | Budapest, 1990 | Chinju kommu: an implement dance of Korea | |
38 | Laudová, Hannah | Budapest, 1990 | Die schwerttänze als spezifische gattung von tänzen mit requisiten in der tschechoslowakei | |
39 | De shane, Nina | Budapest, 1990 | Powwow dancing and the warrior tradition | |
40 | Khatchatryan, Genya | Budapest, 1990 | War-dancer among Armenians | |
41 | Petrosyan, Emma | Budapest, 1990 | | |
42 | Blom, Jan-petter | Budapest, 1990 | Structure and meaning in a Norwegian couple dance | |
43 | Ilieva, Anna | Budapest, 1990 | Bulgarian men’s and women’s ritual dances with implements and attributes | |
44 | Loutzaki, Irene | Budapest, 1990 | Structure and style of an implement dance in neo monastiri, central Greece | |
45 | Dabrowska, Grazyna | Budapest, 1990 | Tänze mit akzessorien | |
46 | Kröschlová, Eva | Budapest, 1990 | Discussion contribution to the “foundation of the structural and form analysis of folk dance” | |
47 | Nahachewsky, Andriy | Budapest, 1990 | Structural analysis of the Kolomyika | |
48 | Giurchescu, Anca | Budapest, 1990 | A comparative analysis between the căluș of the Danube: plain and călușerul of Transylvania (Romania) | |
49 | Sárosi, Bálint | Budapest, 1990 | Form-extending dance tunes | |
50 | Paksa, Katalin | Budapest, 1990 | Connection of style and dialect in the ornamentation of Hungarian folksongs | |
51 | Tari, Lujza | Budapest, 1990 | Musical instruments and music in Hungarian folk tales | |
52 | Giurchescu, Anca | Nafplion, 1992 | The power and the dance symbol and its sociopolitical use | Dance and its socio-political aspects |
53 | Bloland, Sunni | Nafplion, 1992 | The 16th annual California Greek Orthodox youth folk dance festival: a social and artistic extravaganza | Dance and its socio-political aspects |
54 | Gore, Georgina; Koutsouba, Maria | Nafplion, 1992 | ‘Airport art’ in a socio-political perspective: the case of the greek dance groups of plaka | Dance and its socio-political aspects |
55 | Ilieva, Anna | Nafplion, 1992 | Bulgarian folk dance over the last five years | Dance and its socio-political aspects |
56 | Grau, Andrée | Nafplion, 1992 | Dance and power amongst the Tiwi | Dance and its socio-political aspects |
57 | Kaeppler, Adrienne | Nafplion, 1992 | Dance, dress and socio-political discourse | Dance and its socio-political aspects |
58 | Kubinowski, Dariusz | Nafplion, 1992 | Process of integration of the poles and the white Russians on the territory of Poland | Dance and its socio-political aspects |
59 | Laudova, Hannah | Nafplion, 1992 | Charakteristik der tradition des Tschechischen volkstanzes vom kulturellen und soziologisch-politischen gesichtspunkt (the characteristic features of the tradition of Czech folk dance in the context of sociocultural and socio-political aspects) | Dance and its socio-political aspects |
60 | Loutzaki, Irene | Nafplion, 1992 | Dance in ‘political rhythms’ | Dance and its socio-political aspects |
61 | Nahachewsky, Andriy | Nafplion, 1992 | National standards vs. rural traditions in Ukrainian Canadian dance | Dance and its socio-political aspects |
62 | Öztürkmen, Arzu | Nafplion, 1992 | Folk dance and nationalism in Turkey | Dance and its socio-political aspects |
63 | Quigley, Colin | Nafplion, 1992 | A hearing to “designate the square dance the american folk dance of the united states”: cultural politics and an american vernacular dance form | Dance and its socio-political aspects |
64 | Rombos-levides, Marika | Nafplion, 1992 | The dynamic of traditional dance as a penetrating force in the formulation of modern Greek ideology and culture | Dance and its socio-political aspects |
65 | Tyrovola, Vasso | Nafplion, 1992 | Dynamic aspects of the evolutional process of the popular urban culture: the case of the dance Zeibekikos | Dance and its socio-political aspects |
66 | Bakka, Egil | Nafplion, 1992 | Dance and costume in contemporary folk dance performance | Dance and costume |
67 | Dabrowska, Grazyna | Nafplion, 1992 | Dance and attire | Dance and costume |
68 | Khachatrijan, Genja | Nafplion, 1992 | Connections between folk dance and folk costume in Armenia | Dance and costume |
69 | Nilsson, Mats | Nafplion, 1992 | Some questions about dancing and dressing | Dance and costume |
70 | Petrossian, Emma | Nafplion, 1992 | Armenian dance in social aspect in the past | Dance and costume |
71 | Shturbanova, Anna | Nafplion, 1992 | Dance, ritual and costume | Dance and costume |
72 | Snyder, Allegra fuller | Nafplion, 1992 | The dance symbol - a 1992 update demonstrating the potential effects of interactive laser technologies on research and publishing strategies | Dance and costume |
73 | Torp, Lisbet | Nafplion, 1992 | Traditional peasant costumes and their usage: when preservation leads to limitation and stagnation | Dance and costume |
74 | Hunt, Yvonne | Nafplion, 1992 | “Ta ketsekia” | Dance and costume |
75 | Lange, Roderyk | Skiemiewice, 1994 | Ritual dance | Ritual dances in contemporary society |
76 | Bogdani, Ramazan | Skiemiewice, 1994 | Dances in the albanian ritual practices: the calendrical celebrations for the revival of nature | Ritual dances in contemporary society |
77 | Bröcker, Marianne | Skiemiewice, 1994 | A village dance ritual in Lower Franconia (Bavaria) | Ritual dances in contemporary society |
78 | Buckland, Theresa | Skiemiewice, 1994 | Embodying the past in the present: dance and ritual. | Ritual dances in contemporary society |
79 | Dahlig, Piotr | Skiemiewice, 1994 | The ceremonial bread korowaj as an impulse to dance | Ritual dances in contemporary society |
80 | Dqbrowska, Grazyna | Skiemiewice, 1994 | Dance in the transformations of the harvest customs in Poland | Ritual dances in contemporary society |
81 | Dunin, Elsie lvanovich | Skiemiewice, 1994 | Continuities and changes: interrelationships of ritual and social dance contexts in Dubrovnik-area villages | Ritual dances in contemporary society |
82 | Dziurowicz-Kaszuba, Malgorzata | Skiemiewice, 1994 | Wedding dance service in the region of Sieradz | Ritual dances in contemporary society |
83 | Eriksen, Helene | Skiemiewice, 1994 | The dances of universal peace: an introduction to the phenomenon | Ritual dances in contemporary society |
84 | Grau, Andrée | Skiemiewice, 1994 | Ritual dance and “Modernisation”: the tiwi example | Ritual dances in contemporary society |
85 | Hunt, Yvonne | Skiemiewice, 1994 | Ta kechékia - a Greek gypsy carnival event | Ritual dances in contemporary society |
86 | Kaeppler, Adrienne | Skiemiewice, 1994 | They seldom dance on star-trek: a cautionary tale for the study of dance and ritual | Ritual dances in contemporary society |
87 | Khachatrjan, Genja | Skiemiewice, 1994 | Armenian ritual dances in contemporary society | Ritual dances in contemporary society |
88 | Laudová, Hannah | Skiemiewice, 1994 | The associate function of dancing in Czech wedding rituals | Ritual dances in contemporary society |
89 | Marcinkowa, Janina | Skiemiewice, 1994 | Zwei schlesische hochzeitstantze: bioty (cieszyn) und na strzewik (opole) | Ritual dances in contemporary society |
90 | Öztürkmen, Arzu | Skiemiewice, 1994 | The Alevi cem ritual and the nationalization of semah dances | Ritual dances in contemporary society |
91 | Van Zile, Judy | Skiemiewice, 1994 | From ritual to entertainment and back again: the case of ch 'oyongmu, a Korean dance | Ritual dances in contemporary society |
92 | Giurchescu, Anca | Skiemiewice, 1994 | Dance-music relationships: an introduction | Dance and music relationship |
93 | Bakka, Egil | Skiemiewice, 1994 | Children's way of expressing musical meter by movement in singing games | Dance and music relationship |
94 | Bielawski, Ludwik | Skiemiewice, 1994 | A system of knowledge about folk dances: the levels of ethnochoreology | Dance and music relationship |
95 | Bloland, Sunni | Skiemiewice, 1994 | Cajun dance in Luisiana and California | Dance and music relationship |
96 | Elliott, Janine | Skiemiewice, 1994 | Who follows whom? the music and dance relationship in cotswold morris dancing | Dance and music relationship |
97 | Felföldi, László | Skiemiewice, 1994 | The connection of dance and dance music: over or under-estimation of their significance | Dance and music relationship |
98 | Kilichian, Naira | Skiemiewice, 1994 | The relation of armenian traditional and scenic dances to music | Dance and music relationship |
99 | Könczei, Csilla | Skiemiewice, 1994 | Dance as multimedial poetic communication | Dance and music relationship |
100 | Kubinowski, Dariusz | Skiemiewice, 1994 | Dance expression within traditional and contemporary models of rural dance culture | Dance and music relationship |
101 | Nilsson, Mats | Skiemiewice, 1994 | Let's meet in the beat | Dance and music relationship |
102 | Rice, Timothy | Skiemiewice, 1994 | The dialectic of music and dance in Bulgaria | Dance and music relationship |
103 | Romodin, Aleksandr | Skiemiewice, 1994 | The interaction of instrumental music and dance in the folk tradition of north Byelorussia | Dance and music relationship |
104 | Steszewski, Jan | Skiemiewice, 1994 | Einige (unzusammenhangende) gedanken zu tanz-musik-beziehungen | Dance and music relationship |
105 | Urbanavičiené, Dalia | Skiemiewice, 1994 | The original style of the Lithuanian sutartines dances | Dance and music relationship |
106 | Torp, Lisbet | Třešt', 1996 | Children’s dances from Lower Saxony, Helmut Segler and Dora Kleindienst-Andrée. an introduction to keynote film and discussion | Children and traditional dancing |
107 | Dąbrowska, Grazyna Władysława | Třešt', 1996 | Children’s traditional dances | Children and traditional dancing |
