ICTM study group on music and dance in southeastern Europe publications

This is a list of the academic articles published following the symposia of the ICTM Study Group on Music and Dance in Southeastern Europe. Those who know us will know that we keep everything databased and indexed! We are not aware this reference information is available elsewhere, so I have posted our data files here. Please note there could be OCR errors, particularly in the special characters.
- ICTM-SEE text-file – tab delimited UTF-8 text file suitable to import into Excel or Word.
- ICTM-SEE RIS-file – RIS standard import file for most reference managers.
- ICTM-SEE endnote-import – Endnote program import file.
index | Author | Symposium | Title | Theme |
---|---|---|---|---|
1 | Hofman, Ana | 2008 Struga | Sounding transition: musical practices as everyday experience in post-socialist Serbia | government policies, patronage and censorship |
2 | Eken Küçükaksoy, Fikret Merve | 2008 Struga | Revival of tradition in a new composition | tradition-transition-revival |
3 | Tohumcu, Ahmed | 2008 Struga | The identical change of taverna | tradition-transition-revival |
4 | Kostić-Marković, Branka | 2008 Struga | Ethnomusicological data - stricto sensu et largo sensu | media |
5 | Girgin Tohumcu, Zeynep Gonca | 2008 Struga | Choreography of kinetic revival | tradition-transition-revival |
6 | Rakočević, Selena | 2008 Struga | Banatian dancing through the 20th century | tradition-transition-revival |
7 | Mellish , Liz; Green, Nick | 2008 Struga | Performing tradition through transition in Romania: folk ensemble performances at Festivalul Inimilor, Timișoara, Romania | tradition-transition-revival |
8 | Christensen, Dieter | 2008 Struga | Agents of change. a village in Hercegovina, 1957-1974 | tradition-transition-revival |
9 | Hemetek, Ursula | 2008 Struga | Musical representations of the balkans in Vienna | tradition-transition-revival |
10 | Ilić, Danijela | 2008 Struga | The assimilation of the folk elements and diferent cultures and mentalities in the I suite of the bailey “Ohrid legend” from Stevan Iiristic | musicology |
11 | Dumnić, Marija | 2008 Struga | Dance in cinema movies of Emir Kusturica | tradition-transition-revival |
12 | Kovačić, Mojca | 2008 Struga | The music of the others or the music of the ours: balkan music among Slovenes | tradition-transition-revival |
13 | Özbilen, Berna | 2008 Struga | First Ottoman - Turkish popular music kanto: transition from traditional to modern kanto period | tradition-transition-revival |
14 | Hunt, Yvonne | 2008 Struga | Crossing the border: the case of the zurnaci-tapan ensembles of Bulgaria and the daoulia of the serres prefecture of Greece | tradition-transition-revival |
15 | Kurtişoğlu, Belma | 2008 Struga | A guslar in Istanbul to keep the traditions alive | tradition-transition-revival |
16 | Marković, Mladen | 2008 Struga | Ethnoorganology - friend or foe? | tradition-transition-revival |
17 | Ivanova, Daniela | 2008 Struga | Horo se vie, izviva (observation on “horo se vie, izviva” festivalcompeting in dancing and on the activities of the new-born clubs for traditional dances in Bulgaria) | tradition-transition-revival |
18 | Balandina, Alexandra | 2008 Struga | The youth open festival in Kumanovo, Macedonia: a proposal for inter-ethnic piece cooperation | tradition-transition-revival |
19 | Peycheva, Lozanka | 2008 Struga | Studio ethno: a radio show from Bulgaria about the global pulsations of the local music | media |
20 | Dimov, Ventsislav | 2008 Struga | Roma musicians in the media music from Bulgaria after 1989 | media |
21 | Dunin, Elsie Ivancich | 2008 Struga | The “cloning” of cocek in Macedonia: an example in the role of media afecting globalization as well as localization of belly dancing | media |
22 | Vlaeva, Ivanka | 2008 Struga | Music in northeastern Bulgaria in 1950s and 1960s | government policies, patronage and censorship |
