ICTM study group on ethnochoreology publications
This is a list of the academic articles published following the symposia of the ICTM Study Group on ethnochoreology. Those who know us will know that we keep everything databased and indexed! We are not aware this reference information is available elsewhere, so I have posted our data files here. Please note there could be OCR errors, particularly in the special characters.
- ICTM-Etnokor text-file – tab delimited UTF-8 text file suitable to import into Excel or Word.
- ICTM-Etnokor RIS-file – RIS standard import file for most reference managers.
- ICTM-Etnokor endnote-import – Endnote program import file.
| index | Author | Symposium | Title | Theme |
|---|---|---|---|---|
| 1 | Snyder, Allegra Fuller | Copenhagen, 1988 | Levels of event patterns: a theoretical model and its application to the yaqui easter ceremonies | dance event |
| 2 | Ronström, Owe | Copenhagen, 1988 | The dance event - a terminological and methodological discussion of the concept | dance event |
| 3 | Dunin, Elsie Ivancich | Copenhagen, 1988 | Dance events as means to social interchange | dance event |
| 4 | Giurchescu, Anca | Copenhagen, 1988 | A question of method: contextual analysis of dancing at the vlachs "hora" in Denmark | dance event |
| 5 | Dabrowska, Grazyna | Copenhagen, 1988 | Der tanz als einer von komponenten der traditionellen kultur | dance event |
| 6 | Zile, Judy Van | Copenhagen, 1988 | Japanese bon dancing in Hawaii: a complex cultural phenomenon | dance event |
| 7 | Barnett, Sheila | Copenhagen, 1988 | Jonkonnu - Jamaica masquerade as creolizing process | dance event |
| 8 | Ehm-Schulz, Rosemarie | Copenhagen, 1988 | New dance and custom events in the GDR as a result of revival (summary) | dance event |
| 9 | Torp, Lisbet | Copenhagen, 1988 | The dance event and the process of transformation - a case study of the anastenaria in Langadha, Greece | dance event |
| 10 | Staro, Placida | Copenhagen, 1988 | Widespread models for the analysis of folk dance | dance event |
| 11 | Kowalska, Jolanta | Copenhagen, 1988 | Universal cultural symbols in dance | dance event |
| 12 | Buckland, Theresa | Copenhagen, 1988 | Family, gender and class in an English ceremonial dance event | dance event |
| 13 | Shtarbanova, Anna; Zhivkov, Todor | Copenhagen, 1988 | The dance event: a complex cultural phenomenon | dance event |
| 14 | Reynolds, William C. | Copenhagen, 1988 | Where do we start in describing a dance event? | dance event |
| 15 | Laudova, Hannah | Copenhagen, 1988 | Die hanf- und flachsbrecheltanzfeste in Böhmen | dance event |
| 16 | Bing, Zhou | Copenhagen, 1988 | Ecological environment and dance culture | dance event |
| 17 | Vasić, Olivera | Copenhagen, 1988 | Dance as part of the rites for the deceased in southwestern Serbia | dance event |
| 18 | Petrides, Ted | Copenhagen, 1988 | Greek folk dances and change | dance event |
| 19 | Sebök, Geza | Copenhagen, 1988 | Ethnochoreological research in Switzerland in the eighties | dance event |
| 20 | Urup, Henning | Copenhagen, 1988 | The Danish dance history archives | dance event |
| 21 | Bakka, Egil | Copenhagen, 1988 | Report and summaries of all papers presented | dance event |
| 22 | Giurchescu, Anca; Felföldi, László | Budapest, 1990 | Introduction | |
| 23 | Dunin, Elsie ivancich | Budapest, 1990 | Transmission and diffusion : Macedonian dances 1938—1988 | |
| 24 | Bakka, Egil | Budapest, 1990 | Dance dialects: traces of local development or of processes of diffusion | |
| 25 | Quigley, Colin | Budapest, 1990 | Step dancing in Newfoundland: a north American regional style | |
| 26 | Sebők, Maria | Budapest, 1990 | The transmission of Hungarian dances in west-europa | |
| 27 | Staro, Placida | Budapest, 1990 | Singing in dance diffusion and transmission | |
| 28 | Nilsson, Mats | Budapest, 1990 | Dance transmission — a question of learning or teaching? | |
| 29 | Dúžek, Stanislav | Budapest, 1990 | Dance in the ethnographic atlas of Slovakia | |
| 30 | Çakir, Ahmet | Budapest, 1990 | The importance of the protection of traditional dances | |
| 31 | Ohtani, Kimiko | Budapest, 1990 | Bharata natyam, rebirth of dance in India | |
| 32 | Novák, Petr | Budapest, 1990 | Überlieferte tanzkultur in szenischer interpretation — realität oder fiktion? | |
| 33 | Schofield, Derek | Budapest, 1990 | The English long sword dance: a comparison between two contemporary traditional teams | |
| 34 | Bogdani, Ramazan | Budapest, 1990 | Albanian folk dances accompanied with music | |
| 35 | Freedman, Diane c. | Budapest, 1990 | Gender signs: an effort/shape analysis of Romanian couple dances | |
| 36 | Kaeppler, Adrienne l. | Budapest, 1990 | Me’etu’upaki and tapaki, paddle dances of Tonga and Futuna, West Polynesia | |
| 37 | Zile, Judy van | Budapest, 1990 | Chinju kommu: an implement dance of Korea | |
| 38 | Laudová, Hannah | Budapest, 1990 | Die schwerttänze als spezifische gattung von tänzen mit requisiten in der tschechoslowakei | |
| 39 | De shane, Nina | Budapest, 1990 | Powwow dancing and the warrior tradition | |
| 40 | Khatchatryan, Genya | Budapest, 1990 | War-dancer among Armenians | |
| 41 | Petrosyan, Emma | Budapest, 1990 | ||
| 42 | Blom, Jan-petter | Budapest, 1990 | Structure and meaning in a Norwegian couple dance | |
| 43 | Ilieva, Anna | Budapest, 1990 | Bulgarian men’s and women’s ritual dances with implements and attributes | |
| 44 | Loutzaki, Irene | Budapest, 1990 | Structure and style of an implement dance in neo monastiri, central Greece | |
| 45 | Dabrowska, Grazyna | Budapest, 1990 | Tänze mit akzessorien | |
| 46 | Kröschlová, Eva | Budapest, 1990 | Discussion contribution to the “foundation of the structural and form analysis of folk dance” | |
| 47 | Nahachewsky, Andriy | Budapest, 1990 | Structural analysis of the Kolomyika | |
| 48 | Giurchescu, Anca | Budapest, 1990 | A comparative analysis between the căluș of the Danube: plain and călușerul of Transylvania (Romania) | |
| 49 | Sárosi, Bálint | Budapest, 1990 | Form-extending dance tunes | |
| 50 | Paksa, Katalin | Budapest, 1990 | Connection of style and dialect in the ornamentation of Hungarian folksongs | |
| 51 | Tari, Lujza | Budapest, 1990 | Musical instruments and music in Hungarian folk tales | |
| 52 | Giurchescu, Anca | Nafplion, 1992 | The power and the dance symbol and its sociopolitical use | Dance and its socio-political aspects |
| 53 | Bloland, Sunni | Nafplion, 1992 | The 16th annual California Greek Orthodox youth folk dance festival: a social and artistic extravaganza | Dance and its socio-political aspects |
| 54 | Gore, Georgina; Koutsouba, Maria | Nafplion, 1992 | ‘Airport art’ in a socio-political perspective: the case of the greek dance groups of plaka | Dance and its socio-political aspects |
| 55 | Ilieva, Anna | Nafplion, 1992 | Bulgarian folk dance over the last five years | Dance and its socio-political aspects |
| 56 | Grau, Andrée | Nafplion, 1992 | Dance and power amongst the Tiwi | Dance and its socio-political aspects |
| 57 | Kaeppler, Adrienne | Nafplion, 1992 | Dance, dress and socio-political discourse | Dance and its socio-political aspects |
| 58 | Kubinowski, Dariusz | Nafplion, 1992 | Process of integration of the poles and the white Russians on the territory of Poland | Dance and its socio-political aspects |
| 59 | Laudova, Hannah | Nafplion, 1992 | Charakteristik der tradition des Tschechischen volkstanzes vom kulturellen und soziologisch-politischen gesichtspunkt (the characteristic features of the tradition of Czech folk dance in the context of sociocultural and socio-political aspects) | Dance and its socio-political aspects |
| 60 | Loutzaki, Irene | Nafplion, 1992 | Dance in ‘political rhythms’ | Dance and its socio-political aspects |
| 61 | Nahachewsky, Andriy | Nafplion, 1992 | National standards vs. rural traditions in Ukrainian Canadian dance | Dance and its socio-political aspects |
| 62 | Öztürkmen, Arzu | Nafplion, 1992 | Folk dance and nationalism in Turkey | Dance and its socio-political aspects |
| 63 | Quigley, Colin | Nafplion, 1992 | A hearing to “designate the square dance the american folk dance of the united states”: cultural politics and an american vernacular dance form | Dance and its socio-political aspects |
| 64 | Rombos-levides, Marika | Nafplion, 1992 | The dynamic of traditional dance as a penetrating force in the formulation of modern Greek ideology and culture | Dance and its socio-political aspects |
| 65 | Tyrovola, Vasso | Nafplion, 1992 | Dynamic aspects of the evolutional process of the popular urban culture: the case of the dance Zeibekikos | Dance and its socio-political aspects |
| 66 | Bakka, Egil | Nafplion, 1992 | Dance and costume in contemporary folk dance performance | Dance and costume |
| 67 | Dabrowska, Grazyna | Nafplion, 1992 | Dance and attire | Dance and costume |
| 68 | Khachatrijan, Genja | Nafplion, 1992 | Connections between folk dance and folk costume in Armenia | Dance and costume |
| 69 | Nilsson, Mats | Nafplion, 1992 | Some questions about dancing and dressing | Dance and costume |
| 70 | Petrossian, Emma | Nafplion, 1992 | Armenian dance in social aspect in the past | Dance and costume |
| 71 | Shturbanova, Anna | Nafplion, 1992 | Dance, ritual and costume | Dance and costume |
| 72 | Snyder, Allegra fuller | Nafplion, 1992 | The dance symbol - a 1992 update demonstrating the potential effects of interactive laser technologies on research and publishing strategies | Dance and costume |
| 73 | Torp, Lisbet | Nafplion, 1992 | Traditional peasant costumes and their usage: when preservation leads to limitation and stagnation | Dance and costume |
| 74 | Hunt, Yvonne | Nafplion, 1992 | “Ta ketsekia” | Dance and costume |
| 75 | Lange, Roderyk | Skiemiewice, 1994 | Ritual dance | Ritual dances in contemporary society |
| 76 | Bogdani, Ramazan | Skiemiewice, 1994 | Dances in the albanian ritual practices: the calendrical celebrations for the revival of nature | Ritual dances in contemporary society |
| 77 | Bröcker, Marianne | Skiemiewice, 1994 | A village dance ritual in Lower Franconia (Bavaria) | Ritual dances in contemporary society |
| 78 | Buckland, Theresa | Skiemiewice, 1994 | Embodying the past in the present: dance and ritual. | Ritual dances in contemporary society |