108 | Petrossian, Emma | Třešt', 1996 | The creation myth in Armenian children’s games | Children and traditional dancing |
109 | Khachactrjan, Genja | Třešt', 1996 | Ritual dolls in Armenian tradition | Children and traditional dancing |
110 | Fink, Monika | Třešt', 1996 | Kinderbälle als reflexion des europäischen gesellschaftstanzes | Children and traditional dancing |
111 | Gore, Georgiana | Třešt', 1996 | Learning language through dance. Rhythm, rhyme, song and dance in French nursery school education | Children and traditional dancing |
112 | Kaeppler, Adrienne L. | Třešt', 1996 | Dance and the concept of style | Dance and style |
113 | Laudová, Hannah | Třešt', 1996 | Style in folk dance | Dance and style |
114 | Dúžek, Stanislav | Třešt', 1996 | Zu den stiländerungen im volkstanz in der Slowakei | Dance and style |
115 | Kubinowski, Dariusz | Třešt', 1996 | Interpretations of cultural patterns of dance in individual dance behaviours: the case of oberek | Dance and style |
116 | Nahachewsky, Andriy | Třešt', 1996 | Removing the bride’ s veil: structure and style in a Ukrainian wedding ceremony | Dance and style |
117 | Giurchescu, Anca | Třešt', 1996 | Gypsy dance style as a marker of ethnic identity | Dance and style |
118 | Stavélová, Daniela | Třešt', 1996 | The influence of musical accompaniment on the emergence and transformation of a style of dance | Dance and style |
119 | Pavlicová, Martina | Třešt', 1996 | The style of folk dance and its development: a study of exceptional dancers from south and east moravia | Dance and style |
120 | Hunt, Yvonne | Třešt', 1996 | One dance, many styles | Dance and style |
121 | Koutsouba, Maria | Třešt', 1996 | Lemonia dance of lefkada versus kontoula lemonia dance of Epiros, Greece | Dance and style |
122 | Nor, Mohd Anis Md | Třešt', 1996 | Blurring images, glowing likeness: a dichotomy of styles in traditional dances of Malaysia | Dance and style |
123 | Öztürkmen, Arzu | Třešt', 1996 | Different generations, different styles: alevi semah performances in their changing context | Dance and style |
124 | Shturbanova, Anna | Třešt', 1996 | ‘fine’ dancing: from sacred to the stylistic | Dance and style |
125 | Zebec, Tvrtko | Třešt', 1996 | Differences and changes in style: the example of croatian dance research | Dance and style |
126 | Okstad, Kari Margrete | Třešt', 1996 | How to broaden the stylistic profile of a dance group’s repertoire | Dance and style |
127 | Kilichian, Naira | Třešt', 1996 | The formation of new elements in armenian folk dance style | Dance and style |
128 | Urbanavičiene, Dalia | Třešt', 1996 | The influence of stage dance on the authentic style of folk dance | Dance and style |
129 | Lange, Roderyk | Třešt', 1996 | The muses and the dance | |
130 | Bakka, Egil | İstanbul, 1998 | The polka before and after polka. | Historical sources |
131 | Buckland, Theresa J. | İstanbul, 1998 | Between pictures, words and memory: constructing past dances | Historical sources |
132 | Dabrowska, Graźyna W. | İstanbul, 1998 | Traditional dances and their historical sources in Poland | Historical sources |
133 | Dinçer, Fahriye | İstanbul, 1998 | Alevi semahs in historical perspective | Historical sources |
134 | Foley, Catherine | İstanbul, 1998 | Irish traditional step-dance in historical perspective: tradition, identity and popular culture | Historical sources |
135 | Gore, Georgiana | İstanbul, 1998 | Present texts, past voices: the formation of contemporary representations of west African dances | Historical sources |
136 | Ilieva, Anna | İstanbul, 1998 | Historical-typological approach to the study of traditional dance culture | Historical sources |
137 | Kaeppler, Adrienne L. | İstanbul, 1998 | Moments in the history of Tongan dances from captain Cook to the 80th birthday of King Taufa'ahau Tupouiv | Historical sources |
138 | Koepke, Bruce | İstanbul, 1998 | Contemporary dance history of Afghanistan: the interplay of traditions, religion and politics | Historical sources |
139 | Koutsouba, Maria | İstanbul, 1998 | Understanding synchrony through diachrony | Historical sources |
140 | Nor, Mohd Anis Md | İstanbul, 1998 | Between myth and history reconstructing traditional dances in southeast Asia | Historical sources |
141 | Nahachewsky, Andriy | İstanbul, 1998 | Once again: on the concept of “second existence folk dance” | Historical sources |
142 | Nilsson, Mats | İstanbul, 1998 | Dances of yesterday-dancing today. the example of Swedish polska | Historical sources |
143 | Noyes, Dorothy | İstanbul, 1998 | Cultivating memory in catalan calendar custom | Historical sources |
144 | Shturbanova, Anna | İstanbul, 1998 | Historical and typological aspect in the study of the horo dance in northwestern bulgaria. | Historical sources |
145 | Sparti, Barbara | İstanbul, 1998 | Traditional dance in renaissance and baroque italy (1455-1630) | Historical sources |
146 | Stavělová, Daniela | İstanbul, 1998 | Traditional Czech dancing in historical perspective | Historical sources |
147 | Van Zile, Judy | İstanbul, 1998 | Korean dance terminology: politics and words | Historical sources |
148 | Bogdani, Ramazan H. | İstanbul, 1998 | Albanian folk dancing: improvisation and individuality | Improvisation and composition |
149 | Dejeu, Zamfir | İstanbul, 1998 | L’improvisation dans le complexe syncretique ‘danse traditionnelle' | Improvisation and composition |
150 | Dunin, Elsie Ivancich | İstanbul, 1998 | Dancing in the crossroads by the Skopje Roma during St. George’s day | Improvisation and composition |
151 | Eriksen, Helene E. | İstanbul, 1998 | An intimate look at improvisation | Improvisation and composition |
152 | Giurchescu, Anca | İstanbul, 1998 | Interpreting a dancer's discourse on improvisation | Improvisation and composition |
153 | Glauser, Christine | İstanbul, 1998 | Dance improvisation in eratira, northern Greece | Improvisation and composition |
154 | Hall, Frank | İstanbul, 1998 | Creativity in Irish step-dancing: rewards and dangers | Improvisation and composition |
155 | Khachatryan, Zhenja | İstanbul, 1998 | The Armenian sources of treatment by dance | Improvisation and composition |
156 | Kilichyan, Naira | İstanbul, 1998 | Clap dances: the stage version | Improvisation and composition |
157 | Kubinowski, Dariusz | İstanbul, 1998 | The kinesthetic understanding as a methodological category in the reconstruction of traditional dance | Improvisation and composition |
158 | Okstad, Kari Margrete | İstanbul, 1998 | Improvisation and composition in old couple dance from Norway | Improvisation and composition |
159 | Özbilgin, Mehmet Öcal | İstanbul, 1998 | Differences of creative processes in local communities on stage with the example of Aegean region zeybek dances | Improvisation and composition |
160 | Torp, Jurgen | İstanbul, 1998 | Tango: improvisation in a couple dance | Improvisation and composition |
161 | Niemčić, Iva | İstanbul, 1998 | Report on current activities of the institute of ethnology and folklore research and sword dance research in croatia | Improvisation and composition |
162 | Acuña Delgado, Angel | Korčula, 2000 | The sword dances of Andalusia: problems of semiological interpretation | Sword dances and related calendrical dance events |
163 | Bagur, Vido | Korčula, 2000 | Reviving the kumpanija in the village of Pupnat on the island of Korčula | Sword dances and related calendrical dance events |
164 | Baumann, Roland | Korčula, 2000 | Performing the Spanish Crusade in Mexico, Andalusia and Guatemala | Sword dances and related calendrical dance events |
165 | Berlin, Gabriele | Korčula, 2000 | The stick dance of the Tharus in Nepal: the relationship between an extinct martial art and a living dance tradition | Sword dances and related calendrical dance events |
166 | Bonfiglioli, Carlo | Korčula, 2000 | The sword, the cross, and the flower: opposition and continuity in the study of two Mexican dance complexes | Sword dances and related calendrical dance events |
167 | Buckland, Theresa Jill | Korčula, 2000 | Calendrical dance, ritual and drama: re-appraising pan-European theory | Sword dances and related calendrical dance events |
168 | Čapo Žmegac, Jasna | Korčula, 2000 | “Either we will behead the ox, or we will be no more!”: the Croats between traditionalism and modernity | Sword dances and related calendrical dance events |
169 | Ćaleta, Joško | Korčula, 2000 | The peculiarities of instrument playing and singing in the revived sword dances of the Peljesac Peninsula and the island of Kordula | Sword dances and related calendrical dance events |
170 | Dąbrowska, Grazyna Włladysłlawa | Korčula, 2000 | On some sword dances: Polish brigand’s dance zbójnicki among hand-held weapon dances | Sword dances and related calendrical dance events |
171 | Doliner, Gorana | Korčula, 2000 | Moresca, Combatimento Nazionale - an historical source from 1819 | Sword dances and related calendrical dance events |
172 | Dunin, Elsie Ivancich | Korčula, 2000 | 20th-16th century comparative links: Yaqui Indians (North America); Lastovo Island (European Mediterranean) | Sword dances and related calendrical dance events |
173 | Giurchescu, Anca | Korčula, 2000 | Căluș between ritual and national symbol: survival and the strategy of adaptation to contemporary social settings | Sword dances and related calendrical dance events |
174 | Laudová, Hannah | Korčula, 2000 | The time span and the cultural and social significance of sword dances in the Czech lands and in Slovakia | Sword dances and related calendrical dance events |