23 | Koço, Eno | 2008 Struga | The preservation of an ancient tradition in the Arberesh ecclesiastical and secular musical practice | government policies, patronage and censorship |
24 | Velichkovska, Rodna | 2008 Struga | The integrative function of the rite singing in Macedonia | musicology |
25 | Vasić, Olivera | 2008 Struga | Inventing tradition: on the example of padalice from northeastern Serbia | tradition-transition-revival |
26 | Özbilgin, Mehmet Öcal | 2008 Struga | Government censorship and the impact on traditional dance and music performance in Bergama, Turkey | government policies |
27 | Özdinçer, Ferruh | 2008 Struga | Hora and karsilama dances in Edirne region | tradition-transition-revival |
28 | Christensen, Dieter | 2010 İzmir | The ICTM and 'the Europeans': globalism in theory, nationalism in research practice, and the role of our Study Group | |
29 | Ahmedaja, Ardian | 2010 İzmir | The role of the researchers and artists in public presentations of local music and dance in Albania | public presentations affect perceptions and practices |
30 | Aydın , Jaynie; Aydın, Emir Cenk | 2010 İzmir | The folk essence of modern Turkish belly dance: a DVD presentation | public presentations affect perceptions and practices |
31 | Dunin, Elsie Ivancich | 2010 İzmir | Romani dance and music programming on Macedonian national television (1997-2007) | public presentations affect perceptions and practices |
32 | Friedman, Victor A. | 2010 İzmir | Presentations, perceptions, and practices of chalgija music in the Republic of Macedonia | public presentations affect perceptions and practices |
33 | Girgin Tohumcu, Gonca | 2010 İzmir | From a cultural performance to an art production: Romani/Gypsy dancing bodies | public presentations affect perceptions and practices |
34 | Giurchescu , Anca; Radulescu, Speranta | 2010 İzmir | Music and dance of pan-Balkan (and Mediterranean) fusion: the case of the Romanian manea | public presentations affect perceptions and practices |
35 | Green , Nick; Mellish, Liz | 2010 İzmir | Public presentations, regional perceptions and dance learning processes in 21st century Romanian Banat | public presentations affect perceptions and practices |
36 | MacMillen, Ian | 2010 İzmir | Tamburasi of the Balkanized peninsula: public concerts as international and interethnic connections in Croatia and its intimates | public presentations affect perceptions and practices |
37 | Niemčić, Iva; Ćaleta, Joško | 2010 İzmir | Public practice versus personal narratives - the example of music and dance traditions of Boka Kotorska | public presentations affect perceptions and practices |
38 | Opetcheska Tatarchevska, Ivona | 2010 İzmir | “The idea behind our folk dances” - public narratives about folk dances in Macedonia | public presentations affect perceptions and practices |
39 | Primorac, Jaksa | 2010 İzmir | “Microtonal klapa” - northern Adriatic kanat singing versus Dalmatian klapa singing | public presentations affect perceptions and practices |
40 | Ranisavljević, Zdravko | 2010 İzmir | Stage performance and process of “nationalization” of the traditional dance patterns: the case of kolo u tri in the repertoire of the Serbian national ensemble ”Kolo” | public presentations affect perceptions and practices |
41 | Šivić, Urš | 2010 İzmir | The double identity of traditional musicians - the case of Slovenian vocal-instrumental group from Loka-Rosnja | public presentations affect perceptions and practices |
42 | Sugarman, Jane C. | 2010 İzmir | Life and art: folklore videos and community identity in the Prespa Albanian diaspora | public presentations affect perceptions and practices |
43 | Tohumcu, Ahmed | 2010 İzmir | A metamorphosis story: sema | public presentations affect perceptions and practices |