| 79 | Dahlig, Piotr | Skiemiewice, 1994 | The ceremonial bread korowaj as an impulse to dance | Ritual dances in contemporary society |
| 80 | Dqbrowska, Grazyna | Skiemiewice, 1994 | Dance in the transformations of the harvest customs in Poland | Ritual dances in contemporary society |
| 81 | Dunin, Elsie lvanovich | Skiemiewice, 1994 | Continuities and changes: interrelationships of ritual and social dance contexts in Dubrovnik-area villages | Ritual dances in contemporary society |
| 82 | Dziurowicz-Kaszuba, Malgorzata | Skiemiewice, 1994 | Wedding dance service in the region of Sieradz | Ritual dances in contemporary society |
| 83 | Eriksen, Helene | Skiemiewice, 1994 | The dances of universal peace: an introduction to the phenomenon | Ritual dances in contemporary society |
| 84 | Grau, Andrée | Skiemiewice, 1994 | Ritual dance and “Modernisation”: the tiwi example | Ritual dances in contemporary society |
| 85 | Hunt, Yvonne | Skiemiewice, 1994 | Ta kechékia - a Greek gypsy carnival event | Ritual dances in contemporary society |
| 86 | Kaeppler, Adrienne | Skiemiewice, 1994 | They seldom dance on star-trek: a cautionary tale for the study of dance and ritual | Ritual dances in contemporary society |
| 87 | Khachatrjan, Genja | Skiemiewice, 1994 | Armenian ritual dances in contemporary society | Ritual dances in contemporary society |
| 88 | Laudová, Hannah | Skiemiewice, 1994 | The associate function of dancing in Czech wedding rituals | Ritual dances in contemporary society |
| 89 | Marcinkowa, Janina | Skiemiewice, 1994 | Zwei schlesische hochzeitstantze: bioty (cieszyn) und na strzewik (opole) | Ritual dances in contemporary society |
| 90 | Öztürkmen, Arzu | Skiemiewice, 1994 | The Alevi cem ritual and the nationalization of semah dances | Ritual dances in contemporary society |
| 91 | Van Zile, Judy | Skiemiewice, 1994 | From ritual to entertainment and back again: the case of ch 'oyongmu, a Korean dance | Ritual dances in contemporary society |
| 92 | Giurchescu, Anca | Skiemiewice, 1994 | Dance-music relationships: an introduction | Dance and music relationship |
| 93 | Bakka, Egil | Skiemiewice, 1994 | Children's way of expressing musical meter by movement in singing games | Dance and music relationship |
| 94 | Bielawski, Ludwik | Skiemiewice, 1994 | A system of knowledge about folk dances: the levels of ethnochoreology | Dance and music relationship |
| 95 | Bloland, Sunni | Skiemiewice, 1994 | Cajun dance in Luisiana and California | Dance and music relationship |
| 96 | Elliott, Janine | Skiemiewice, 1994 | Who follows whom? the music and dance relationship in cotswold morris dancing | Dance and music relationship |
| 97 | Felföldi, László | Skiemiewice, 1994 | The connection of dance and dance music: over or under-estimation of their significance | Dance and music relationship |
| 98 | Kilichian, Naira | Skiemiewice, 1994 | The relation of armenian traditional and scenic dances to music | Dance and music relationship |
| 99 | Könczei, Csilla | Skiemiewice, 1994 | Dance as multimedial poetic communication | Dance and music relationship |
| 100 | Kubinowski, Dariusz | Skiemiewice, 1994 | Dance expression within traditional and contemporary models of rural dance culture | Dance and music relationship |
| 101 | Nilsson, Mats | Skiemiewice, 1994 | Let's meet in the beat | Dance and music relationship |
| 102 | Rice, Timothy | Skiemiewice, 1994 | The dialectic of music and dance in Bulgaria | Dance and music relationship |
| 103 | Romodin, Aleksandr | Skiemiewice, 1994 | The interaction of instrumental music and dance in the folk tradition of north Byelorussia | Dance and music relationship |
| 104 | Steszewski, Jan | Skiemiewice, 1994 | Einige (unzusammenhangende) gedanken zu tanz-musik-beziehungen | Dance and music relationship |
| 105 | Urbanavičiené, Dalia | Skiemiewice, 1994 | The original style of the Lithuanian sutartines dances | Dance and music relationship |
| 106 | Torp, Lisbet | Třešt', 1996 | Children’s dances from Lower Saxony, Helmut Segler and Dora Kleindienst-Andrée. an introduction to keynote film and discussion | Children and traditional dancing |
| 107 | Dąbrowska, Grazyna Władysława | Třešt', 1996 | Children’s traditional dances | Children and traditional dancing |
| 108 | Petrossian, Emma | Třešt', 1996 | The creation myth in Armenian children’s games | Children and traditional dancing |
| 109 | Khachactrjan, Genja | Třešt', 1996 | Ritual dolls in Armenian tradition | Children and traditional dancing |
| 110 | Fink, Monika | Třešt', 1996 | Kinderbälle als reflexion des europäischen gesellschaftstanzes | Children and traditional dancing |
| 111 | Gore, Georgiana | Třešt', 1996 | Learning language through dance. Rhythm, rhyme, song and dance in French nursery school education | Children and traditional dancing |
| 112 | Kaeppler, Adrienne L. | Třešt', 1996 | Dance and the concept of style | Dance and style |
| 113 | Laudová, Hannah | Třešt', 1996 | Style in folk dance | Dance and style |
| 114 | Dúžek, Stanislav | Třešt', 1996 | Zu den stiländerungen im volkstanz in der Slowakei | Dance and style |
| 115 | Kubinowski, Dariusz | Třešt', 1996 | Interpretations of cultural patterns of dance in individual dance behaviours: the case of oberek | Dance and style |
| 116 | Nahachewsky, Andriy | Třešt', 1996 | Removing the bride’ s veil: structure and style in a Ukrainian wedding ceremony | Dance and style |
| 117 | Giurchescu, Anca | Třešt', 1996 | Gypsy dance style as a marker of ethnic identity | Dance and style |
| 118 | Stavélová, Daniela | Třešt', 1996 | The influence of musical accompaniment on the emergence and transformation of a style of dance | Dance and style |
| 119 | Pavlicová, Martina | Třešt', 1996 | The style of folk dance and its development: a study of exceptional dancers from south and east moravia | Dance and style |
| 120 | Hunt, Yvonne | Třešt', 1996 | One dance, many styles | Dance and style |
| 121 | Koutsouba, Maria | Třešt', 1996 | Lemonia dance of lefkada versus kontoula lemonia dance of Epiros, Greece | Dance and style |
| 122 | Nor, Mohd Anis Md | Třešt', 1996 | Blurring images, glowing likeness: a dichotomy of styles in traditional dances of Malaysia | Dance and style |
| 123 | Öztürkmen, Arzu | Třešt', 1996 | Different generations, different styles: alevi semah performances in their changing context | Dance and style |
| 124 | Shturbanova, Anna | Třešt', 1996 | ‘fine’ dancing: from sacred to the stylistic | Dance and style |
| 125 | Zebec, Tvrtko | Třešt', 1996 | Differences and changes in style: the example of croatian dance research | Dance and style |
| 126 | Okstad, Kari Margrete | Třešt', 1996 | How to broaden the stylistic profile of a dance group’s repertoire | Dance and style |
| 127 | Kilichian, Naira | Třešt', 1996 | The formation of new elements in armenian folk dance style | Dance and style |
| 128 | Urbanavičiene, Dalia | Třešt', 1996 | The influence of stage dance on the authentic style of folk dance | Dance and style |
| 129 | Lange, Roderyk | Třešt', 1996 | The muses and the dance | |
| 130 | Bakka, Egil | İstanbul, 1998 | The polka before and after polka. | Historical sources |
| 131 | Buckland, Theresa J. | İstanbul, 1998 | Between pictures, words and memory: constructing past dances | Historical sources |
| 132 | Dabrowska, Graźyna W. | İstanbul, 1998 | Traditional dances and their historical sources in Poland | Historical sources |
| 133 | Dinçer, Fahriye | İstanbul, 1998 | Alevi semahs in historical perspective | Historical sources |
| 134 | Foley, Catherine | İstanbul, 1998 | Irish traditional step-dance in historical perspective: tradition, identity and popular culture | Historical sources |
| 135 | Gore, Georgiana | İstanbul, 1998 | Present texts, past voices: the formation of contemporary representations of west African dances | Historical sources |
| 136 | Ilieva, Anna | İstanbul, 1998 | Historical-typological approach to the study of traditional dance culture | Historical sources |
| 137 | Kaeppler, Adrienne L. | İstanbul, 1998 | Moments in the history of Tongan dances from captain Cook to the 80th birthday of King Taufa'ahau Tupouiv | Historical sources |
| 138 | Koepke, Bruce | İstanbul, 1998 | Contemporary dance history of Afghanistan: the interplay of traditions, religion and politics | Historical sources |
| 139 | Koutsouba, Maria | İstanbul, 1998 | Understanding synchrony through diachrony | Historical sources |
| 140 | Nor, Mohd Anis Md | İstanbul, 1998 | Between myth and history reconstructing traditional dances in southeast Asia | Historical sources |
| 141 | Nahachewsky, Andriy | İstanbul, 1998 | Once again: on the concept of “second existence folk dance” | Historical sources |
| 142 | Nilsson, Mats | İstanbul, 1998 | Dances of yesterday-dancing today. the example of Swedish polska | Historical sources |
| 143 | Noyes, Dorothy | İstanbul, 1998 | Cultivating memory in catalan calendar custom | Historical sources |
| 144 | Shturbanova, Anna | İstanbul, 1998 | Historical and typological aspect in the study of the horo dance in northwestern bulgaria. | Historical sources |
| 145 | Sparti, Barbara | İstanbul, 1998 | Traditional dance in renaissance and baroque italy (1455-1630) | Historical sources |
| 146 | Stavělová, Daniela | İstanbul, 1998 | Traditional Czech dancing in historical perspective | Historical sources |
| 147 | Van Zile, Judy | İstanbul, 1998 | Korean dance terminology: politics and words | Historical sources |
| 148 | Bogdani, Ramazan H. | İstanbul, 1998 | Albanian folk dancing: improvisation and individuality | Improvisation and composition |
| 149 | Dejeu, Zamfir | İstanbul, 1998 | L’improvisation dans le complexe syncretique ‘danse traditionnelle' | Improvisation and composition |
| 150 | Dunin, Elsie Ivancich | İstanbul, 1998 | Dancing in the crossroads by the Skopje Roma during St. George’s day | Improvisation and composition |
| 151 | Eriksen, Helene E. | İstanbul, 1998 | An intimate look at improvisation | Improvisation and composition |
| 152 | Giurchescu, Anca | İstanbul, 1998 | Interpreting a dancer's discourse on improvisation | Improvisation and composition |
| 153 | Glauser, Christine | İstanbul, 1998 | Dance improvisation in eratira, northern Greece | Improvisation and composition |
| 154 | Hall, Frank | İstanbul, 1998 | Creativity in Irish step-dancing: rewards and dangers | Improvisation and composition |