175 | Lozica, Ivan | Korčula, 2000 | Sword dances on the island of Korčula, and choosing the king custom | Sword dances and related calendrical dance events |
176 | Marošević, Grozdana | Korčula, 2000 | The mišnjice and the tambrlin in the kumpanija sword dances on the island of Korčula | Sword dances and related calendrical dance events |
177 | Matoš, Goran Ivan | Korčula, 2000 | Carnival sword dance in the form of contra dance in Putnikovići, Croatia | Sword dances and related calendrical dance events |
178 | Niemčić, Iva | Korčula, 2000 | Dance and gender/sex in the Lastovo carnival | Sword dances and related calendrical dance events |
179 | Oreb, Goran | Korčula, 2000 | Role of Korčula's “Festival for knightly dances” in the preservation of traditional values | Sword dances and related calendrical dance events |
180 | Saban, Larysa | Korčula, 2000 | Dances and games with weapons: Ukrainian authentic traditions and historical examples | Sword dances and related calendrical dance events |
181 | Snyder, Allegra Fuller | Korčula, 2000 | “The carnival complex” on the web, a new research strategy | Sword dances and related calendrical dance events |
182 | Sparti, Barbara | Korčula, 2000 | An 18th-century Venetian moresca | Sword dances and related calendrical dance events |
183 | Staro, Placida | Korčula, 2000 | La danza disarmata: a swordless dance | Sword dances and related calendrical dance events |
184 | Tekavec, Marjeta | Korčula, 2000 | Vestiges of sword dances in Slovenia | Sword dances and related calendrical dance events |
185 | Zebec, Tvrtko | Korčula, 2000 | Sword dances among the Croats | Sword dances and related calendrical dance events |
186 | Andus L’Hotellier, Sanja | Korčula, 2000 | The opening and closing ceremonies of the Albertville Olympics: an invitation to the bal populaire | Reconstruction |
187 | Bakka, Egil | Korčula, 2000 | Voices of the revival | Reconstruction |
188 | Chao, Chi-Fang | Korčula, 2000 | Re-interpreting “authenticity”—revitalization of priestess dances in Okinawa, Japan | Reconstruction |
189 | Coros, Mary | Korčula, 2000 | The “old,forgotten,lost” dances of Crete: dilemma for an American Cretan dancer, teacher, choreographer, researcher | Reconstruction |
190 | Craenenbroeck, Renaat Van | Korčula, 2000 | Creating a tradition | Reconstruction |
191 | Decoret, Anne | Korčula, 2000 | The Court and Ceremony Dances Conservatory of Abomey, Benin: cultural and political stakes of a revival attempt | Reconstruction |
192 | Dejeu, Zamfir | Korčula, 2000 | Folklife in Romania | Reconstruction |
193 | Eriksen, Helene | Korčula, 2000 | Strategies for the performance of Iranian dance in the diaspora | Reconstruction |
194 | Foley, Catherine E. | Korčula, 2000 | The Irish Céilí. appropriation, community and identity | Reconstruction |
195 | Glauser, Christine | Korčula, 2000 | Cultural associations as agents of revival of dance traditions in northern Greece | Reconstruction |
196 | Gombos, András | Korčula, 2000 | “Master of folk art”: award for talented traditional performers in Hungary | Reconstruction |
197 | Kaeppler, Adrienne L. | Korčula, 2000 | At the Pacific festivals of art: revivals, inventions, and cultural identity | Reconstruction |
198 | Kealiinohomoku, Joann | Korčula, 2000 | New functions and contexts for old dance cultures | Reconstruction |
199 | Laffranchini, Moira | Korčula, 2000 | The ideological revivals of timbila: 1978 and 1997 | Reconstruction |
200 | Loutzaki, Irene | Korčula, 2000 | “These are our songs and our dances”: negotiating tradition in Nea Vyssa, Greece | Reconstruction |
201 | Maners, Lynn D. | Korčula, 2000 | Utopia, eutopia and E.U.-topia: performance and memory in former Yugoslavia | Reconstruction |
202 | Manos, Ioannis | Korčula, 2000 | Politics and the power of dance in the Fiorina region, northwest Greek Macedonia | Reconstruction |
203 | Nahachewsky, Andriy | Korčula, 2000 | Strategies for theatricalizing folk dance | Reconstruction |
204 | Nilsson, Mats | Korčula, 2000 | What, who, when, then - and why? some comments on the Swedish folkdance (and music) revival in the 1970s | Reconstruction |
205 | Nor, Mohd Anis Md | Korčula, 2000 | Dancing on the proscenium: re-constructing, revitalizing and appropriating Malay folk dances in the new performance space | Reconstruction |
206 | Ruyter, Nancy Lee | Korčula, 2000 | La Meri and her work in “ethnic” dance | Reconstruction |
207 | Quigley, Colin | Korčula, 2000 | Revival, presentation and identity representation through dance in Transylvania | Reconstruction |
208 | Sklar, Deidre | Korčula, 2000 | “That may be the way they do it in the north, but it's not the way we do it here”: reviving the past in the indio dance of Tortugas, New Mexico | Reconstruction |
209 | Stavélová, Daniela | Korčula, 2000 | Folklorism in a changing society | Reconstruction |
210 | Von Bibra, Anne | Korčula, 2000 | Folk dance revival in Germany during 1930-1940 | Reconstruction |
211 | Chao, Chi-fang | Szeged, 2002 | Between the dancer and the cultural performer: contemporary dance practices in Taketomi, southern Okinawa | Dancer as a cultural performer |
212 | Felföldi, László | Szeged, 2002 | Considerations and problems in performer-centered folk dance research | Dancer as a cultural performer |
213 | Nor, Mohd anis md | Szeged, 2002 | Dancing with dance-masters: shifting roles and contexts of dance research in Malaysia | Dancer as a cultural performer |
214 | Stavélová, Daniela | Szeged, 2002 | The dancing people - status, identity, integrity | Dancer as a cultural performer |
215 | Van Zile, Judy | Szeged, 2002 | Process and artefact: concurrent preservation and change in hahoe t’alch’um, a masked dance form from South Korea | Dancer as a cultural performer |
216 | Acuña Delgado, Ángel | Szeged, 2002 | Dance as an analytic model for social and cultural interpretation: a case study | Re-appraising our past |
217 | Bakka, Egil | Szeged, 2002 | Dance paradigms: movement analysis and dance studies | Re-appraising our past |
218 | Bonfiglioli, Carlo | Szeged, 2002 | Fighting the Diablo and keeping harmony through dance: the case of Tarahumara indians | Re-appraising our past |
219 | Cruz Manjarrez, Adriana | Szeged, 2002 | Performing zapotec identity, aesthetics and religiosity in the international context of migration | Re-appraising our past |
220 | Dąbrowska, Gražyna W. | Szeged, 2002 | Re-appraising our past, moving into the future: research on dance and society | Re-appraising our past |
221 | Glauser, Christine | Szeged, 2002 | Comparative research about dance and society from the 1930s to the present in villages of the Voi'o region, northern Greece | Re-appraising our past |
222 | Inagaki, Norio | Szeged, 2002 | The transmission of improvisational dance: male dance in Transylvanian villages | Re-appraising our past |
223 | Niemčić, Iva | Szeged, 2002 | The invisible female dancers | Re-appraising our past |
224 | Özbilgin, Mehmet Öcal | Szeged, 2002 | Solo dances in Turkish folk dance | Re-appraising our past |
225 | Rakočević, Selena | Szeged, 2002 | Serbian folk dances today: the problem of authenticity and vitality | Re-appraising our past |
226 | Roma, Josefina | Szeged, 2002 | The Aragonese jota: the building of an emblem | Re-appraising our past |
227 | Ruyter, Nancy Lee | Szeged, 2002 | Autobiographical memory and fieldwork | Re-appraising our past |
228 | Smith, Stephanie | Szeged, 2002 | Research in progress: the english country dance video documentation project | Re-appraising our past |
229 | Staro, Placida | Szeged, 2002 | “Did i give you any inspiration?” the informant becomes researcher | Re-appraising our past |
230 | Urbanavičiené, Dalia | Szeged, 2002 | The social importance of ethnochoreography in Lithuania at the end of the 19th-beginning of the 20th centuries and today | Re-appraising our past |
231 | Vasić, Olivera | Szeged, 2002 | Traces of ritual dances in Serbia: lazarice | Re-appraising our past |
232 | Zebec, Tvrtko | Szeged, 2002 | Church kermis to saint roch: contemporary folklore on the stage | Re-appraising our past |
233 | Van Zile, Judy; Šturbanova, Anna | Szeged, 2002 | Summary statements on symposium theme: “re-appraising our past, moving into the future: research on dance and society” | Re-appraising our past |
234 | Kaeppler, Adrienne l. | Szeged, 2002 | An introduction to aesthetics | Dance and aesthetics |
235 | Giurchescu, Anca | Szeged, 2002 | Dance aesthetics in traditional Romanian communities | Dance and aesthetics |
236 | Grau, Andrée | Szeged, 2002 | Tiwi aesthetics | Dance and aesthetics |
237 | Nor, Mohd Anis Md | Szeged, 2002 | Arabesques and curvilinear perimeters in the aesthetics of maritime-malay dances | Dance and aesthetics |
238 | Sparti, Barbara | Szeged, 2002 | “Artistic” theory of dance in fifteenth-century Italy | Dance and aesthetics |
239 | Giurchescu, Anca | Szeged, 2002 | Report on the fieldwork experiment in Bulgaria (2001) | |
240 | Eriksen, Helene | Szeged, 2002 | Personal notes on conducting fieldwork in Bulgaria | |
241 | Buckland, Theresa | Szeged, 2002 | Personal notes on conducting fieldwork in Bulgaria | |
242 | Brocker, Marianne | Szeged, 2002 | Roundtable on iconography | |
243 | Torp, Lisbet | Szeged, 2002 | Fortieth anniversary of the ICTM study group on ethnochoreology | |
244 | Giurchescu, Anca | Szeged, 2002 | History of the ICTM study group on ethnochoreology | |
245 | Bloland, Sunni | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
246 | Kroschlova, Eva | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
247 | Dabrowska, Grazynaw | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