44 | Tschernokoshewa, Elka | 2010 İzmir | How does Balkan music form life in Germany: some methodological and theoretical considerations | public presentations affect perceptions and practices |
45 | Velickovska, Rodna | 2010 İzmir | Public presentation of the traditional harvest custom and singing in the Republic of Macedonia | public presentations affect perceptions and practices |
46 | Vlaeva, Ivanka | 2010 İzmir | Strategy of the international folk festivals in Bulgaria in the last two decades | public presentations affect perceptions and practices |
47 | Blagojević, Gordana | 2010 İzmir | From media to the street and vice versa: hip-hop dance in Belgrade today | educational systems |
48 | Dimov, Ventsislav | 2010 İzmir | Images of Balkan musical traditions in music textbooks from Bulgaria | educational systems |
49 | Doğuş Varlı, Özlem | 2010 İzmir | The process of educating and learning music and dance from the rural area to the city: while going from Trabzon to northern Cyprus, from Afyon to Istanbul | educational systems |
50 | Harizanov, Gueorgui | 2010 İzmir | Learning, mastering and teaching traditional music | educational systems |
51 | Kurtişoğlu, Belma | 2010 İzmir | Teferic: educational system of musical and dance experiences | educational systems |
52 | Özbilgin, Mehmet Öcal | 2010 İzmir | Davul galdirma tradition in Akfaalan village, Gediz county, Kutahya: an example of the teaching and learning process for traditional dances in the rural area | educational systems |
53 | Özdinçer, Ferruh | 2010 İzmir | Methods used in folk dance education in Turkey | educational systems |
54 | Panova-Tekath, Gergana | 2010 İzmir | Teaching Bulgarian folk dances to amateur and professional dancers from Bulgaria and Germany | educational systems |
55 | Peycheva, Lozanka | 2010 İzmir | Different educational systems for transmission of folk music in Bulgaria | educational systems |
56 | Rodel Hristova, Angela | 2010 İzmir | Far from black and white: the role of the piano in Bulgarian folk singing pedagogy | educational systems |
57 | Sümbül, Muzaffer | 2010 İzmir | A general view to staging process of Turkish folk dance of Adana provinces from People's Houses (Halkevleri) to nowadays | educational systems |
58 | Talam , Jasmina; Karača-Beljak, Tamara | 2010 İzmir | New Bosnian ethnomusicology: perspectives and challenges | educational systems |
59 | Toksoy, Atilla Coşkun | 2010 İzmir | An “elementary” outlook on folk dances training in elementary schools | educational systems |
60 | Zakić, Mirjana; Rakočević, Selena | 2010 İzmir | Institutionalizing traditional music and dance: a case study of post-Yugoslav Serbia | educational systems |
61 | Zdravkova-Dzeparoska, Sonja | 2010 İzmir | Methods of dance education | educational systems |
62 | Açıkdeniz, Banu | 2010 İzmir | Nationalizing folk dance in Turkey and Greece: a historical review of zeybek and zeibekiko | |
63 | Altınay, F. Reyhan | 2010 İzmir | Functionality of traditional music and dance, revival of cultural identity: in the context of immigrants, religious and traditional communities in Izmir | |
64 | Çolakoğlu, Gözde | 2010 İzmir | The symbolic triangle of the island of Crete: lyra, lute and dance | |
65 | Giorgoudes, Panikos | 2010 İzmir | Cyprus music: the case of UTTM.org | |
66 | Križnar, Franc | 2010 İzmir | Trombonist, composer and conductor Vinko Globokar: an artist and/or a provoker? | |
67 | Özgül Turgay, Nesibe | 2010 İzmir | Immigrant songs from both sides of the Aegean | |
68 | Pekşen, Gani | 2010 İzmir | School of hard knocks carried on with oral tradition: mekteb-i irfan (school of wisdom) | |
69 | Yaltirık, Hüseyin | 2010 İzmir | A study of two folk dances depicting seasonal transition performed by western Anatolian Yoruks in the context of imitation | |
70 | Ceribašić, Naila | 2012 Berovo | The status of “tradition” in Croatian ethnomusicology, and the issue of ”going pidgin” ethnomusicology | terminology and theoretical approaches |