| 155 | Khachatryan, Zhenja | İstanbul, 1998 | The Armenian sources of treatment by dance | Improvisation and composition |
| 156 | Kilichyan, Naira | İstanbul, 1998 | Clap dances: the stage version | Improvisation and composition |
| 157 | Kubinowski, Dariusz | İstanbul, 1998 | The kinesthetic understanding as a methodological category in the reconstruction of traditional dance | Improvisation and composition |
| 158 | Okstad, Kari Margrete | İstanbul, 1998 | Improvisation and composition in old couple dance from Norway | Improvisation and composition |
| 159 | Özbilgin, Mehmet Öcal | İstanbul, 1998 | Differences of creative processes in local communities on stage with the example of Aegean region zeybek dances | Improvisation and composition |
| 160 | Torp, Jurgen | İstanbul, 1998 | Tango: improvisation in a couple dance | Improvisation and composition |
| 161 | Niemčić, Iva | İstanbul, 1998 | Report on current activities of the institute of ethnology and folklore research and sword dance research in croatia | Improvisation and composition |
| 162 | Acuña Delgado, Angel | Korčula, 2000 | The sword dances of Andalusia: problems of semiological interpretation | Sword dances and related calendrical dance events |
| 163 | Bagur, Vido | Korčula, 2000 | Reviving the kumpanija in the village of Pupnat on the island of Korčula | Sword dances and related calendrical dance events |
| 164 | Baumann, Roland | Korčula, 2000 | Performing the Spanish Crusade in Mexico, Andalusia and Guatemala | Sword dances and related calendrical dance events |
| 165 | Berlin, Gabriele | Korčula, 2000 | The stick dance of the Tharus in Nepal: the relationship between an extinct martial art and a living dance tradition | Sword dances and related calendrical dance events |
| 166 | Bonfiglioli, Carlo | Korčula, 2000 | The sword, the cross, and the flower: opposition and continuity in the study of two Mexican dance complexes | Sword dances and related calendrical dance events |
| 167 | Buckland, Theresa Jill | Korčula, 2000 | Calendrical dance, ritual and drama: re-appraising pan-European theory | Sword dances and related calendrical dance events |
| 168 | Čapo Žmegac, Jasna | Korčula, 2000 | “Either we will behead the ox, or we will be no more!”: the Croats between traditionalism and modernity | Sword dances and related calendrical dance events |
| 169 | Ćaleta, Joško | Korčula, 2000 | The peculiarities of instrument playing and singing in the revived sword dances of the Peljesac Peninsula and the island of Kordula | Sword dances and related calendrical dance events |
| 170 | Dąbrowska, Grazyna Włladysłlawa | Korčula, 2000 | On some sword dances: Polish brigand’s dance zbójnicki among hand-held weapon dances | Sword dances and related calendrical dance events |
| 171 | Doliner, Gorana | Korčula, 2000 | Moresca, Combatimento Nazionale - an historical source from 1819 | Sword dances and related calendrical dance events |
| 172 | Dunin, Elsie Ivancich | Korčula, 2000 | 20th-16th century comparative links: Yaqui Indians (North America); Lastovo Island (European Mediterranean) | Sword dances and related calendrical dance events |
| 173 | Giurchescu, Anca | Korčula, 2000 | Căluș between ritual and national symbol: survival and the strategy of adaptation to contemporary social settings | Sword dances and related calendrical dance events |
| 174 | Laudová, Hannah | Korčula, 2000 | The time span and the cultural and social significance of sword dances in the Czech lands and in Slovakia | Sword dances and related calendrical dance events |
| 175 | Lozica, Ivan | Korčula, 2000 | Sword dances on the island of Korčula, and choosing the king custom | Sword dances and related calendrical dance events |
| 176 | Marošević, Grozdana | Korčula, 2000 | The mišnjice and the tambrlin in the kumpanija sword dances on the island of Korčula | Sword dances and related calendrical dance events |
| 177 | Matoš, Goran Ivan | Korčula, 2000 | Carnival sword dance in the form of contra dance in Putnikovići, Croatia | Sword dances and related calendrical dance events |
| 178 | Niemčić, Iva | Korčula, 2000 | Dance and gender/sex in the Lastovo carnival | Sword dances and related calendrical dance events |
| 179 | Oreb, Goran | Korčula, 2000 | Role of Korčula's “Festival for knightly dances” in the preservation of traditional values | Sword dances and related calendrical dance events |
| 180 | Saban, Larysa | Korčula, 2000 | Dances and games with weapons: Ukrainian authentic traditions and historical examples | Sword dances and related calendrical dance events |
| 181 | Snyder, Allegra Fuller | Korčula, 2000 | “The carnival complex” on the web, a new research strategy | Sword dances and related calendrical dance events |
| 182 | Sparti, Barbara | Korčula, 2000 | An 18th-century Venetian moresca | Sword dances and related calendrical dance events |
| 183 | Staro, Placida | Korčula, 2000 | La danza disarmata: a swordless dance | Sword dances and related calendrical dance events |
| 184 | Tekavec, Marjeta | Korčula, 2000 | Vestiges of sword dances in Slovenia | Sword dances and related calendrical dance events |
| 185 | Zebec, Tvrtko | Korčula, 2000 | Sword dances among the Croats | Sword dances and related calendrical dance events |
| 186 | Andus L’Hotellier, Sanja | Korčula, 2000 | The opening and closing ceremonies of the Albertville Olympics: an invitation to the bal populaire | Reconstruction |
| 187 | Bakka, Egil | Korčula, 2000 | Voices of the revival | Reconstruction |
| 188 | Chao, Chi-Fang | Korčula, 2000 | Re-interpreting “authenticity”—revitalization of priestess dances in Okinawa, Japan | Reconstruction |
| 189 | Coros, Mary | Korčula, 2000 | The “old,forgotten,lost” dances of Crete: dilemma for an American Cretan dancer, teacher, choreographer, researcher | Reconstruction |
| 190 | Craenenbroeck, Renaat Van | Korčula, 2000 | Creating a tradition | Reconstruction |
| 191 | Decoret, Anne | Korčula, 2000 | The Court and Ceremony Dances Conservatory of Abomey, Benin: cultural and political stakes of a revival attempt | Reconstruction |
| 192 | Dejeu, Zamfir | Korčula, 2000 | Folklife in Romania | Reconstruction |
| 193 | Eriksen, Helene | Korčula, 2000 | Strategies for the performance of Iranian dance in the diaspora | Reconstruction |
| 194 | Foley, Catherine E. | Korčula, 2000 | The Irish Céilí. appropriation, community and identity | Reconstruction |
| 195 | Glauser, Christine | Korčula, 2000 | Cultural associations as agents of revival of dance traditions in northern Greece | Reconstruction |
| 196 | Gombos, András | Korčula, 2000 | “Master of folk art”: award for talented traditional performers in Hungary | Reconstruction |
| 197 | Kaeppler, Adrienne L. | Korčula, 2000 | At the Pacific festivals of art: revivals, inventions, and cultural identity | Reconstruction |
| 198 | Kealiinohomoku, Joann | Korčula, 2000 | New functions and contexts for old dance cultures | Reconstruction |
| 199 | Laffranchini, Moira | Korčula, 2000 | The ideological revivals of timbila: 1978 and 1997 | Reconstruction |
| 200 | Loutzaki, Irene | Korčula, 2000 | “These are our songs and our dances”: negotiating tradition in Nea Vyssa, Greece | Reconstruction |
| 201 | Maners, Lynn D. | Korčula, 2000 | Utopia, eutopia and E.U.-topia: performance and memory in former Yugoslavia | Reconstruction |
| 202 | Manos, Ioannis | Korčula, 2000 | Politics and the power of dance in the Fiorina region, northwest Greek Macedonia | Reconstruction |
| 203 | Nahachewsky, Andriy | Korčula, 2000 | Strategies for theatricalizing folk dance | Reconstruction |
| 204 | Nilsson, Mats | Korčula, 2000 | What, who, when, then - and why? some comments on the Swedish folkdance (and music) revival in the 1970s | Reconstruction |
| 205 | Nor, Mohd Anis Md | Korčula, 2000 | Dancing on the proscenium: re-constructing, revitalizing and appropriating Malay folk dances in the new performance space | Reconstruction |
| 206 | Ruyter, Nancy Lee | Korčula, 2000 | La Meri and her work in “ethnic” dance | Reconstruction |
| 207 | Quigley, Colin | Korčula, 2000 | Revival, presentation and identity representation through dance in Transylvania | Reconstruction |
| 208 | Sklar, Deidre | Korčula, 2000 | “That may be the way they do it in the north, but it's not the way we do it here”: reviving the past in the indio dance of Tortugas, New Mexico | Reconstruction |
| 209 | Stavélová, Daniela | Korčula, 2000 | Folklorism in a changing society | Reconstruction |
| 210 | Von Bibra, Anne | Korčula, 2000 | Folk dance revival in Germany during 1930-1940 | Reconstruction |
| 211 | Chao, Chi-fang | Szeged, 2002 | Between the dancer and the cultural performer: contemporary dance practices in Taketomi, southern Okinawa | Dancer as a cultural performer |
| 212 | Felföldi, László | Szeged, 2002 | Considerations and problems in performer-centered folk dance research | Dancer as a cultural performer |
| 213 | Nor, Mohd anis md | Szeged, 2002 | Dancing with dance-masters: shifting roles and contexts of dance research in Malaysia | Dancer as a cultural performer |
| 214 | Stavélová, Daniela | Szeged, 2002 | The dancing people - status, identity, integrity | Dancer as a cultural performer |
| 215 | Van Zile, Judy | Szeged, 2002 | Process and artefact: concurrent preservation and change in hahoe t’alch’um, a masked dance form from South Korea | Dancer as a cultural performer |
| 216 | Acuña Delgado, Ángel | Szeged, 2002 | Dance as an analytic model for social and cultural interpretation: a case study | Re-appraising our past |
| 217 | Bakka, Egil | Szeged, 2002 | Dance paradigms: movement analysis and dance studies | Re-appraising our past |
| 218 | Bonfiglioli, Carlo | Szeged, 2002 | Fighting the Diablo and keeping harmony through dance: the case of Tarahumara indians | Re-appraising our past |
| 219 | Cruz Manjarrez, Adriana | Szeged, 2002 | Performing zapotec identity, aesthetics and religiosity in the international context of migration | Re-appraising our past |
| 220 | Dąbrowska, Gražyna W. | Szeged, 2002 | Re-appraising our past, moving into the future: research on dance and society | Re-appraising our past |
| 221 | Glauser, Christine | Szeged, 2002 | Comparative research about dance and society from the 1930s to the present in villages of the Voi'o region, northern Greece | Re-appraising our past |