248 | Lange, Roderyk | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
249 | Torp, Lisbet | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
250 | Zebec, Tvrtko | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
251 | Torp, Lisbet | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
252 | Staro, Placida | Monghidoro, 2004 | Where is the content? Meanings and symbols in dance | Silence of dance |
253 | Cutti, Lucia | Monghidoro, 2004 | Feeling well. Dancing and behaviour rules within the group | Silence of dance |
254 | Zacchi, Massimo | Monghidoro, 2004 | Courtesy and ceremony: The ages of dance | Silence of dance |
255 | Backer, Mumtaz Aboo | Monghidoro, 2004 | Contemporary dance in Malaysia: issues of identity, gender and feminism in the works of women choreographers | Visible and invisible dance research |
256 | Berlin, Gabriele | Monghidoro, 2004 | Bharata Natyam postures, martial arts techniques, and the problem of interpretating symbolic movements | Visible and invisible dance research |
257 | Bonfiglioli, Carlo | Monghidoro, 2004 | Healing and dance: the case of the “raspa de peyote” among the Tarahumara Indians | Visible and invisible dance research |
258 | Chao, Chi-Fang | Monghidoro, 2004 | The invisible dancer in the visible dance: an analysis of the miholol ritual of the Amis in eastern Taiwan | Visible and invisible dance research |
259 | di Mariano, Marta | Monghidoro, 2004 | Dancing for the saint and danced by the saint: perspectives on the Saint Theodor's celebration in Sorrentini (Sicily) | Visible and invisible dance research |
260 | Giurchescu, Anca | Monghidoro, 2004 | Symbolic communication: dancing for the living, dancing for the dead | Visible and invisible dance research |
261 | Höfling, Ana Paula | Monghidoro, 2004 | The hapa-haole hula girls: an analysis of this 1909 song and its hula from a feminist and post-colonialist perspective | Visible and invisible dance research |
262 | Ilieva, Anna | Monghidoro, 2004 | Invocation and lamentation | Visible and invisible dance research |
263 | Kaeppler, Adrienne L. | Monghidoro, 2004 | Ballet, hula, and cats: dance as a discourse on globalization | Visible and invisible dance research |
264 | Niemčić, Iva | Monghidoro, 2004 | Miss Korčula or Bula | Visible and invisible dance research |
265 | Nor, Mohd Anis Md | Monghidoro, 2004 | Life and hereafter: interpreting the invisible in indigenous dances in Malaysia | Visible and invisible dance research |
266 | Pätzold, Uwe Umberto | Monghidoro, 2004 | When the Dampeang is over, the Luambek is over - sound as a determinant of structure within a competition of inner power based on movement in West Sumatra | Visible and invisible dance research |
267 | Rakočević, Selena | Monghidoro, 2004 | Kolo in Vojvodina: visible and invisible structures in traditional dance practice | Visible and invisible dance research |
268 | Singer, Allison Jane | Monghidoro, 2004 | “Hidden treasures, hidden voices”: an ethnographic study into the use of movement and creativity in developmental work with war affected refugee children (Serbia 2001-2) | Visible and invisible dance research |
269 | Staro, Placida | Monghidoro, 2004 | In chorea veritas, dance as source of knowledge | Visible and invisible dance research |
270 | Stavělová, Daniela | Monghidoro, 2004 | How to express the patterns of life: dance in Czech novels of the late 19th century | Visible and invisible dance research |
271 | Torp, Jörgen | Monghidoro, 2004 | The hidden structures of tango as an improvised dance | Visible and invisible dance research |
272 | Ünlü, Ömer Barbaros | Monghidoro, 2004 | Abezek: a choreographic poem | Visible and invisible dance research |
273 | Urbanavičiené, Dalia | Monghidoro, 2004 | The motive of "blindness" in folk dances and games: a link with the ancient world outlook of the Balts | Visible and invisible dance research |
274 | Van Zile, Judy | Monghidoro, 2004 | Not-so-hidden structures: what lies behind the movements in Kosong Ogwangdae, a masked dance-drama form of South Korea | Visible and invisible dance research |
275 | Vasić, Olivera | Monghidoro, 2004 | Dances in ritual processions of winter and droughty seasons | Visible and invisible dance research |
276 | Sanders, Mary Lee | Monghidoro, 2004 | They left us their hands | Visible and invisible dance research |
277 | Ćaleta, Joško | Monghidoro, 2004 | Nevijska koleda - music and movement of reconstructed/transformed ritual | Crossing identity boundaries |
278 | David, Ann | Monghidoro, 2004 | “Performing faith”: dance in current Hindu worship in the UK | Crossing identity boundaries |
279 | Dinçer, Fahriye | Monghidoro, 2004 | Different perspectives on the cult of fire in relation to the construction of Kurdish Alevi identity in Turkey | Crossing identity boundaries |
280 | Felföldi, László | Monghidoro, 2004 | Biographical method in ethnochoreology autobiography of a dancer | Crossing identity boundaries |
281 | Foley, Catherine | Monghidoro, 2004 | Negotiating boundaries in Irish step dance performance practice: Colin Dunne and Piano One | Crossing identity boundaries |
282 | Gibert, Marie-Pierre | Monghidoro, 2004 | Dance in the construction of identities in Israel: the case of the Yeminite Jews | Crossing identity boundaries |
283 | Glauser, Christine | Monghidoro, 2004 | The mise en scène of the community: reading social structures through dance in the region of Siatista, northern Greece | Crossing identity boundaries |
284 | Grau, Andrée | Monghidoro, 2004 | Contested identities: gaining credibility as a dancer | Crossing identity boundaries |
285 | Gremlicová, Dorota | Monghidoro, 2004 | The role of the dance/ballet master in the transfer of dances through different social environments, the Czech example of the period from the end of the 18th to the end of the 19th centuries | Crossing identity boundaries |
286 | Hellier-Tinoco, Ruth | Monghidoro, 2004 | Embodied artefacts of the viejitos dance of Lake Patzcuaro, Michoacan, Mexico | Crossing identity boundaries |
287 | Ivanova, Daniela | Monghidoro, 2004 | Paneurhythmy in Bulgaria: philosophical aspects | Crossing identity boundaries |
288 | Koutsouba, Maria I. | Monghidoro, 2004 | Looking for an academic identity : the anthropological and ethnochoreological study of dance, two sides of the same coin? | Crossing identity boundaries |
289 | Kunej, Rebeka | Monghidoro, 2004 | Identity of dances at the border: a case study from Bela Krajina region | Crossing identity boundaries |
290 | Lanki, Colleen | Monghidoro, 2004 | Layers of male and female: liminal space for gender in Nihon Buyd | Crossing identity boundaries |
291 | Nilsson, Mats | Monghidoro, 2004 | Polska - a dance form in our time? Some reflection and examples of polska dancing in Sweden 2004 | Crossing identity boundaries |
292 | Özbilgin, Mehmet Öcal | Monghidoro, 2004 | Cross cultural influences on contemporary folk dances in western Anatolia | Crossing identity boundaries |
293 | Quigley, Colin | Monghidoro, 2004 | Scholarship, ideology and the construction of danced identities in Transylvania | Crossing identity boundaries |
294 | Rombou-Levidi, Marica | Monghidoro, 2004 | Dancing along a prohibited language: a case-study in East Macedonia - Greece | Crossing identity boundaries |
295 | Smith, Stephanie | Monghidoro, 2004 | The dancer within: identity and imaginings in English country dance | Crossing identity boundaries |
296 | Stepputat, Kendra | Monghidoro, 2004 | Balinese Gong Kebyar dances: gender-switching as normality | Crossing identity boundaries |
297 | Bolhassan, Dayang Mariana Abang | Monghidoro, 2004 | Ajat Indu': an identity of the Iban culture | Crossing identity boundaries |
298 | Glauser, Christine; , et al. | Monghidoro, 2004 | Dance life in the diaspora by sub-study group on migrations | |
299 | Bertuzzi, Elena | Cluj, 2006 | Différentes modalités d’utilisation de la cinéetographie Laban en éthnologie de la danse | From field to text: translations and representations |
300 | Dankworth, Linda | Cluj, 2006 | Embodied translations of Mallorcan dance and the influence of romantic ideology as a process in the production of cultural heritage | From field to text: translations and representations |
301 | Eriksen, Helene | Cluj, 2006 | From field to practice: the embodiment of field research | From field to text: translations and representations |
302 | Fügedi, János | Cluj, 2006 | Motivic microstructures and movement concepts of expression in traditional dances | From field to text: translations and representations |
303 | Misi, Gábor | Cluj, 2006 | Formal methods in form analysis of Transylvanian male solo dances | From field to text: translations and representations |
304 | Ivanova, Daniela | Cluj, 2006 | The folk dance group as a cultural phenomenon in Bulgaria: the period of transition after 1989 | From field to text: translations and representations |
305 | Loutzaki, Irene | Cluj, 2006 | My place in the dance (film) | From field to text: translations and representations |
306 | Moen, Ruth Anne | Cluj, 2006 | Hailing from Suldal: embodying the source material | From field to text: translations and representations |
307 | Olson, Judith E. | Cluj, 2006 | The intersection of dance structure and videotape: making a record of Hungarian táncház | From field to text: translations and representations |
308 | Özbilgin, Mehmet öcal | Cluj, 2006 | From field to stage | From field to text: translations and representations |
309 | Petac, Silvestru | Cluj, 2006 | Hora de pomană - metonymic symbol of the dead one’s wedding | From field to text: translations and representations |
