Ilmington morris dancers

Ilmington is a village in the South Midlands of England, on the border between the counties of Warwickshire and Gloucestershire. The local town is Shipston-on-Stour and further north is the town of Stratford-upon-Avon.

Many villages in the South Midlands – Oxfordshire, Gloucestershire, Northamptonshire, Warwickshire, and Buckinghamshire – had morris teams between the 17th to 19th centuries which are generally referred to as “Cotswold Morris” by the 20th century revival teams. The popularity as entertainment in the villages seems to have declined after the 1860s in many locations, leading to various revivals during the following century.

In Ilmington it is documented that there was an active morris team in 1805, 1860s, revived in 1886, 1887, 1897, from 1907 to 1919, and again from 1974. However it seems likely that there was a team with continuity in tradition from at least from the late 18th century until the late 19th century. Arguably the 1907 team had continuity in one member from the previous team and several sons of previous dancers.

My interest in the Morris team dates from the early 1970s when our family moved to Shipston and made contact with the old fiddler ‘Harry’ Sturch plus some interested local people, which resulted in Paul Bryan, Stan Jones and Chris Green (my father) restarting Morris dancing in Ilmington in 1974. I joined the team in 1976.

See my article PDF: Ilmington Morris Part 1: 17th to 19th century

Research topics

Dance structure - understanding patterned movement

Ethnography - customs and traditions

Ilmington morris - South Midlands traditional morris

Topic: Dance structures

Keywords:

Nick, as a scientist by training, profession and upbringing, has always taken an interest in dance structural analysis methodologies[1], where structure is the organisation and arrangement of the parts in a system of dancing. In participative dance genres the focus often is on the repetitive patterning and the relationships between movement groupings. His feeling is that this might be the place for scientific minded logic to integrate with the process of dancing (whatever that might be). In many ways this is true, but in many respects he still has misgivings over the idea of any universal method and notation, and is concerned that this often leads an outsider’s notation of the dance “product”.

Within the southeast European traditional dance context the works of Anca Giurchescu[2] and Martin[3][4] are good examples of applying logical concepts to certain genres of dance. I have touched on some aspects of my questioning in a number of conference papers, dance meetings.

I learnt from practical science and engineering to keep one’s understanding as simple as possible and not to bind up the logic in complex words. These posts are designed to be short and to the point, starting from the basics, without wide referencing to previous history of academic discussions and conventions.

Footnotes

  1. Kaeppler, Adrienne Lois & Dunin, Elsie Ivancich (editors) (2007). Dance structures: perspectives on the analysis of human movement. Budapest: Akadémiai Kiadó.
  2. Giurchescu, Anca & Bloland, Sunni (1995). Romanian traditional dance: a contextual and structural approach. Mill Valley, California: Wild Flower Press.
  3. Martin, Gyorgy & Pesovar, Erno (1961). A structural analysis of the Hungarian folk dance (a methodological sketch). Acta Etnografica, 10: pages 1–40.
  4. Martin, György & Pesovár, Ernő (1963). Determination of motive types in dance folklore. Acta Ethnographica Scientiarium Hungaricae, 12: pages 295–331.

Family trees

If anyone researching their family thinks there could be a link please e-mail us info (at) eliznik.org.uk

Our research

The “Research” section of our personal website covers our published work in academic dance research (ethnography, anthropology and ethnochoreology) and our involvement in local dance practice.

Please see our website at eliznik.org.uk for dance, costume, music and ethnography.

Academia.eduYou can find on us Academic.edu – Liz Mellish and Nick Green – where many papers are available, just follow the link to Academia.edu below the abstract.

Our ongoing research projects include:

  • Festivals and contemporary festivities in Banat
  • Romanian dancers and dance ensembles – lives and histories
  • The history and connections of Balkan dancing in the UK

We are active members of two ICTM study groups