| 222 | Inagaki, Norio | Szeged, 2002 | The transmission of improvisational dance: male dance in Transylvanian villages | Re-appraising our past |
| 223 | Niemčić, Iva | Szeged, 2002 | The invisible female dancers | Re-appraising our past |
| 224 | Özbilgin, Mehmet Öcal | Szeged, 2002 | Solo dances in Turkish folk dance | Re-appraising our past |
| 225 | Rakočević, Selena | Szeged, 2002 | Serbian folk dances today: the problem of authenticity and vitality | Re-appraising our past |
| 226 | Roma, Josefina | Szeged, 2002 | The Aragonese jota: the building of an emblem | Re-appraising our past |
| 227 | Ruyter, Nancy Lee | Szeged, 2002 | Autobiographical memory and fieldwork | Re-appraising our past |
| 228 | Smith, Stephanie | Szeged, 2002 | Research in progress: the english country dance video documentation project | Re-appraising our past |
| 229 | Staro, Placida | Szeged, 2002 | “Did i give you any inspiration?” the informant becomes researcher | Re-appraising our past |
| 230 | Urbanavičiené, Dalia | Szeged, 2002 | The social importance of ethnochoreography in Lithuania at the end of the 19th-beginning of the 20th centuries and today | Re-appraising our past |
| 231 | Vasić, Olivera | Szeged, 2002 | Traces of ritual dances in Serbia: lazarice | Re-appraising our past |
| 232 | Zebec, Tvrtko | Szeged, 2002 | Church kermis to saint roch: contemporary folklore on the stage | Re-appraising our past |
| 233 | Van Zile, Judy; Šturbanova, Anna | Szeged, 2002 | Summary statements on symposium theme: “re-appraising our past, moving into the future: research on dance and society” | Re-appraising our past |
| 234 | Kaeppler, Adrienne l. | Szeged, 2002 | An introduction to aesthetics | Dance and aesthetics |
| 235 | Giurchescu, Anca | Szeged, 2002 | Dance aesthetics in traditional Romanian communities | Dance and aesthetics |
| 236 | Grau, Andrée | Szeged, 2002 | Tiwi aesthetics | Dance and aesthetics |
| 237 | Nor, Mohd Anis Md | Szeged, 2002 | Arabesques and curvilinear perimeters in the aesthetics of maritime-malay dances | Dance and aesthetics |
| 238 | Sparti, Barbara | Szeged, 2002 | “Artistic” theory of dance in fifteenth-century Italy | Dance and aesthetics |
| 239 | Giurchescu, Anca | Szeged, 2002 | Report on the fieldwork experiment in Bulgaria (2001) | |
| 240 | Eriksen, Helene | Szeged, 2002 | Personal notes on conducting fieldwork in Bulgaria | |
| 241 | Buckland, Theresa | Szeged, 2002 | Personal notes on conducting fieldwork in Bulgaria | |
| 242 | Brocker, Marianne | Szeged, 2002 | Roundtable on iconography | |
| 243 | Torp, Lisbet | Szeged, 2002 | Fortieth anniversary of the ICTM study group on ethnochoreology | |
| 244 | Giurchescu, Anca | Szeged, 2002 | History of the ICTM study group on ethnochoreology | |
| 245 | Bloland, Sunni | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
| 246 | Kroschlova, Eva | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
| 247 | Dabrowska, Grazynaw | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
| 248 | Lange, Roderyk | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
| 249 | Torp, Lisbet | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
| 250 | Zebec, Tvrtko | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
| 251 | Torp, Lisbet | Szeged, 2002 | History of the ICTM study group on ethnochoreology : personal recollections | |
| 252 | Staro, Placida | Monghidoro, 2004 | Where is the content? Meanings and symbols in dance | Silence of dance |
| 253 | Cutti, Lucia | Monghidoro, 2004 | Feeling well. Dancing and behaviour rules within the group | Silence of dance |
| 254 | Zacchi, Massimo | Monghidoro, 2004 | Courtesy and ceremony: The ages of dance | Silence of dance |
| 255 | Backer, Mumtaz Aboo | Monghidoro, 2004 | Contemporary dance in Malaysia: issues of identity, gender and feminism in the works of women choreographers | Visible and invisible dance research |
| 256 | Berlin, Gabriele | Monghidoro, 2004 | Bharata Natyam postures, martial arts techniques, and the problem of interpretating symbolic movements | Visible and invisible dance research |
| 257 | Bonfiglioli, Carlo | Monghidoro, 2004 | Healing and dance: the case of the “raspa de peyote” among the Tarahumara Indians | Visible and invisible dance research |
| 258 | Chao, Chi-Fang | Monghidoro, 2004 | The invisible dancer in the visible dance: an analysis of the miholol ritual of the Amis in eastern Taiwan | Visible and invisible dance research |
| 259 | di Mariano, Marta | Monghidoro, 2004 | Dancing for the saint and danced by the saint: perspectives on the Saint Theodor's celebration in Sorrentini (Sicily) | Visible and invisible dance research |
| 260 | Giurchescu, Anca | Monghidoro, 2004 | Symbolic communication: dancing for the living, dancing for the dead | Visible and invisible dance research |
| 261 | Höfling, Ana Paula | Monghidoro, 2004 | The hapa-haole hula girls: an analysis of this 1909 song and its hula from a feminist and post-colonialist perspective | Visible and invisible dance research |
| 262 | Ilieva, Anna | Monghidoro, 2004 | Invocation and lamentation | Visible and invisible dance research |
| 263 | Kaeppler, Adrienne L. | Monghidoro, 2004 | Ballet, hula, and cats: dance as a discourse on globalization | Visible and invisible dance research |
| 264 | Niemčić, Iva | Monghidoro, 2004 | Miss Korčula or Bula | Visible and invisible dance research |
| 265 | Nor, Mohd Anis Md | Monghidoro, 2004 | Life and hereafter: interpreting the invisible in indigenous dances in Malaysia | Visible and invisible dance research |
| 266 | Pätzold, Uwe Umberto | Monghidoro, 2004 | When the Dampeang is over, the Luambek is over - sound as a determinant of structure within a competition of inner power based on movement in West Sumatra | Visible and invisible dance research |
| 267 | Rakočević, Selena | Monghidoro, 2004 | Kolo in Vojvodina: visible and invisible structures in traditional dance practice | Visible and invisible dance research |
| 268 | Singer, Allison Jane | Monghidoro, 2004 | “Hidden treasures, hidden voices”: an ethnographic study into the use of movement and creativity in developmental work with war affected refugee children (Serbia 2001-2) | Visible and invisible dance research |
| 269 | Staro, Placida | Monghidoro, 2004 | In chorea veritas, dance as source of knowledge | Visible and invisible dance research |
| 270 | Stavělová, Daniela | Monghidoro, 2004 | How to express the patterns of life: dance in Czech novels of the late 19th century | Visible and invisible dance research |
| 271 | Torp, Jörgen | Monghidoro, 2004 | The hidden structures of tango as an improvised dance | Visible and invisible dance research |
| 272 | Ünlü, Ömer Barbaros | Monghidoro, 2004 | Abezek: a choreographic poem | Visible and invisible dance research |
| 273 | Urbanavičiené, Dalia | Monghidoro, 2004 | The motive of "blindness" in folk dances and games: a link with the ancient world outlook of the Balts | Visible and invisible dance research |
| 274 | Van Zile, Judy | Monghidoro, 2004 | Not-so-hidden structures: what lies behind the movements in Kosong Ogwangdae, a masked dance-drama form of South Korea | Visible and invisible dance research |
| 275 | Vasić, Olivera | Monghidoro, 2004 | Dances in ritual processions of winter and droughty seasons | Visible and invisible dance research |
| 276 | Sanders, Mary Lee | Monghidoro, 2004 | They left us their hands | Visible and invisible dance research |
| 277 | Ćaleta, Joško | Monghidoro, 2004 | Nevijska koleda - music and movement of reconstructed/transformed ritual | Crossing identity boundaries |
| 278 | David, Ann | Monghidoro, 2004 | “Performing faith”: dance in current Hindu worship in the UK | Crossing identity boundaries |
| 279 | Dinçer, Fahriye | Monghidoro, 2004 | Different perspectives on the cult of fire in relation to the construction of Kurdish Alevi identity in Turkey | Crossing identity boundaries |
| 280 | Felföldi, László | Monghidoro, 2004 | Biographical method in ethnochoreology autobiography of a dancer | Crossing identity boundaries |
| 281 | Foley, Catherine | Monghidoro, 2004 | Negotiating boundaries in Irish step dance performance practice: Colin Dunne and Piano One | Crossing identity boundaries |
| 282 | Gibert, Marie-Pierre | Monghidoro, 2004 | Dance in the construction of identities in Israel: the case of the Yeminite Jews | Crossing identity boundaries |
| 283 | Glauser, Christine | Monghidoro, 2004 | The mise en scène of the community: reading social structures through dance in the region of Siatista, northern Greece | Crossing identity boundaries |
| 284 | Grau, Andrée | Monghidoro, 2004 | Contested identities: gaining credibility as a dancer | Crossing identity boundaries |
| 285 | Gremlicová, Dorota | Monghidoro, 2004 | The role of the dance/ballet master in the transfer of dances through different social environments, the Czech example of the period from the end of the 18th to the end of the 19th centuries | Crossing identity boundaries |
| 286 | Hellier-Tinoco, Ruth | Monghidoro, 2004 | Embodied artefacts of the viejitos dance of Lake Patzcuaro, Michoacan, Mexico | Crossing identity boundaries |
| 287 | Ivanova, Daniela | Monghidoro, 2004 | Paneurhythmy in Bulgaria: philosophical aspects | Crossing identity boundaries |
| 288 | Koutsouba, Maria I. | Monghidoro, 2004 | Looking for an academic identity : the anthropological and ethnochoreological study of dance, two sides of the same coin? | Crossing identity boundaries |
| 289 | Kunej, Rebeka | Monghidoro, 2004 | Identity of dances at the border: a case study from Bela Krajina region | Crossing identity boundaries |
| 290 | Lanki, Colleen | Monghidoro, 2004 | Layers of male and female: liminal space for gender in Nihon Buyd | Crossing identity boundaries |
| 291 | Nilsson, Mats | Monghidoro, 2004 | Polska - a dance form in our time? Some reflection and examples of polska dancing in Sweden 2004 | Crossing identity boundaries |
| 292 | Özbilgin, Mehmet Öcal | Monghidoro, 2004 | Cross cultural influences on contemporary folk dances in western Anatolia | Crossing identity boundaries |
| 293 | Quigley, Colin | Monghidoro, 2004 | Scholarship, ideology and the construction of danced identities in Transylvania | Crossing identity boundaries |
| 294 | Rombou-Levidi, Marica | Monghidoro, 2004 | Dancing along a prohibited language: a case-study in East Macedonia - Greece | Crossing identity boundaries |