310 | Rees, Vincent | Cluj, 2006 | Bereznianka: a Ukrainian dance revival? | From field to text: translations and representations |
311 | Stavělová, Daniela | Cluj, 2006 | Word and image: representing dance in a symbolic and cultural-historical framework | From field to text: translations and representations |
312 | Știuca, Narcisa Alexandra | Cluj, 2006 | “Dancing with death” (Romanian initiation rites in post-funeral context) | From field to text: translations and representations |
313 | Vellet, Joëlle | Cluj, 2006 | Du terrain au texte: la relation chercheur-danseur comme facteur de développement de la maitrise de la danse et de son enseignement | From field to text: translations and representations |
314 | Bakka, Egil | Cluj, 2006 | Ideological discourse and practical priorities of the Norwegian folk dance movement | Diverse fields to text: revival case studies |
315 | Zebec, Tvrtko | Cluj, 2006 | Perceptions of the staged folk dance practice in Croatia | Diverse fields to text: revival case studies |
316 | Smith, Stephanie | Cluj, 2006 | English country dance in the United States: rooted in Englishness or purely recreation? | Diverse fields to text: revival case studies |
317 | Nilsson, Mats | Cluj, 2006 | From popular to folk -> from folk to popular: the Swedish case | Diverse fields to text: revival case studies |
318 | Nahachewsky, Andriy | Cluj, 2006 | Comparing revival case studies | Diverse fields to text: revival case studies |
319 | Kaeppler, Adrienne L. | Cluj, 2006 | Ritual, theatre, and spectacle: exploring the rituals of Saint George’s Day | Diverse fields to text: revival case studies |
320 | Nor, Mohd Anis Md; Hussin, Hanafi | Cluj, 2006 | Mag-igal and Igal-jin: dancing the spirits of the ancestors in the rituals of Magduwata of the Bajau Kubang in Bumbum Island, Semporna, East Malaysia | Diverse fields to text: revival case studies |
321 | Giurchescu, Anca | Cluj, 2006 | The field as a ‘culture text’ or ‘textulising’ the field reality | Diverse fields to text: revival case studies |
322 | Özbilgin, Mehmet Öcal | Cluj, 2006 | 2005 Izmir / Turkey field research from the perspective of the planner | Diverse fields to text: revival case studies |
323 | Giurchescu, Anca | Cluj, 2006 | Hidrellez | Diverse fields to text: revival case studies |
324 | Dinçer, Fahriye | Cluj, 2006 | Some observations on Tahtaci ritual movements in Akçeşme village, May 2005 | Diverse fields to text: revival case studies |
325 | Rabb Aydin, Jaynie | Cluj, 2006 | From field to text - DVD presentation | Diverse fields to text: revival case studies |
326 | Alge, Barbara | Cluj, 2006 | La danga or Os Pauliteiros - different spaces of a Portuguese stick dance | Dance and space |
327 | Bajić, Vesna | Cluj, 2006 | Dance in space: kolo and its cultural space | Dance and space |
328 | David, Ann R. | Cluj, 2006 | Dancing in the deities’ space: questions of sacredness in British Hindu dance practice | Dance and space |
329 | Johnson, Sherry A. | Cluj, 2006 | Dancing outside the box: how Ottawa Valley Step Dancers conceive of performance space | Dance and space |
330 | Kunej, Rebeka | Cluj, 2006 | The role of space in the štajeriš dance | Dance and space |
331 | Ranisavljević, Zdravko | Cluj, 2006 | The role of space in the process of forming and shaping of dance heritage: the problem of authenticity of the dance heritage of Vojvodina | Dance and space |
332 | Sparti, Barbara | Cluj, 2006 | “Partitioning the terrain”: the importance of space in 15th-century Italian dance | Dance and space |
333 | Stepputat, Kendra | Cluj, 2006 | From temple courtyard to amphitheater: changes in the use of space in Balinese kecak performances | Dance and space |
334 | Van Zile, Judy | Cluj, 2006 | “Invading” space: achieving goals in a South Korean masked dance-drama | Dance and space |
335 | Vasić, Olivera | Cluj, 2006 | The interrelatedness of geographical space and dance | Dance and space |
336 | Visočnik, Nataša | Cluj, 2006 | Perception of space and body, and cultural anxiety in butö performances in Slovenia | Dance and space |
337 | Walsh, Kristin Harris | Cluj, 2006 | From the kitchen to the stage: shifts in spatial usage with the re-contextualization of Newfoundland set dance | Dance and space |
338 | Kaeppler, Adrienne L. | Kuala Lumpur, 2008 | Lakalaka and Mak'yong: a story of two masterpieces | Transmitting dance as cultural heritage |
339 | Felföldi, László | Kuala Lumpur, 2008 | Formation of the legal framework for the safeguarding of intangible cultural heritage in UNESCO | Transmitting dance as cultural heritage |
340 | Grau, Andrée | Kuala Lumpur, 2008 | Intangible culture, heritage and the dreaming | Transmitting dance as cultural heritage |
341 | Bakka, Egil | Kuala Lumpur, 2008 | Intangible cultural heritage: Agency and/or critical distance | Transmitting dance as cultural heritage |
342 | Shapiro-Phim, Toni | Kuala Lumpur, 2008 | Changing models of Cambodian classical dance pedagogy | Transmitting dance as cultural heritage |
343 | Fiskvik, Anne margrete | Kuala Lumpur, 2008 | Dance and cultural politics in Norway: a “national” rather than “royal” dance | Transmitting dance as cultural heritage |
344 | Schjønsby, Turid N. | Kuala Lumpur, 2008 | Eurythmy in Norwegian Steiner schools | Transmitting dance as cultural heritage |
345 | Mæeland, Siri | Kuala Lumpur, 2008 | Vestlandsspringaren; the rise and fall of authenticity | Transmitting dance as cultural heritage |
346 | Alcedo, Patrick | Kuala Lumpur, 2008 | Narrating and constructing “authenticity” in a Philippine festival | Transmitting dance as cultural heritage |
347 | Backer, Mumtaz begum aboo | Kuala Lumpur, 2008 | Embodying heritage through performativity and the empowerment of women | Transmitting dance as cultural heritage |
348 | Blrridge, Stephanie | Kuala Lumpur, 2008 | Privileging artists’ voices: writing dance as cultural heritage | Transmitting dance as cultural heritage |
349 | Ćaleta, Joško | Kuala Lumpur, 2008 | “Traditional” dance and music for the tourists (construction, reconstruction and invention) - a researcher's experience | Transmitting dance as cultural heritage |
350 | Dankworth, Linda | Kuala Lumpur, 2008 | Performing culture and identity: constructing heritage through tourism and dance | Transmitting dance as cultural heritage |
351 | Dinçer, Fahriye | Kuala Lumpur, 2008 | The initial folk dance seminar in Turkey | Transmitting dance as cultural heritage |
352 | Dunin, Elsie ivancich | Kuala Lumpur, 2008 | Village “folklore” as a touristic commodity in the Dubrovnik area, a thirty-year overview | Transmitting dance as cultural heritage |
353 | Gonzales, Joseph | Kuala Lumpur, 2008 | The gender constructions in the contemporary performance of Makyung | Transmitting dance as cultural heritage |
354 | Ivanova, Daniela | Kuala Lumpur, 2008 | Bulgarian folk dance group performance in tourist settings | Transmitting dance as cultural heritage |
355 | Jacinto, Joelle | Kuala Lumpur, 2008 | The methods of heritagization of the national artists for dance in the Philippines | Transmitting dance as cultural heritage |
356 | Muliati, Roza | Kuala Lumpur, 2008 | The transmitting of Minangkabau dance: from male folk play to genderless performing art | Transmitting dance as cultural heritage |
357 | Nahachewsky, Andriy | Kuala Lumpur, 2008 | The concept of 'imputed setting' in heritage dance | Transmitting dance as cultural heritage |
358 | Niemčić, Iva | Kuala Lumpur, 2008 | Applied ethnochoreology or about invisible female dancers again | Transmitting dance as cultural heritage |
359 | Öztürkmen, Arzu | Kuala Lumpur, 2008 | Negotiating the folk, the local and the national in Turkish dance | Transmitting dance as cultural heritage |
360 | Quintero, Wayland | Kuala Lumpur, 2008 | Transmission through misrepresentation: Philippine royal court dancing and playing indigenous in New York City | Transmitting dance as cultural heritage |
361 | Rowe, Nicholas | Kuala Lumpur, 2008 | Dance appropriation and authenticity in Palestine | Transmitting dance as cultural heritage |
362 | Teodoro, Melissa | Kuala Lumpur, 2008 | The embodiment of cultural syncretism: traveling down the Rio Magdalena in search of Cumbia | Transmitting dance as cultural heritage |
363 | Tuchman-Rosta, Celia | Kuala Lumpur, 2008 | The use of archaeology in dance reconstruction: the re-creation of “classical” movement and the use of ancient space | Transmitting dance as cultural heritage |
364 | Wharton, Anne von Bibra | Kuala Lumpur, 2008 | Changes in the transmission of Javanese dance: a case study | Transmitting dance as cultural heritage |
365 | Bonfiglioli, Carlo | Kuala Lumpur, 2008 | Mythical personages, spiritual pathways, and ritual condition: the language of the dance in the Mexican Northwest | Dance and religion |
366 | David, Ann R. | Kuala Lumpur, 2008 | When the body becomes the dance: issues of space, place-making and empowerment in British Hindu worship | Dance and religion |
367 | Dea, Alex | Kuala Lumpur, 2008 | Does the Queen of the South Sea like cigars? | Dance and religion |
368 | Hinz, Sonja | Kuala Lumpur, 2008 | Mysticism, sensuality, and emotion in Tajik dance | Dance and religion |
369 | Nor, Mohd anis md | Kuala Lumpur, 2008 | Playing is dancing: permissibility and legitimacy of Malay-Islamic structured movement system in the Malay world of Southeast Asia | Dance and religion |
370 | Widaryanto, Franciscus xaverius | Kuala Lumpur, 2008 | Cross-gender and dance ritual in Java | Dance and religion |
371 | , Yusfil | Kuala Lumpur, 2008 | Baluambek in the Alek Pauleh Tinggi festival of Minangkabau's Sicincin | Dance and religion |
372 | Zebec, Tvrtko | Kuala Lumpur, 2008 | Catholicism and dance: ritual, pleasure, bans, and morality | Dance and religion |
373 | David, Ann R. | Třešť, 2010 | Gendered orientalism? Gazing on the male South Asian dancer | Dance, gender, and meanings |
374 | Girgin Tohumcu, Gonca | Třešť, 2010 | Comment on social learning theory of Bandura: gender roles of the Romani dance in Sulukule | Dance, gender, and meanings |
375 | Melin, Mats | Třešť, 2010 | Gendered movements in Cape Breton step dancing | Dance, gender, and meanings |
376 | Nor, Mohd Anis Md | Třešť, 2010 | Dancing women performing men: reiterating gender in Makyong’s dance of Menghadap Rebab | Dance, gender, and meanings |
377 | Seye, Elina | Třešť, 2010 | Constructions of femininity in sabar performances | Dance, gender, and meanings |
378 | Smith, Stephanie; Beer, Jennifer | Třešť, 2010 | Erasing gender in English country dance | Dance, gender, and meanings |
379 | Van ede, Yolanda | Třešť, 2010 | Sounding moves: flamenco, gender, and meaning in Tokyo | Dance, gender, and meanings |
380 | Aktaş, Gürbüz | Třešť, 2010 | Azerbaijani folkdance from Gobustan caves to proscenium stage | Contemporizing traditional dance |
381 | Dunin, Elsie ivancich | Třešť, 2010 | Performing local folklor (dances): lindjo in Croatia and čoček in Macedonia, two case studies | Contemporizing traditional dance |
382 | Giurchescu, Anca | Třešť, 2010 | A disputed issue: contemporizing (safeguarding) the ritual căluș (Romania) | Contemporizing traditional dance |
383 | Green, Nick | Třešť, 2010 | Dance practices in Banat: ‘contra-timp’ from the Banat mountain villages in the urban context | Contemporizing traditional dance |
384 | Ivanova-nyberg, Daniela | Třešť, 2010 | Shopska syuita forever? Bulgarian folk stage repertoire in the U.S.A. today | Contemporizing traditional dance |
385 | Kaeppler, Adrienne l. | Třešť, 2010 | Playing with fire: contemporizing Pele, the volcano goddess | Contemporizing traditional dance |
386 | Kurtişoğlu, Belma | Třešť, 2010 | Performing rijetko to be a Bosniak | Contemporizing traditional dance |
387 | Mellish, Liz | Třešť, 2010 | Choreographic networks and dance styling in the Banat region of southwest Romania | Contemporizing traditional dance |
388 | Nilsson, Mats | Třešť, 2010 | Contemporizing traditional dance? | Contemporizing traditional dance |
389 | Olson, Judith | Třešť, 2010 | Hungarian dance performance in New York/New Jersey 1958-present: changing ideas of authentic dance presentation and choreographic approach | Contemporizing traditional dance |
390 | Özbilgin, Mehmet öcal | Třešť, 2010 | Staging traditional dances under the socio-political opinion of early Turkish Republican era | Contemporizing traditional dance |
391 | Phillips, Miriam | Třešť, 2010 | D’mba lost and found: the discovery, destruction, construction and reconstruction of Baga masked dance in traditional villages of Guinea, West Africa | Contemporizing traditional dance |
392 | Ruyter, Nancy lee | Třešť, 2010 | Views of “authenticity" in writings about staged productions of traditional dance | Contemporizing traditional dance |
393 | Saarikoski, Helena | Třešť, 2010 | How do values find embodiment? The Finnish case of popular dances on pavilion floors | Contemporizing traditional dance |
394 | You, Jiaying | Třešť, 2010 | Preservation and innovation in Mongolian dance in China | Contemporizing traditional dance |
395 | Bhriain, Orfhlaith m. ní | Třešť, 2010 | Contemporizing traditional step dance in Ireland: the impact of competition culture on contemporary Irish step dance | Contemporizing traditional dance |
396 | Foley, Catherine e. | Třešť, 2010 | Contemporizing Irish step dance within a university context | Contemporizing traditional dance |
397 | Gallaí, Breandán de | Třešť, 2010 | A choreographic investigation of the boundaries of Irish dance: finding a new voice for Irish traditional dance post Riverdance | Contemporizing traditional dance |
398 | Gremlicová, Dorota | Třešť, 2010 | Traditional dance as a phenomenon inside the Czech modernism | Contemporizing traditional dance |
399 | Stavělová, Daniela | Třešť, 2010 | Traditional dancing on the stage: seeking authenticity | Contemporizing traditional dance |
400 | Vejvoda, Zdeněk | Třešť, 2010 | Musician and audience: stage production and reception of Czech traditional music | Contemporizing traditional dance |
401 | Torp, Jörgen | Třešť, 2010 | Tango and other Argentinian dances as intangible cultural heritage | Contemporizing traditional dance |
402 | Bakka, Egil | Třešť, 2010 | Rise and fall of dances | Contemporizing traditional dance |
403 | Karoblis, Gediminas | Třešť, 2010 | Latin American dances: compensating modernisation effects? | Contemporizing traditional dance |
404 | Aktaş, Gürbüz | Limerick, 2012 | From a village room to a stadium semah: medium of religious expression and socio-political identity | Dance and place |
405 | Bajić Stojiljković, Vesna | Limerick, 2012 | Dance and stage: a proposal for structural analysis of space of folk dance choreography | Dance and place |
406 | Bibra Wharton, Anne von | Limerick, 2012 | Dance and place in the Herbstadter Plantanz: a hundred year perspective | Dance and place |
407 | Dimopoulos, Konstantinos | Limerick, 2012 | From human voice to musical instruments, changes in poetic and melodic identity components in the community of Vathylakkos, Karditsa | Dance and place |
408 | Dunin, Elsie Ivancich | Limerick, 2012 | From Croatia to the Americas and Australia: Korčula's sword dances in diaspora | Dance and place |
409 | Ede, Yolanda van | Limerick, 2012 | Out of hands out of feet: Japanese flamenco from studio to screen | Dance and place |
410 | Gibert, Marie-Pierre | Limerick, 2012 | “Is this the place to play with the dance?” | Dance and place |
411 | Girgin-Tohumcu, Gonca | Limerick, 2012 | Romani dance versus Romani style dancing: a case study of Turkish Thrace Romani dance | Dance and place |
412 | Giurchescu, Anca | Limerick, 2012 | Placing the dance in space: norms of the past and present | Dance and place |
413 | Green, Nick | Limerick, 2012 | Dance practices in Banat: mountain village dances in the regional city of Timișoara | Dance and place |
414 | Ivanova-Nyberg, Daniela | Limerick, 2012 | Folk dancing abroad: Bulgarian folk dance activities in the United States today | Dance and place |
415 | Kaeppler, Adrienne | Limerick, 2012 | From Hawaiian temples and chiefly courts to festival stages in Japan | Dance and place |
416 | Katarinčić, Ivana | Limerick, 2012 | Space and place in the dance | Dance and place |
417 | Koutsouba, Maria I. | Limerick, 2012 | Places, dances(s) and 'realities': contexts and forms of the tsamikos dance in Greece | Dance and place |
418 | Kurt Kemaloğlu, Berna | Limerick, 2012 | From field to the stage: staged folk dance performances in Turkey and the claims about authenticity | Dance and place |
419 | Kurtişoğlu, Belma | Limerick, 2012 | Çftetelli on artistic and social stages | Dance and place |
420 | Laukkanen, Anu | Limerick, 2012 | Hips don't lie? Affective and kinesthetic dance ethnography | Dance and place |
421 | Nor, Mohd Anis Md; Hussin, Hanafi | Limerick, 2012 | Lariangi: dancing maiden, palace and royals of the Butonese kingdom in southeast Sulawesi, Indonesia | Dance and place |
422 | Olson, Judith E. | Limerick, 2012 | Pursuing meaning in heritage: tanchaz and intersection of conceptual and physical space | Dance and place |
423 | Painter, Elizabeth | Limerick, 2012 | On machismo in Cuban casino | Dance and place |
424 | Rakočević, Selena | Limerick, 2012 | Dance, place, and cross-cultural exchange dance practice of village Svinica (Romania) | Dance and place |
425 | Ranisavljević, Zdravko | Limerick, 2012 | Kolo u tri in the dance tradition of the Serbs: the case of the modern Serbian wedding | Dance and place |
426 | Sarkar Munsi, Urmimala | Limerick, 2012 | Many faces of Purulia: festivals, performances and extremist activities | Dance and place |
427 | Spanos, Kathleen A. | Limerick, 2012 | Weaving music and braiding tradition: Irish step dance in the percussive dance diaspora | Dance and place |
428 | Staro, Placida | Limerick, 2012 | E noi ci balliamo sopra (And we dance - ourselves - over) | Dance and place |
429 | Torp, Jörgen | Limerick, 2012 | Tango placed and unplaced: a historical sketch of two centuries | Dance and place |
430 | Van Zile, Judy | Limerick, 2012 | (Re-)placing dance in Korea: advertising with and for dance | Dance and place |
431 | Zebec, Tvrtko | Limerick, 2012 | Irish Maiden - Croatian maiden with an Irishman: Irish dancing in Croatia | Dance and place |
432 | Bakka, Egil; Karoblis, Gediminas | Limerick, 2012 | How performer-spectator relationship affects private and public place distinction | Dance and place |
433 | Dankworth, Linda | Limerick, 2012 | The state of the festival: performing politics and cultural exchange | Dance and Festival |
434 | Dinçer, Fahriye | Limerick, 2012 | The revitalisation process of the Calf Festival (Dana Bayram) of Aftro-Turks in Izmir | Dance and Festival |
435 | Gremlicová, Dorota | Limerick, 2012 | Graduation ball as a multifunctional festivity | Dance and Festival |
436 | Kunej, Rebeka | Limerick, 2012 | Let's go to veselica, Let's go dancing | Dance and Festival |
437 | Loutzaki, Irene | Limerick, 2012 | Local communities on display: the nature and role of a cultural festival viewed through the eyes of the attendees | Dance and Festival |
438 | Mellish, Liz | Limerick, 2012 | Dance performances as part of community festivals in Timișoara, Romania | Dance and Festival |