| 295 | Smith, Stephanie | Monghidoro, 2004 | The dancer within: identity and imaginings in English country dance | Crossing identity boundaries |
| 296 | Stepputat, Kendra | Monghidoro, 2004 | Balinese Gong Kebyar dances: gender-switching as normality | Crossing identity boundaries |
| 297 | Bolhassan, Dayang Mariana Abang | Monghidoro, 2004 | Ajat Indu': an identity of the Iban culture | Crossing identity boundaries |
| 298 | Glauser, Christine; , et al. | Monghidoro, 2004 | Dance life in the diaspora by sub-study group on migrations | |
| 299 | Bertuzzi, Elena | Cluj, 2006 | Différentes modalités d’utilisation de la cinéetographie Laban en éthnologie de la danse | From field to text: translations and representations |
| 300 | Dankworth, Linda | Cluj, 2006 | Embodied translations of Mallorcan dance and the influence of romantic ideology as a process in the production of cultural heritage | From field to text: translations and representations |
| 301 | Eriksen, Helene | Cluj, 2006 | From field to practice: the embodiment of field research | From field to text: translations and representations |
| 302 | Fügedi, János | Cluj, 2006 | Motivic microstructures and movement concepts of expression in traditional dances | From field to text: translations and representations |
| 303 | Misi, Gábor | Cluj, 2006 | Formal methods in form analysis of Transylvanian male solo dances | From field to text: translations and representations |
| 304 | Ivanova, Daniela | Cluj, 2006 | The folk dance group as a cultural phenomenon in Bulgaria: the period of transition after 1989 | From field to text: translations and representations |
| 305 | Loutzaki, Irene | Cluj, 2006 | My place in the dance (film) | From field to text: translations and representations |
| 306 | Moen, Ruth Anne | Cluj, 2006 | Hailing from Suldal: embodying the source material | From field to text: translations and representations |
| 307 | Olson, Judith E. | Cluj, 2006 | The intersection of dance structure and videotape: making a record of Hungarian táncház | From field to text: translations and representations |
| 308 | Özbilgin, Mehmet öcal | Cluj, 2006 | From field to stage | From field to text: translations and representations |
| 309 | Petac, Silvestru | Cluj, 2006 | Hora de pomană - metonymic symbol of the dead one’s wedding | From field to text: translations and representations |
| 310 | Rees, Vincent | Cluj, 2006 | Bereznianka: a Ukrainian dance revival? | From field to text: translations and representations |
| 311 | Stavělová, Daniela | Cluj, 2006 | Word and image: representing dance in a symbolic and cultural-historical framework | From field to text: translations and representations |
| 312 | Știuca, Narcisa Alexandra | Cluj, 2006 | “Dancing with death” (Romanian initiation rites in post-funeral context) | From field to text: translations and representations |
| 313 | Vellet, Joëlle | Cluj, 2006 | Du terrain au texte: la relation chercheur-danseur comme facteur de développement de la maitrise de la danse et de son enseignement | From field to text: translations and representations |
| 314 | Bakka, Egil | Cluj, 2006 | Ideological discourse and practical priorities of the Norwegian folk dance movement | Diverse fields to text: revival case studies |
| 315 | Zebec, Tvrtko | Cluj, 2006 | Perceptions of the staged folk dance practice in Croatia | Diverse fields to text: revival case studies |
| 316 | Smith, Stephanie | Cluj, 2006 | English country dance in the United States: rooted in Englishness or purely recreation? | Diverse fields to text: revival case studies |
| 317 | Nilsson, Mats | Cluj, 2006 | From popular to folk -> from folk to popular: the Swedish case | Diverse fields to text: revival case studies |
| 318 | Nahachewsky, Andriy | Cluj, 2006 | Comparing revival case studies | Diverse fields to text: revival case studies |
| 319 | Kaeppler, Adrienne L. | Cluj, 2006 | Ritual, theatre, and spectacle: exploring the rituals of Saint George’s Day | Diverse fields to text: revival case studies |
| 320 | Nor, Mohd Anis Md; Hussin, Hanafi | Cluj, 2006 | Mag-igal and Igal-jin: dancing the spirits of the ancestors in the rituals of Magduwata of the Bajau Kubang in Bumbum Island, Semporna, East Malaysia | Diverse fields to text: revival case studies |
| 321 | Giurchescu, Anca | Cluj, 2006 | The field as a ‘culture text’ or ‘textulising’ the field reality | Diverse fields to text: revival case studies |
| 322 | Özbilgin, Mehmet Öcal | Cluj, 2006 | 2005 Izmir / Turkey field research from the perspective of the planner | Diverse fields to text: revival case studies |
| 323 | Giurchescu, Anca | Cluj, 2006 | Hidrellez | Diverse fields to text: revival case studies |
| 324 | Dinçer, Fahriye | Cluj, 2006 | Some observations on Tahtaci ritual movements in Akçeşme village, May 2005 | Diverse fields to text: revival case studies |
| 325 | Rabb Aydin, Jaynie | Cluj, 2006 | From field to text - DVD presentation | Diverse fields to text: revival case studies |
| 326 | Alge, Barbara | Cluj, 2006 | La danga or Os Pauliteiros - different spaces of a Portuguese stick dance | Dance and space |
| 327 | Bajić, Vesna | Cluj, 2006 | Dance in space: kolo and its cultural space | Dance and space |
| 328 | David, Ann R. | Cluj, 2006 | Dancing in the deities’ space: questions of sacredness in British Hindu dance practice | Dance and space |
| 329 | Johnson, Sherry A. | Cluj, 2006 | Dancing outside the box: how Ottawa Valley Step Dancers conceive of performance space | Dance and space |
| 330 | Kunej, Rebeka | Cluj, 2006 | The role of space in the štajeriš dance | Dance and space |
| 331 | Ranisavljević, Zdravko | Cluj, 2006 | The role of space in the process of forming and shaping of dance heritage: the problem of authenticity of the dance heritage of Vojvodina | Dance and space |
| 332 | Sparti, Barbara | Cluj, 2006 | “Partitioning the terrain”: the importance of space in 15th-century Italian dance | Dance and space |
| 333 | Stepputat, Kendra | Cluj, 2006 | From temple courtyard to amphitheater: changes in the use of space in Balinese kecak performances | Dance and space |
| 334 | Van Zile, Judy | Cluj, 2006 | “Invading” space: achieving goals in a South Korean masked dance-drama | Dance and space |
| 335 | Vasić, Olivera | Cluj, 2006 | The interrelatedness of geographical space and dance | Dance and space |
| 336 | Visočnik, Nataša | Cluj, 2006 | Perception of space and body, and cultural anxiety in butö performances in Slovenia | Dance and space |
| 337 | Walsh, Kristin Harris | Cluj, 2006 | From the kitchen to the stage: shifts in spatial usage with the re-contextualization of Newfoundland set dance | Dance and space |
| 338 | Kaeppler, Adrienne L. | Kuala Lumpur, 2008 | Lakalaka and Mak'yong: a story of two masterpieces | Transmitting dance as cultural heritage |
| 339 | Felföldi, László | Kuala Lumpur, 2008 | Formation of the legal framework for the safeguarding of intangible cultural heritage in UNESCO | Transmitting dance as cultural heritage |
| 340 | Grau, Andrée | Kuala Lumpur, 2008 | Intangible culture, heritage and the dreaming | Transmitting dance as cultural heritage |
| 341 | Bakka, Egil | Kuala Lumpur, 2008 | Intangible cultural heritage: Agency and/or critical distance | Transmitting dance as cultural heritage |
| 342 | Shapiro-Phim, Toni | Kuala Lumpur, 2008 | Changing models of Cambodian classical dance pedagogy | Transmitting dance as cultural heritage |
| 343 | Fiskvik, Anne margrete | Kuala Lumpur, 2008 | Dance and cultural politics in Norway: a “national” rather than “royal” dance | Transmitting dance as cultural heritage |
| 344 | Schjønsby, Turid N. | Kuala Lumpur, 2008 | Eurythmy in Norwegian Steiner schools | Transmitting dance as cultural heritage |
| 345 | Mæeland, Siri | Kuala Lumpur, 2008 | Vestlandsspringaren; the rise and fall of authenticity | Transmitting dance as cultural heritage |
| 346 | Alcedo, Patrick | Kuala Lumpur, 2008 | Narrating and constructing “authenticity” in a Philippine festival | Transmitting dance as cultural heritage |
| 347 | Backer, Mumtaz begum aboo | Kuala Lumpur, 2008 | Embodying heritage through performativity and the empowerment of women | Transmitting dance as cultural heritage |
| 348 | Blrridge, Stephanie | Kuala Lumpur, 2008 | Privileging artists’ voices: writing dance as cultural heritage | Transmitting dance as cultural heritage |
| 349 | Ćaleta, Joško | Kuala Lumpur, 2008 | “Traditional” dance and music for the tourists (construction, reconstruction and invention) - a researcher's experience | Transmitting dance as cultural heritage |
| 350 | Dankworth, Linda | Kuala Lumpur, 2008 | Performing culture and identity: constructing heritage through tourism and dance | Transmitting dance as cultural heritage |
| 351 | Dinçer, Fahriye | Kuala Lumpur, 2008 | The initial folk dance seminar in Turkey | Transmitting dance as cultural heritage |
| 352 | Dunin, Elsie ivancich | Kuala Lumpur, 2008 | Village “folklore” as a touristic commodity in the Dubrovnik area, a thirty-year overview | Transmitting dance as cultural heritage |
| 353 | Gonzales, Joseph | Kuala Lumpur, 2008 | The gender constructions in the contemporary performance of Makyung | Transmitting dance as cultural heritage |
| 354 | Ivanova, Daniela | Kuala Lumpur, 2008 | Bulgarian folk dance group performance in tourist settings | Transmitting dance as cultural heritage |
| 355 | Jacinto, Joelle | Kuala Lumpur, 2008 | The methods of heritagization of the national artists for dance in the Philippines | Transmitting dance as cultural heritage |
| 356 | Muliati, Roza | Kuala Lumpur, 2008 | The transmitting of Minangkabau dance: from male folk play to genderless performing art | Transmitting dance as cultural heritage |
| 357 | Nahachewsky, Andriy | Kuala Lumpur, 2008 | The concept of 'imputed setting' in heritage dance | Transmitting dance as cultural heritage |
| 358 | Niemčić, Iva | Kuala Lumpur, 2008 | Applied ethnochoreology or about invisible female dancers again | Transmitting dance as cultural heritage |
| 359 | Öztürkmen, Arzu | Kuala Lumpur, 2008 | Negotiating the folk, the local and the national in Turkish dance | Transmitting dance as cultural heritage |