439 | Özbilgin, Mehmet Öcal | Limerick, 2012 | Association for Promoting and Protecting Turkish Folk Dances" its activities and influences | Dance and Festival |
440 | Phillips, Miriam | Limerick, 2012 | Beauty and the beast: the San Franciso ethnic dance festival's global stage | Dance and Festival |
441 | Stavělová, Daniela | Limerick, 2012 | Traditional festivities in Bohemia: continuity and revitalisation | Dance and Festival |
442 | Ünlü, Ömer Barbaros | Limerick, 2012 | Competition on the uplands of Trabzon: dance overview of the upland festivals of the Black Sea region | Dance and Festival |
443 | Vissicaro, Pegge | Limerick, 2012 | The emergence of creative communities: Festas Junina in Sao Paulos, Brazil | Dance and Festival |
444 | Giurchescu, Anca | Limerick, 2012 | A short history of the ICTM Study Group on Ethnochoreology | |
445 | Stavělová, Daniela | Limerick, 2012 | ICTM Sub-Study group on Field Research Theory and Methods in Vičnov : ‘The ride of the Kings’ | |
446 | Rakočević, Selena | Korčula, Croatia 2014 | Writing movements and music: hora de pomană in ethnochoreological / ethnomusicological narrative | Dance and narratives |
447 | Mellish, Liz; Green, Nick | Korčula, Croatia 2014 | Revisiting practices commemorating the dead through dancing in Romanian Banat villages | Dance and narratives |
448 | Gore, Georgiana | Korčula, Croatia 2014 | Generating dance narratives through interviewing | Dance and narratives |
449 | Karoblis, Gediminas | Korčula, Croatia 2014 | Dance and communism(s): how deep does it go? | Dance and narratives |
450 | Mæland, Siri | Korčula, Croatia 2014 | Narratives about knowledge-in-dancing | Dance and narratives |
451 | Aktaş, Gürbüz | Korčula, Croatia 2014 | Wolf and Lamb (kurt-kuzu): a theatrical dance of southern Turkey | Dance and narratives |
452 | Alge, Barbara | Korčula, Croatia 2014 | Moors, Emboabas, and Nazaré: narratives on a horse pageant in Brazil | Dance and narratives |
453 | Bajić Stojiljković, Vesna | Korčula, Croatia 2014 | Staged folk dance in theatrical narratives | Dance and narratives |
454 | Dankworth, Linda | Korčula, Croatia 2014 | Narrative and aesthetic representations of gender in Mallorquin dance | Dance and narratives |
455 | David, Ann R. | Korčula, Croatia 2014 | Feminine narratives of selfhood: Punjabi women's song and dance | Dance and narratives |
456 | Dunin, Elsie Ivancich | Korčula, Croatia 2014 | Korčula's Moreška and its Turkish connection: shipbuilders and the bula | Dance and narratives |
457 | Foley, Catherine E. | Korčula, Croatia 2014 | Tearmanm narrative in a folk theatrical production of Siamsa Tire, the national folk theatre of Ireland | Dance and narratives |
458 | Girgin-Tohumcu, Gonca | Korčula, Croatia 2014 | Choreographing narrative and narrated choreographies: Gypsy style dancing images in Turkish cinema in the 1960s | Dance and narratives |
459 | Grau, Andrée | Korčula, Croatia 2014 | Dance and narratives of womanhood | Dance and narratives |
460 | Gruber, Cornelia | Korčula, Croatia 2014 | Embodied narratives: Are we still fighting, or are we dancing? | Dance and narratives |
461 | Hayashi, Lucie Burešová | Korčula, Croatia 2014 | Dancing poetry in Japanese nō theatre movement: narratives in the choreography of Hagoromo | Dance and narratives |
462 | Ivanova-Nyberg, Daniela | Korčula, Croatia 2014 | Giving a name — giving a life: Bulgarian folk choreographer speaking | Dance and narratives |
463 | Karin, Vesna | Korčula, Croatia 2014 | Dance and words: dance practice of the Serbs from Lika in Bačka | Dance and narratives |
464 | Krstic, Nadine | Korčula, Croatia 2014 | Dancing through sparks, Korčula's sword dance Moreška enters the 21st century (film presentation) | Dance and narratives |
465 | Kurt Kemaloğlu, Berna | Korčula, Croatia 2014 | A critical analysis of the narratives about the Atabari dance | Dance and narratives |
466 | Kurtişoğlu, Belma | Korčula, Croatia 2014 | Ontological shift of what halay narrates | Dance and narratives |
467 | Kurtişoğlu, Bülent | Korčula, Croatia 2014 | Hasan the bandit and the hero from Debar-Drama | Dance and narratives |
468 | Loutzaki, Irene | Korčula, Croatia 2014 | Greek traditional dance as staged performance: cultural representations and signifying practices | Dance and narratives |
469 | Moura, Margarida | Korčula, Croatia 2014 | Traditional dances of Madeira Island: narratives in motion | Dance and narratives |
470 | Neferović, Koraljka Josipa | Korčula, Croatia 2014 | Interweaving of narratives with the Kolo of the Bokelian Mariners | Dance and narratives |
471 | Nor, Mohd Anis Md | Korčula, Croatia 2014 | Ramayana epic: corporeal narratives in Southeast Asia | Dance and narratives |
472 | Olson, Judith E. | Korčula, Croatia 2014 | Changing narratives of authenticity among heritage groups and folk dancers | Dance and narratives |
473 | Özbilgin, Mehmet Öcal | Korčula, Croatia 2014 | Köroğlu knife dances | Dance and narratives |
474 | Phillips, Miriam | Korčula, Croatia 2014 | Nostalgic narratives: paths between Kathak-Flamenco collaborations | Dance and narratives |
475 | Rowe, Nicholas | Korčula, Croatia 2014 | Post-identity applied ethnochoreology: Talking Dance narratives | Dance and narratives |
476 | Ruxandra, Ana | Korčula, Croatia 2014 | Embodied narratives of self and otherness in competitive Latin dancing | Dance and narratives |
477 | Rlyter, Nancy Lee | Korčula, Croatia 2014 | Ethnic dance, world dance, cultural forms, or "???" (research report) | Dance and narratives |
478 | Sardelić, Sani | Korčula, Croatia 2014 | A poem about kumpanija (a sword dance event) in Žrnovo village 1928 | Dance and narratives |
479 | Schjønsby, Turid Nokleberg | Korčula, Croatia 2014 | Narratives and gesture in early modem dance | Dance and narratives |
480 | Singer, Allison Jane | Korčula, Croatia 2014 | Dancing ourselves - the personal narratives of dance: a source for healing | Dance and narratives |
481 | Smith, Stephanie | Korčula, Croatia 2014 | City folk: a narrative of creating community in America through English country dance (film presentation) | Dance and narratives |
482 | Staro, Placida | Korčula, Croatia 2014 | Ruggero: between poetry and dance | Dance and narratives |
483 | Stavělová, Daniela | Korčula, Croatia 2014 | Narratives as a tool for understanding the inner side of dance in a socio-cultural and political context | Dance and narratives |
484 | Tércio, Daniel | Korčula, Croatia 2014 | Narratives on the Limp's dance | Dance and narratives |
485 | Vellet, Joëlle | Korčula, Croatia 2014 | Discourse in situation: tools of acquisition of dance knowledge | Dance and narratives |
486 | Vissicaro, Pegge | Korčula, Croatia 2014 | Narratives of difference: quadrilhas caipiras of São Paulo, Brazil | Dance and narratives |
487 | Zdravkova-Djeparoska, Sonja | Korčula, Croatia 2014 | Narrativization of Macedonian traditional dances | Dance and narratives |
488 | Ćaleta, Joško | Korčula, Croatia 2014 | Traditional performance and the question of ownerhship: ojkanje and silent dance on the UNESCO lists | Dance as intangible and tangible cultural heritage |
489 | Katarinčić, Ivana | Korčula, Croatia 2014 | Tango dance practices in dance schools in Croatia: the tango's, multiple identities | Dance as intangible and tangible cultural heritage |
490 | Niemčić, Iva | Korčula, Croatia 2014 | The internet presentation of the Intangible Cultural Heritage based on the example of sword dances in Croatia | Dance as intangible and tangible cultural heritage |
491 | Zebec, Tvrtko | Korčula, Croatia 2014 | Reinterpreting (national) intangible heritage: how do we present ourselves? | Dance as intangible and tangible cultural heritage |
492 | Viken, Sjur | Korčula, Croatia 2014 | Accentuation of beats in asymmetrical triple meter | Dance as intangible and tangible cultural heritage |
493 | Stranden, Marit | Korčula, Croatia 2014 | Variations in traditional dances | Dance as intangible and tangible cultural heritage |
494 | Mogstad, Ivar | Korčula, Croatia 2014 | The relation of Norwegian round dances to northern European music | Dance as intangible and tangible cultural heritage |
495 | Bakka, Egil | Korčula, Croatia 2014 | Safeguarding of the Intangible Cultural Heritage (ICH) and the role of community | Dance as intangible and tangible cultural heritage |
496 | Barčot, Tonko | Korčula, Croatia 2014 | The Sokol movement and folk dance heritage on the island of Korčula | Dance as intangible and tangible cultural heritage |
497 | Černičková, Katerina | Korčula, Croatia 2014 | Nine years of distinction: Slovácký Verbuňk and folk dance heritage | Dance as intangible and tangible cultural heritage |
498 | Chao, Chi-Fang | Korčula, Croatia 2014 | Local versus world culture: Intangible and Tangible Cultural Heritage on Taketomi Island | Dance as intangible and tangible cultural heritage |
499 | Felföldi, László | Korčula, Croatia 2014 | From tangible to intangible: sword dance of the Saxons in Transylvania | Dance as intangible and tangible cultural heritage |
500 | Graeff, Nina | Korčula, Croatia 2014 | Embodying candomblé dances: safeguarding intangible heritage | Dance as intangible and tangible cultural heritage |
501 | Greenblatt, Edy | Korčula, Croatia 2014 | Israel's successful strategies for creations and dynamic preservation of recreational Israeli dance worldwide | Dance as intangible and tangible cultural heritage |
502 | Hajdić, Marija | Korčula, Croatia 2014 | Why and how museology represents Moreška as Intangible Cultural Heritage | Dance as intangible and tangible cultural heritage |