| 360 | Quintero, Wayland | Kuala Lumpur, 2008 | Transmission through misrepresentation: Philippine royal court dancing and playing indigenous in New York City | Transmitting dance as cultural heritage |
| 361 | Rowe, Nicholas | Kuala Lumpur, 2008 | Dance appropriation and authenticity in Palestine | Transmitting dance as cultural heritage |
| 362 | Teodoro, Melissa | Kuala Lumpur, 2008 | The embodiment of cultural syncretism: traveling down the Rio Magdalena in search of Cumbia | Transmitting dance as cultural heritage |
| 363 | Tuchman-Rosta, Celia | Kuala Lumpur, 2008 | The use of archaeology in dance reconstruction: the re-creation of “classical” movement and the use of ancient space | Transmitting dance as cultural heritage |
| 364 | Wharton, Anne von Bibra | Kuala Lumpur, 2008 | Changes in the transmission of Javanese dance: a case study | Transmitting dance as cultural heritage |
| 365 | Bonfiglioli, Carlo | Kuala Lumpur, 2008 | Mythical personages, spiritual pathways, and ritual condition: the language of the dance in the Mexican Northwest | Dance and religion |
| 366 | David, Ann R. | Kuala Lumpur, 2008 | When the body becomes the dance: issues of space, place-making and empowerment in British Hindu worship | Dance and religion |
| 367 | Dea, Alex | Kuala Lumpur, 2008 | Does the Queen of the South Sea like cigars? | Dance and religion |
| 368 | Hinz, Sonja | Kuala Lumpur, 2008 | Mysticism, sensuality, and emotion in Tajik dance | Dance and religion |
| 369 | Nor, Mohd anis md | Kuala Lumpur, 2008 | Playing is dancing: permissibility and legitimacy of Malay-Islamic structured movement system in the Malay world of Southeast Asia | Dance and religion |
| 370 | Widaryanto, Franciscus xaverius | Kuala Lumpur, 2008 | Cross-gender and dance ritual in Java | Dance and religion |
| 371 | , Yusfil | Kuala Lumpur, 2008 | Baluambek in the Alek Pauleh Tinggi festival of Minangkabau's Sicincin | Dance and religion |
| 372 | Zebec, Tvrtko | Kuala Lumpur, 2008 | Catholicism and dance: ritual, pleasure, bans, and morality | Dance and religion |
| 373 | David, Ann R. | Třešť, 2010 | Gendered orientalism? Gazing on the male South Asian dancer | Dance, gender, and meanings |
| 374 | Girgin Tohumcu, Gonca | Třešť, 2010 | Comment on social learning theory of Bandura: gender roles of the Romani dance in Sulukule | Dance, gender, and meanings |
| 375 | Melin, Mats | Třešť, 2010 | Gendered movements in Cape Breton step dancing | Dance, gender, and meanings |
| 376 | Nor, Mohd Anis Md | Třešť, 2010 | Dancing women performing men: reiterating gender in Makyong’s dance of Menghadap Rebab | Dance, gender, and meanings |
| 377 | Seye, Elina | Třešť, 2010 | Constructions of femininity in sabar performances | Dance, gender, and meanings |
| 378 | Smith, Stephanie; Beer, Jennifer | Třešť, 2010 | Erasing gender in English country dance | Dance, gender, and meanings |
| 379 | Van ede, Yolanda | Třešť, 2010 | Sounding moves: flamenco, gender, and meaning in Tokyo | Dance, gender, and meanings |
| 380 | Aktaş, Gürbüz | Třešť, 2010 | Azerbaijani folkdance from Gobustan caves to proscenium stage | Contemporizing traditional dance |
| 381 | Dunin, Elsie ivancich | Třešť, 2010 | Performing local folklor (dances): lindjo in Croatia and čoček in Macedonia, two case studies | Contemporizing traditional dance |
| 382 | Giurchescu, Anca | Třešť, 2010 | A disputed issue: contemporizing (safeguarding) the ritual căluș (Romania) | Contemporizing traditional dance |
| 383 | Green, Nick | Třešť, 2010 | Dance practices in Banat: ‘contra-timp’ from the Banat mountain villages in the urban context | Contemporizing traditional dance |
| 384 | Ivanova-nyberg, Daniela | Třešť, 2010 | Shopska syuita forever? Bulgarian folk stage repertoire in the U.S.A. today | Contemporizing traditional dance |
| 385 | Kaeppler, Adrienne l. | Třešť, 2010 | Playing with fire: contemporizing Pele, the volcano goddess | Contemporizing traditional dance |
| 386 | Kurtişoğlu, Belma | Třešť, 2010 | Performing rijetko to be a Bosniak | Contemporizing traditional dance |
| 387 | Mellish, Liz | Třešť, 2010 | Choreographic networks and dance styling in the Banat region of southwest Romania | Contemporizing traditional dance |
| 388 | Nilsson, Mats | Třešť, 2010 | Contemporizing traditional dance? | Contemporizing traditional dance |
| 389 | Olson, Judith | Třešť, 2010 | Hungarian dance performance in New York/New Jersey 1958-present: changing ideas of authentic dance presentation and choreographic approach | Contemporizing traditional dance |
| 390 | Özbilgin, Mehmet öcal | Třešť, 2010 | Staging traditional dances under the socio-political opinion of early Turkish Republican era | Contemporizing traditional dance |
| 391 | Phillips, Miriam | Třešť, 2010 | D’mba lost and found: the discovery, destruction, construction and reconstruction of Baga masked dance in traditional villages of Guinea, West Africa | Contemporizing traditional dance |
| 392 | Ruyter, Nancy lee | Třešť, 2010 | Views of “authenticity" in writings about staged productions of traditional dance | Contemporizing traditional dance |
| 393 | Saarikoski, Helena | Třešť, 2010 | How do values find embodiment? The Finnish case of popular dances on pavilion floors | Contemporizing traditional dance |
| 394 | You, Jiaying | Třešť, 2010 | Preservation and innovation in Mongolian dance in China | Contemporizing traditional dance |
| 395 | Bhriain, Orfhlaith m. ní | Třešť, 2010 | Contemporizing traditional step dance in Ireland: the impact of competition culture on contemporary Irish step dance | Contemporizing traditional dance |
| 396 | Foley, Catherine e. | Třešť, 2010 | Contemporizing Irish step dance within a university context | Contemporizing traditional dance |
| 397 | Gallaí, Breandán de | Třešť, 2010 | A choreographic investigation of the boundaries of Irish dance: finding a new voice for Irish traditional dance post Riverdance | Contemporizing traditional dance |
| 398 | Gremlicová, Dorota | Třešť, 2010 | Traditional dance as a phenomenon inside the Czech modernism | Contemporizing traditional dance |
| 399 | Stavělová, Daniela | Třešť, 2010 | Traditional dancing on the stage: seeking authenticity | Contemporizing traditional dance |
| 400 | Vejvoda, Zdeněk | Třešť, 2010 | Musician and audience: stage production and reception of Czech traditional music | Contemporizing traditional dance |
| 401 | Torp, Jörgen | Třešť, 2010 | Tango and other Argentinian dances as intangible cultural heritage | Contemporizing traditional dance |
| 402 | Bakka, Egil | Třešť, 2010 | Rise and fall of dances | Contemporizing traditional dance |
| 403 | Karoblis, Gediminas | Třešť, 2010 | Latin American dances: compensating modernisation effects? | Contemporizing traditional dance |
| 404 | Aktaş, Gürbüz | Limerick, 2012 | From a village room to a stadium semah: medium of religious expression and socio-political identity | Dance and place |
| 405 | Bajić Stojiljković, Vesna | Limerick, 2012 | Dance and stage: a proposal for structural analysis of space of folk dance choreography | Dance and place |
| 406 | Bibra Wharton, Anne von | Limerick, 2012 | Dance and place in the Herbstadter Plantanz: a hundred year perspective | Dance and place |
| 407 | Dimopoulos, Konstantinos | Limerick, 2012 | From human voice to musical instruments, changes in poetic and melodic identity components in the community of Vathylakkos, Karditsa | Dance and place |
| 408 | Dunin, Elsie Ivancich | Limerick, 2012 | From Croatia to the Americas and Australia: Korčula's sword dances in diaspora | Dance and place |
| 409 | Ede, Yolanda van | Limerick, 2012 | Out of hands out of feet: Japanese flamenco from studio to screen | Dance and place |
| 410 | Gibert, Marie-Pierre | Limerick, 2012 | “Is this the place to play with the dance?” | Dance and place |
| 411 | Girgin-Tohumcu, Gonca | Limerick, 2012 | Romani dance versus Romani style dancing: a case study of Turkish Thrace Romani dance | Dance and place |
| 412 | Giurchescu, Anca | Limerick, 2012 | Placing the dance in space: norms of the past and present | Dance and place |
| 413 | Green, Nick | Limerick, 2012 | Dance practices in Banat: mountain village dances in the regional city of Timișoara | Dance and place |
| 414 | Ivanova-Nyberg, Daniela | Limerick, 2012 | Folk dancing abroad: Bulgarian folk dance activities in the United States today | Dance and place |
| 415 | Kaeppler, Adrienne | Limerick, 2012 | From Hawaiian temples and chiefly courts to festival stages in Japan | Dance and place |
| 416 | Katarinčić, Ivana | Limerick, 2012 | Space and place in the dance | Dance and place |
| 417 | Koutsouba, Maria I. | Limerick, 2012 | Places, dances(s) and 'realities': contexts and forms of the tsamikos dance in Greece | Dance and place |
| 418 | Kurt Kemaloğlu, Berna | Limerick, 2012 | From field to the stage: staged folk dance performances in Turkey and the claims about authenticity | Dance and place |
| 419 | Kurtişoğlu, Belma | Limerick, 2012 | Çftetelli on artistic and social stages | Dance and place |
| 420 | Laukkanen, Anu | Limerick, 2012 | Hips don't lie? Affective and kinesthetic dance ethnography | Dance and place |
| 421 | Nor, Mohd Anis Md; Hussin, Hanafi | Limerick, 2012 | Lariangi: dancing maiden, palace and royals of the Butonese kingdom in southeast Sulawesi, Indonesia | Dance and place |
| 422 | Olson, Judith E. | Limerick, 2012 | Pursuing meaning in heritage: tanchaz and intersection of conceptual and physical space | Dance and place |
| 423 | Painter, Elizabeth | Limerick, 2012 | On machismo in Cuban casino | Dance and place |
| 424 | Rakočević, Selena | Limerick, 2012 | Dance, place, and cross-cultural exchange dance practice of village Svinica (Romania) | Dance and place |
| 425 | Ranisavljević, Zdravko | Limerick, 2012 | Kolo u tri in the dance tradition of the Serbs: the case of the modern Serbian wedding | Dance and place |
| 426 | Sarkar Munsi, Urmimala | Limerick, 2012 | Many faces of Purulia: festivals, performances and extremist activities | Dance and place |
| 427 | Spanos, Kathleen A. | Limerick, 2012 | Weaving music and braiding tradition: Irish step dance in the percussive dance diaspora | Dance and place |
| 428 | Staro, Placida | Limerick, 2012 | E noi ci balliamo sopra (And we dance - ourselves - over) | Dance and place |
| 429 | Torp, Jörgen | Limerick, 2012 | Tango placed and unplaced: a historical sketch of two centuries | Dance and place |