503 | Helmersson, Linnea | Korčula, Croatia 2014 | Dance as sin or a joy: influence of religion on safeguarding of traditional dances | Dance as intangible and tangible cultural heritage |
504 | Koutsouba, Maria I. | Korčula, Croatia 2014 | Greek perspectives on the Intangible Cultural Heritage of dance | Dance as intangible and tangible cultural heritage |
505 | Kubinowski, Dariusz | Korčula, Croatia 2014 | From fieldwork to staged reconstruction of dance traditions | Dance as intangible and tangible cultural heritage |
506 | Kunej, Rebeka | Korčula, Croatia 2014 | RZD-01 -13-0003-03: the tangible form of intangible dance cultural heritage | Dance as intangible and tangible cultural heritage |
507 | Nyander, Anna | Korčula, Croatia 2014 | Queer dance - old tradition becomes modern gender issue | Dance as intangible and tangible cultural heritage |
508 | Opetcheska-Tatarchevska, Ivona | Korčula, Croatia 2014 | Recontextualization of traditional dance culture in Macedonia | Dance as intangible and tangible cultural heritage |
509 | Panova-Tekath, Gergana | Korčula, Croatia 2014 | Bulgarian traditional dance as a cultural heritage between east and west: continuity and innovation | Dance as intangible and tangible cultural heritage |
510 | Steppeutat, Kendra | Korčula, Croatia 2014 | Tango, the not quite Intangible Cultural Heritage | Dance as intangible and tangible cultural heritage |
511 | Tuchman-Rosta, Celia | Korčula, Croatia 2014 | Intangible heritage in motion: classical Cambodian dance at a New Years Festival in Siem Reap | Dance as intangible and tangible cultural heritage |
512 | Azzarelli, Sara | Korčula, Croatia 2014 | Dancing across gender boundaries: queer experiences in Bharatanatyam Abhinaya | |
513 | Chanta-Martin, Natasa | Korčula, Croatia 2014 | A language that makes you dance: appropriation of and interaction with drum language in Yorubaland | |
514 | Chen, Chiao-Hsin | Korčula, Croatia 2014 | Embodied cultural heritage: harvest ritual dancing in indigenous community Makotaay, Taiwan | |
515 | Dick, Christopher S. | Korčula, Croatia 2014 | Movement and music: a motion capture analysis of capoeira's ginga | |
516 | Dimopoulos, Konstantinos | Korčula, Croatia 2014 | Dance configurations/patterns in space and time: the example of communities in the zone of Agrafa, Karditsa, Greece | |
517 | Kibirige, Ronald | Korčula, Croatia 2014 | Continuity challenges of traditional dancing in multi-ethnic Uganda: the case study of Myel Bwola | |
518 | Korzenszky, Tamás | Korčula, Croatia 2014 | Traditional Hungarian Romani/Gypsy dance practices in Transylvania to Romanian electronic pop-folk music | |
519 | Luna, Jared Jonathan | Korčula, Croatia 2014 | All Style All Stars: streetdance freestyle and competition in Manila, Philippines | |
520 | Mollenhauer, Jeanette | Korčula, Croatia 2014 | Translated traditions: comparative study of traditional dance and music in Sydney, Australia | |
521 | Rann, Shanny | Korčula, Croatia 2014 | Potency of dance form analysis: decoding a (secret) Tibetan Lama dance | |
522 | David, Ann R. | Graz, 2016 | Haptic codes of desire in bollywood dance sequences | Dance and the Senses |
523 | Hayashi, Lucie | Graz, 2016 | Perception of dance from the japanese body: sixth sense of a dancer - inner touch or outer sight? | Dance and the Senses |
524 | Kapper, Sille | Graz, 2016 | Dancers' agency and formation of bodily knowledge | Dance and the Senses |
525 | Kunej, Rebeka | Graz, 2016 | Deaf and hard of hearing dancers and the folklore dance group | Dance and the Senses |
526 | Loutzaki, Irene | Graz, 2016 | Greek communities and bodily ways of knowing: a work in progress | Dance and the Senses |
527 | Mateos morante, Rebeca | Graz, 2016 | Through the looking glass i dance: an autoethnography of the dancer's gaze during the formation of the dancing body in danza espanola | Dance and the Senses |
528 | Nahachewsky, Andriy | Graz, 2016 | Using the eyes in ukrainian dance | Dance and the Senses |
529 | Nor, Mohd Anis Md | Graz, 2016 | Dancing the qalb: sensorial perception of sufism in zapin | Dance and the Senses |
530 | Quigley, Colin | Graz, 2016 | From proxemics to proprioception in newfoundland traditional dance | Dance and the Senses |
531 | Rakočević, Selena | Graz, 2016 | Dance, senses, and ethnochoreological fieldwork: some deliberations of sensory stimuli while experiencing dance in the field | Dance and the Senses |
532 | Saarikoski, Helena | Graz, 2016 | Dance knowledge in dancers’ stories about their learning to dance, with special reference to the “sense of rhythm” | Dance and the Senses |
533 | Smith, Rori | Graz, 2016 | Beneath the cultural body: sensory experience in continuum movement practice | Dance and the Senses |
534 | Varga, Sándor | Graz, 2016 | Use of space in the dance-house in the mezőség region | Dance and the Senses |
535 | Foley, Catherine E. | Graz, 2016 | Steps, style and sensing the difference: an examination of Molyneaux's traditional set dances within competition culture | Dance and the Senses |
536 | Gallai, Breandán de | Graz, 2016 | Making sense of the dance: contemporary Irish dance production | Dance and the Senses |
537 | Quintero, Wayland; Eriksen, Helene | Graz, 2016 | Summary - dance and the senses | Dance and the Senses |
538 | Al obeidyine, Jana | Graz, 2016 | Re-educating the senses: exploring the role of Argentine tango in reshaping the sensory disposition of non-Argentinian urban practitioners | Dancing and Dance cultures in Urban Contexts |
539 | Ćaleta, Joško; Zebec, Tvrtko | Graz, 2016 | Urban context for rural music and dance patterns: a Croatian case study | Dancing and Dance cultures in Urban Contexts |
540 | Helmersson, Linnea | Graz, 2016 | In the middle of modernisation - the dance heritage and the enthusiasts | Dancing and Dance cultures in Urban Contexts |
541 | Inoue, Atsuki | Graz, 2016 | The separation of dance and music in contemporary Japan: an inquiry into the standardization of ballroom dance | Dancing and Dance cultures in Urban Contexts |
542 | Kaeppler, Adrienne L. | Graz, 2016 | Two Tongan dance forms in modern contexts | Dancing and Dance cultures in Urban Contexts |
543 | Koutsouba, Maria I. | Graz, 2016 | For the syrtaki dance once more: cosmopolitanism, globalization and urbanization in continuum | Dancing and Dance cultures in Urban Contexts |
544 | Staro, Placida | Graz, 2016 | Altrove e altrimenti: la danza delle “anime perse”. Elsewhere and otherwise, in another way, in another time and in another place: the dance of the wandering souls | Dancing and Dance cultures in Urban Contexts |
545 | Stepputat, Kendra | Graz, 2016 | Tango journeys - going on a pilgrimage to Buenos Aires | Dancing and Dance cultures in Urban Contexts |
546 | Torp, Jörgen | Graz, 2016 | Underlining differences: (urban) "popular" vs. (rural) "folk" | Dancing and Dance cultures in Urban Contexts |
547 | Kratochvíl, Matěj | Graz, 2016 | Bubble moving through the streets: music at the urban carnival | Dancing and Dance cultures in Urban Contexts |
548 | Stavělová, Daniela | Graz, 2016 | Negotiating the place for a dance | Dancing and Dance cultures in Urban Contexts |
549 | Černíčková, Katerina | Graz, 2016 | Private dialog with the public space: role of personality in dance repertory process | Dancing and Dance cultures in Urban Contexts |
550 | Green, Nick | Graz, 2016 | Social dancers in balkan folk dance performance: communities, traditions and sensory concepts? | Dancing and Dance cultures in Urban Contexts |
551 | Ivanova-nyberg, Daniela | Graz, 2016 | Bulgarian dance in seattle: field studies among the international folk dance community in greater seattle | Dancing and Dance cultures in Urban Contexts |
552 | Mellish, Liz | Graz, 2016 | Dancing the balkans in the UK: being a little balkan in London, Manchester, Edinburgh | Dancing and Dance cultures in Urban Contexts |
553 | Antzaka, Lily; Seye, Elina | Graz, 2016 | Summary - dancing and dance cultures in urban contexts | Dancing and Dance cultures in Urban Contexts |
554 | Seye, Elina | Graz, 2016 | In a lion's clothes: DVD presentation | |
555 | Bibra wharton, Anne von | Graz, 2016 | Sajojo and poco-poco: two “community” dances in Indonesia | |
556 | Čurda, Barbara | Graz, 2016 | Establishing lineages through discursive and choreographic practices: Odissi dancers' references to Mahari & Gotipua dances | |
557 | De rosa, Sinibaldo | Graz, 2016 | Looking at the alevi-bektaşi semah through kinetography laban | |
558 | Dick, Christopher S. | Graz, 2016 | Digital movement: an overview of computer-aided analysis of human motion | |
559 | Fountzoulas, Giorgos K. | Graz, 2016 | Dance and politics: the case of the gaitanaki ritual in the communities of Skala and Daphne Nafpaktia in the Greek prefecture of Aitoloakarnania | |
560 | Gayraud, Elise G. M. | Graz, 2016 | Made in Britain: dance traditions travelling in a globalising world | |
561 | Mollenhauer, Jeanette | Graz, 2016 | Transnational sensescapes: deploying the senses in the diaspora | |
562 | O brien, Juliette | Graz, 2016 | The global salsa matrix | |
563 | Urbanavičiené, Dalia | Graz, 2016 | Lithuanian traditional dance: foreign and native, from rural to urban | |
564 | Charitonidis, Chariton | Graz, 2016 | The “re-urbanization” of an expatriated dance culture. the Greek dance-house in Hungary | |
565 | Dimopoulos, Konstantinos | Graz, 2016 | Rural dances under the prism of the “urban framework”: the example of the movie to homa vaftike kokkino" | |
566 | Dulin, Catherine | Graz, 2016 | The evolution of the waltz in vienna: a socio-cultural analysis of the dancing embrace | |