| 430 | Van Zile, Judy | Limerick, 2012 | (Re-)placing dance in Korea: advertising with and for dance | Dance and place |
| 431 | Zebec, Tvrtko | Limerick, 2012 | Irish Maiden - Croatian maiden with an Irishman: Irish dancing in Croatia | Dance and place |
| 432 | Bakka, Egil; Karoblis, Gediminas | Limerick, 2012 | How performer-spectator relationship affects private and public place distinction | Dance and place |
| 433 | Dankworth, Linda | Limerick, 2012 | The state of the festival: performing politics and cultural exchange | Dance and Festival |
| 434 | Dinçer, Fahriye | Limerick, 2012 | The revitalisation process of the Calf Festival (Dana Bayram) of Aftro-Turks in Izmir | Dance and Festival |
| 435 | Gremlicová, Dorota | Limerick, 2012 | Graduation ball as a multifunctional festivity | Dance and Festival |
| 436 | Kunej, Rebeka | Limerick, 2012 | Let's go to veselica, Let's go dancing | Dance and Festival |
| 437 | Loutzaki, Irene | Limerick, 2012 | Local communities on display: the nature and role of a cultural festival viewed through the eyes of the attendees | Dance and Festival |
| 438 | Mellish, Liz | Limerick, 2012 | Dance performances as part of community festivals in Timișoara, Romania | Dance and Festival |
| 439 | Özbilgin, Mehmet Öcal | Limerick, 2012 | Association for Promoting and Protecting Turkish Folk Dances" its activities and influences | Dance and Festival |
| 440 | Phillips, Miriam | Limerick, 2012 | Beauty and the beast: the San Franciso ethnic dance festival's global stage | Dance and Festival |
| 441 | Stavělová, Daniela | Limerick, 2012 | Traditional festivities in Bohemia: continuity and revitalisation | Dance and Festival |
| 442 | Ünlü, Ömer Barbaros | Limerick, 2012 | Competition on the uplands of Trabzon: dance overview of the upland festivals of the Black Sea region | Dance and Festival |
| 443 | Vissicaro, Pegge | Limerick, 2012 | The emergence of creative communities: Festas Junina in Sao Paulos, Brazil | Dance and Festival |
| 444 | Giurchescu, Anca | Limerick, 2012 | A short history of the ICTM Study Group on Ethnochoreology | |
| 445 | Stavělová, Daniela | Limerick, 2012 | ICTM Sub-Study group on Field Research Theory and Methods in Vičnov : ‘The ride of the Kings’ | |
| 446 | Rakočević, Selena | Korčula, Croatia 2014 | Writing movements and music: hora de pomană in ethnochoreological / ethnomusicological narrative | Dance and narratives |
| 447 | Mellish, Liz; Green, Nick | Korčula, Croatia 2014 | Revisiting practices commemorating the dead through dancing in Romanian Banat villages | Dance and narratives |
| 448 | Gore, Georgiana | Korčula, Croatia 2014 | Generating dance narratives through interviewing | Dance and narratives |
| 449 | Karoblis, Gediminas | Korčula, Croatia 2014 | Dance and communism(s): how deep does it go? | Dance and narratives |
| 450 | Mæland, Siri | Korčula, Croatia 2014 | Narratives about knowledge-in-dancing | Dance and narratives |
| 451 | Aktaş, Gürbüz | Korčula, Croatia 2014 | Wolf and Lamb (kurt-kuzu): a theatrical dance of southern Turkey | Dance and narratives |
| 452 | Alge, Barbara | Korčula, Croatia 2014 | Moors, Emboabas, and Nazaré: narratives on a horse pageant in Brazil | Dance and narratives |
| 453 | Bajić Stojiljković, Vesna | Korčula, Croatia 2014 | Staged folk dance in theatrical narratives | Dance and narratives |
| 454 | Dankworth, Linda | Korčula, Croatia 2014 | Narrative and aesthetic representations of gender in Mallorquin dance | Dance and narratives |
| 455 | David, Ann R. | Korčula, Croatia 2014 | Feminine narratives of selfhood: Punjabi women's song and dance | Dance and narratives |
| 456 | Dunin, Elsie Ivancich | Korčula, Croatia 2014 | Korčula's Moreška and its Turkish connection: shipbuilders and the bula | Dance and narratives |
| 457 | Foley, Catherine E. | Korčula, Croatia 2014 | Tearmanm narrative in a folk theatrical production of Siamsa Tire, the national folk theatre of Ireland | Dance and narratives |
| 458 | Girgin-Tohumcu, Gonca | Korčula, Croatia 2014 | Choreographing narrative and narrated choreographies: Gypsy style dancing images in Turkish cinema in the 1960s | Dance and narratives |
| 459 | Grau, Andrée | Korčula, Croatia 2014 | Dance and narratives of womanhood | Dance and narratives |
| 460 | Gruber, Cornelia | Korčula, Croatia 2014 | Embodied narratives: Are we still fighting, or are we dancing? | Dance and narratives |
| 461 | Hayashi, Lucie Burešová | Korčula, Croatia 2014 | Dancing poetry in Japanese nō theatre movement: narratives in the choreography of Hagoromo | Dance and narratives |
| 462 | Ivanova-Nyberg, Daniela | Korčula, Croatia 2014 | Giving a name — giving a life: Bulgarian folk choreographer speaking | Dance and narratives |
| 463 | Karin, Vesna | Korčula, Croatia 2014 | Dance and words: dance practice of the Serbs from Lika in Bačka | Dance and narratives |
| 464 | Krstic, Nadine | Korčula, Croatia 2014 | Dancing through sparks, Korčula's sword dance Moreška enters the 21st century (film presentation) | Dance and narratives |
| 465 | Kurt Kemaloğlu, Berna | Korčula, Croatia 2014 | A critical analysis of the narratives about the Atabari dance | Dance and narratives |
| 466 | Kurtişoğlu, Belma | Korčula, Croatia 2014 | Ontological shift of what halay narrates | Dance and narratives |
| 467 | Kurtişoğlu, Bülent | Korčula, Croatia 2014 | Hasan the bandit and the hero from Debar-Drama | Dance and narratives |
| 468 | Loutzaki, Irene | Korčula, Croatia 2014 | Greek traditional dance as staged performance: cultural representations and signifying practices | Dance and narratives |
| 469 | Moura, Margarida | Korčula, Croatia 2014 | Traditional dances of Madeira Island: narratives in motion | Dance and narratives |
| 470 | Neferović, Koraljka Josipa | Korčula, Croatia 2014 | Interweaving of narratives with the Kolo of the Bokelian Mariners | Dance and narratives |
| 471 | Nor, Mohd Anis Md | Korčula, Croatia 2014 | Ramayana epic: corporeal narratives in Southeast Asia | Dance and narratives |
| 472 | Olson, Judith E. | Korčula, Croatia 2014 | Changing narratives of authenticity among heritage groups and folk dancers | Dance and narratives |
| 473 | Özbilgin, Mehmet Öcal | Korčula, Croatia 2014 | Köroğlu knife dances | Dance and narratives |
| 474 | Phillips, Miriam | Korčula, Croatia 2014 | Nostalgic narratives: paths between Kathak-Flamenco collaborations | Dance and narratives |
| 475 | Rowe, Nicholas | Korčula, Croatia 2014 | Post-identity applied ethnochoreology: Talking Dance narratives | Dance and narratives |
| 476 | Ruxandra, Ana | Korčula, Croatia 2014 | Embodied narratives of self and otherness in competitive Latin dancing | Dance and narratives |
| 477 | Rlyter, Nancy Lee | Korčula, Croatia 2014 | Ethnic dance, world dance, cultural forms, or "???" (research report) | Dance and narratives |
| 478 | Sardelić, Sani | Korčula, Croatia 2014 | A poem about kumpanija (a sword dance event) in Žrnovo village 1928 | Dance and narratives |
| 479 | Schjønsby, Turid Nokleberg | Korčula, Croatia 2014 | Narratives and gesture in early modem dance | Dance and narratives |
| 480 | Singer, Allison Jane | Korčula, Croatia 2014 | Dancing ourselves - the personal narratives of dance: a source for healing | Dance and narratives |
| 481 | Smith, Stephanie | Korčula, Croatia 2014 | City folk: a narrative of creating community in America through English country dance (film presentation) | Dance and narratives |
| 482 | Staro, Placida | Korčula, Croatia 2014 | Ruggero: between poetry and dance | Dance and narratives |
| 483 | Stavělová, Daniela | Korčula, Croatia 2014 | Narratives as a tool for understanding the inner side of dance in a socio-cultural and political context | Dance and narratives |
| 484 | Tércio, Daniel | Korčula, Croatia 2014 | Narratives on the Limp's dance | Dance and narratives |
| 485 | Vellet, Joëlle | Korčula, Croatia 2014 | Discourse in situation: tools of acquisition of dance knowledge | Dance and narratives |
| 486 | Vissicaro, Pegge | Korčula, Croatia 2014 | Narratives of difference: quadrilhas caipiras of São Paulo, Brazil | Dance and narratives |
| 487 | Zdravkova-Djeparoska, Sonja | Korčula, Croatia 2014 | Narrativization of Macedonian traditional dances | Dance and narratives |
| 488 | Ćaleta, Joško | Korčula, Croatia 2014 | Traditional performance and the question of ownerhship: ojkanje and silent dance on the UNESCO lists | Dance as intangible and tangible cultural heritage |
| 489 | Katarinčić, Ivana | Korčula, Croatia 2014 | Tango dance practices in dance schools in Croatia: the tango's, multiple identities | Dance as intangible and tangible cultural heritage |
| 490 | Niemčić, Iva | Korčula, Croatia 2014 | The internet presentation of the Intangible Cultural Heritage based on the example of sword dances in Croatia | Dance as intangible and tangible cultural heritage |
| 491 | Zebec, Tvrtko | Korčula, Croatia 2014 | Reinterpreting (national) intangible heritage: how do we present ourselves? | Dance as intangible and tangible cultural heritage |
| 492 | Viken, Sjur | Korčula, Croatia 2014 | Accentuation of beats in asymmetrical triple meter | Dance as intangible and tangible cultural heritage |
| 493 | Stranden, Marit | Korčula, Croatia 2014 | Variations in traditional dances | Dance as intangible and tangible cultural heritage |
| 494 | Mogstad, Ivar | Korčula, Croatia 2014 | The relation of Norwegian round dances to northern European music | Dance as intangible and tangible cultural heritage |
| 495 | Bakka, Egil | Korčula, Croatia 2014 | Safeguarding of the Intangible Cultural Heritage (ICH) and the role of community | Dance as intangible and tangible cultural heritage |
| 496 | Barčot, Tonko | Korčula, Croatia 2014 | The Sokol movement and folk dance heritage on the island of Korčula | Dance as intangible and tangible cultural heritage |
| 497 | Černičková, Katerina | Korčula, Croatia 2014 | Nine years of distinction: Slovácký Verbuňk and folk dance heritage | Dance as intangible and tangible cultural heritage |
| 498 | Chao, Chi-Fang | Korčula, Croatia 2014 | Local versus world culture: Intangible and Tangible Cultural Heritage on Taketomi Island | Dance as intangible and tangible cultural heritage |
| 499 | Felföldi, László | Korčula, Croatia 2014 | From tangible to intangible: sword dance of the Saxons in Transylvania | Dance as intangible and tangible cultural heritage |
| 500 | Graeff, Nina | Korčula, Croatia 2014 | Embodying candomblé dances: safeguarding intangible heritage | Dance as intangible and tangible cultural heritage |
| 501 | Greenblatt, Edy | Korčula, Croatia 2014 | Israel's successful strategies for creations and dynamic preservation of recreational Israeli dance worldwide | Dance as intangible and tangible cultural heritage |
| 502 | Hajdić, Marija | Korčula, Croatia 2014 | Why and how museology represents Moreška as Intangible Cultural Heritage | Dance as intangible and tangible cultural heritage |
| 503 | Helmersson, Linnea | Korčula, Croatia 2014 | Dance as sin or a joy: influence of religion on safeguarding of traditional dances | Dance as intangible and tangible cultural heritage |
| 504 | Koutsouba, Maria I. | Korčula, Croatia 2014 | Greek perspectives on the Intangible Cultural Heritage of dance | Dance as intangible and tangible cultural heritage |
| 505 | Kubinowski, Dariusz | Korčula, Croatia 2014 | From fieldwork to staged reconstruction of dance traditions | Dance as intangible and tangible cultural heritage |
| 506 | Kunej, Rebeka | Korčula, Croatia 2014 | RZD-01 -13-0003-03: the tangible form of intangible dance cultural heritage | Dance as intangible and tangible cultural heritage |
| 507 | Nyander, Anna | Korčula, Croatia 2014 | Queer dance - old tradition becomes modern gender issue | Dance as intangible and tangible cultural heritage |
| 508 | Opetcheska-Tatarchevska, Ivona | Korčula, Croatia 2014 | Recontextualization of traditional dance culture in Macedonia | Dance as intangible and tangible cultural heritage |
| 509 | Panova-Tekath, Gergana | Korčula, Croatia 2014 | Bulgarian traditional dance as a cultural heritage between east and west: continuity and innovation | Dance as intangible and tangible cultural heritage |
| 510 | Steppeutat, Kendra | Korčula, Croatia 2014 | Tango, the not quite Intangible Cultural Heritage | Dance as intangible and tangible cultural heritage |
| 511 | Tuchman-Rosta, Celia | Korčula, Croatia 2014 | Intangible heritage in motion: classical Cambodian dance at a New Years Festival in Siem Reap | Dance as intangible and tangible cultural heritage |
| 512 | Azzarelli, Sara | Korčula, Croatia 2014 | Dancing across gender boundaries: queer experiences in Bharatanatyam Abhinaya | |
| 513 | Chanta-Martin, Natasa | Korčula, Croatia 2014 | A language that makes you dance: appropriation of and interaction with drum language in Yorubaland | |
| 514 | Chen, Chiao-Hsin | Korčula, Croatia 2014 | Embodied cultural heritage: harvest ritual dancing in indigenous community Makotaay, Taiwan | |
| 515 | Dick, Christopher S. | Korčula, Croatia 2014 | Movement and music: a motion capture analysis of capoeira's ginga | |
| 516 | Dimopoulos, Konstantinos | Korčula, Croatia 2014 | Dance configurations/patterns in space and time: the example of communities in the zone of Agrafa, Karditsa, Greece | |
| 517 | Kibirige, Ronald | Korčula, Croatia 2014 | Continuity challenges of traditional dancing in multi-ethnic Uganda: the case study of Myel Bwola | |
| 518 | Korzenszky, Tamás | Korčula, Croatia 2014 | Traditional Hungarian Romani/Gypsy dance practices in Transylvania to Romanian electronic pop-folk music | |
| 519 | Luna, Jared Jonathan | Korčula, Croatia 2014 | All Style All Stars: streetdance freestyle and competition in Manila, Philippines | |
| 520 | Mollenhauer, Jeanette | Korčula, Croatia 2014 | Translated traditions: comparative study of traditional dance and music in Sydney, Australia | |
| 521 | Rann, Shanny | Korčula, Croatia 2014 | Potency of dance form analysis: decoding a (secret) Tibetan Lama dance | |
| 522 | David, Ann R. | Graz, 2016 | Haptic codes of desire in bollywood dance sequences | Dance and the Senses |
| 523 | Hayashi, Lucie | Graz, 2016 | Perception of dance from the japanese body: sixth sense of a dancer - inner touch or outer sight? | Dance and the Senses |
| 524 | Kapper, Sille | Graz, 2016 | Dancers' agency and formation of bodily knowledge | Dance and the Senses |
| 525 | Kunej, Rebeka | Graz, 2016 | Deaf and hard of hearing dancers and the folklore dance group | Dance and the Senses |
| 526 | Loutzaki, Irene | Graz, 2016 | Greek communities and bodily ways of knowing: a work in progress | Dance and the Senses |
| 527 | Mateos morante, Rebeca | Graz, 2016 | Through the looking glass i dance: an autoethnography of the dancer's gaze during the formation of the dancing body in danza espanola | Dance and the Senses |
| 528 | Nahachewsky, Andriy | Graz, 2016 | Using the eyes in ukrainian dance | Dance and the Senses |
| 529 | Nor, Mohd Anis Md | Graz, 2016 | Dancing the qalb: sensorial perception of sufism in zapin | Dance and the Senses |
| 530 | Quigley, Colin | Graz, 2016 | From proxemics to proprioception in newfoundland traditional dance | Dance and the Senses |
| 531 | Rakočević, Selena | Graz, 2016 | Dance, senses, and ethnochoreological fieldwork: some deliberations of sensory stimuli while experiencing dance in the field | Dance and the Senses |
| 532 | Saarikoski, Helena | Graz, 2016 | Dance knowledge in dancers’ stories about their learning to dance, with special reference to the “sense of rhythm” | Dance and the Senses |
| 533 | Smith, Rori | Graz, 2016 | Beneath the cultural body: sensory experience in continuum movement practice | Dance and the Senses |
| 534 | Varga, Sándor | Graz, 2016 | Use of space in the dance-house in the mezőség region | Dance and the Senses |
| 535 | Foley, Catherine E. | Graz, 2016 | Steps, style and sensing the difference: an examination of Molyneaux's traditional set dances within competition culture | Dance and the Senses |
| 536 | Gallai, Breandán de | Graz, 2016 | Making sense of the dance: contemporary Irish dance production | Dance and the Senses |
| 537 | Quintero, Wayland; Eriksen, Helene | Graz, 2016 | Summary - dance and the senses | Dance and the Senses |
| 538 | Al obeidyine, Jana | Graz, 2016 | Re-educating the senses: exploring the role of Argentine tango in reshaping the sensory disposition of non-Argentinian urban practitioners | Dancing and Dance cultures in Urban Contexts |
| 539 | Ćaleta, Joško; Zebec, Tvrtko | Graz, 2016 | Urban context for rural music and dance patterns: a Croatian case study | Dancing and Dance cultures in Urban Contexts |
| 540 | Helmersson, Linnea | Graz, 2016 | In the middle of modernisation - the dance heritage and the enthusiasts | Dancing and Dance cultures in Urban Contexts |
| 541 | Inoue, Atsuki | Graz, 2016 | The separation of dance and music in contemporary Japan: an inquiry into the standardization of ballroom dance | Dancing and Dance cultures in Urban Contexts |
| 542 | Kaeppler, Adrienne L. | Graz, 2016 | Two Tongan dance forms in modern contexts | Dancing and Dance cultures in Urban Contexts |
| 543 | Koutsouba, Maria I. | Graz, 2016 | For the syrtaki dance once more: cosmopolitanism, globalization and urbanization in continuum | Dancing and Dance cultures in Urban Contexts |
| 544 | Staro, Placida | Graz, 2016 | Altrove e altrimenti: la danza delle “anime perse”. Elsewhere and otherwise, in another way, in another time and in another place: the dance of the wandering souls | Dancing and Dance cultures in Urban Contexts |
| 545 | Stepputat, Kendra | Graz, 2016 | Tango journeys - going on a pilgrimage to Buenos Aires | Dancing and Dance cultures in Urban Contexts |
| 546 | Torp, Jörgen | Graz, 2016 | Underlining differences: (urban) "popular" vs. (rural) "folk" | Dancing and Dance cultures in Urban Contexts |
| 547 | Kratochvíl, Matěj | Graz, 2016 | Bubble moving through the streets: music at the urban carnival | Dancing and Dance cultures in Urban Contexts |
| 548 | Stavělová, Daniela | Graz, 2016 | Negotiating the place for a dance | Dancing and Dance cultures in Urban Contexts |
| 549 | Černíčková, Katerina | Graz, 2016 | Private dialog with the public space: role of personality in dance repertory process | Dancing and Dance cultures in Urban Contexts |
| 550 | Green, Nick | Graz, 2016 | Social dancers in balkan folk dance performance: communities, traditions and sensory concepts? | Dancing and Dance cultures in Urban Contexts |
| 551 | Ivanova-nyberg, Daniela | Graz, 2016 | Bulgarian dance in seattle: field studies among the international folk dance community in greater seattle | Dancing and Dance cultures in Urban Contexts |
| 552 | Mellish, Liz | Graz, 2016 | Dancing the balkans in the UK: being a little balkan in London, Manchester, Edinburgh | Dancing and Dance cultures in Urban Contexts |
| 553 | Antzaka, Lily; Seye, Elina | Graz, 2016 | Summary - dancing and dance cultures in urban contexts | Dancing and Dance cultures in Urban Contexts |
| 554 | Seye, Elina | Graz, 2016 | In a lion's clothes: DVD presentation | |
| 555 | Bibra wharton, Anne von | Graz, 2016 | Sajojo and poco-poco: two “community” dances in Indonesia | |
| 556 | Čurda, Barbara | Graz, 2016 | Establishing lineages through discursive and choreographic practices: Odissi dancers' references to Mahari & Gotipua dances | |
| 557 | De rosa, Sinibaldo | Graz, 2016 | Looking at the alevi-bektaşi semah through kinetography laban | |
| 558 | Dick, Christopher S. | Graz, 2016 | Digital movement: an overview of computer-aided analysis of human motion | |
| 559 | Fountzoulas, Giorgos K. | Graz, 2016 | Dance and politics: the case of the gaitanaki ritual in the communities of Skala and Daphne Nafpaktia in the Greek prefecture of Aitoloakarnania | |
| 560 | Gayraud, Elise G. M. | Graz, 2016 | Made in Britain: dance traditions travelling in a globalising world | |
| 561 | Mollenhauer, Jeanette | Graz, 2016 | Transnational sensescapes: deploying the senses in the diaspora | |
| 562 | O brien, Juliette | Graz, 2016 | The global salsa matrix | |
| 563 | Urbanavičiené, Dalia | Graz, 2016 | Lithuanian traditional dance: foreign and native, from rural to urban | |
| 564 | Charitonidis, Chariton | Graz, 2016 | The “re-urbanization” of an expatriated dance culture. the Greek dance-house in Hungary | |
| 565 | Dimopoulos, Konstantinos | Graz, 2016 | Rural dances under the prism of the “urban framework”: the example of the movie to homa vaftike kokkino" | |
| 566 | Dulin, Catherine | Graz, 2016 | The evolution of the waltz in vienna: a socio-cultural analysis of the dancing embrace |