71 | Friedman, Victor A. | 2012 Berovo | Musical terminology and the Balkan Linguistic League | terminology and theoretical approaches |
72 | Gerazov, Branislav; Velichkovska, Rodna | 2012 Berovo | Rural singing parallels: comparison of formant shift in Macedonian and Bulgarian rural singing - first steps | terminology and theoretical approaches |
73 | Golemović, Dimitrije O. | 2012 Berovo | Naming in Serbian folk singing | terminology and theoretical approaches |
74 | Green, Nick | 2012 Berovo | A consideration of structural analysis methodology in context of southeast European dance: Brâul bătrân, an example from Romanian Banat | terminology and theoretical approaches |
75 | Peycheva, Lozanka | 2012 Berovo | What is folk music: examples from Bulgaria | terminology and theoretical approaches |
76 | Ranisavljević, Zdravko | 2012 Berovo | Whose dance is kolo? Kolo in the dance traditions of the Serbs, Bosniaks, and Roms from Serbia and Bosnia and Herzegovina | terminology and theoretical approaches |
77 | Stojkova Serafimovska, Velika | 2012 Berovo | The term “voice” - social and/or music expression in ritualistic traditions (Macedonian case) | terminology and theoretical approaches |
78 | Yamaner Okdan, Hale | 2012 Berovo | The terminology problem of Turkish traditional dance training in conservatories | terminology and theoretical approaches |
79 | Akat, Abdullah | 2012 Berovo | The structural changes in the process of adaptation of Black Sea kemenche to the changing conceptions on performance | intercultural communication |
80 | Aydın, Emir Cenk; Aydın, Jaynie | 2012 Berovo | A zeybek wedding: the performance of music, dance, and customary wedding traditions in a modern village in Aydin, Turkey | intercultural communication |
81 | Beissinger, Margaret H. | 2012 Berovo | Social dance and traditional weddings in pre- and post-1990 southern Romania | intercultural communication |
82 | Blagojević, Gordana | 2012 Berovo | Dance as an emigrant: intercultural communication by salsa in Belgrade | intercultural communication |
83 | Christensen, Dieter | 2012 Berovo | Conflict and expressive behavior: observations of a cultural musicologist in a Macedonian village, 1956 | intercultural communication |
84 | Dimov, Ventsislav | 2012 Berovo | Pan-Balkan musical practices in the field of recorded ethnomusic: the role of Romani music and musicians | intercultural communication |
85 | Dunin, Elsie Ivancich | 2012 Berovo | Romani weddings in Macedonia and migrant family contexts | intercultural communication |
86 | Efthymiou, Lampros | 2012 Berovo | Multiculturalism in Greek Thrace: Pomaks, native Greeks and Gagauz sing a pan-Balkan myth | intercultural communication |
87 | Giurchescu, Anca | 2012 Berovo | Continuity and discontinuities in traditional dance | intercultural communication |
88 | Ivanova-Nyberg, Daniela | 2012 Berovo | The South Slavic Club of the North American Midwest: Zivio Folk Dance Group repertoire today | intercultural communication |
89 | Kurtişoğlu, Bülent; Kurtişoğlu, Belma | 2012 Berovo | Hidden Latin in Thrace: Notyalilar | intercultural communication |
90 | Margaritova, Rumiana | 2012 Berovo | Saz across the border: maintenance of Turkish traditional practice in Bulgaria | intercultural communication |
91 | Mellish, Liz | 2012 Berovo | Dancing ethnicity: a case study of Festivalul Etnilor, Timisoara | intercultural communication |
92 | Niemčić, Iva | 2012 Berovo | The portraits of professional female dancers | intercultural communication |
93 | Njaradi, Dunja | 2012 Berovo | She is belly dancing but what is he doing? Čoček dance in the social poetics of Balkan societies | intercultural communication |
94 | Özbilgin, Mehmet Öcal | 2012 Berovo | The effects of migrations on traditional dances between southeastern Europe and Anatolia | intercultural communication |
95 | Özdinçer, Ferruh | 2012 Berovo | Traditional folk dances of the exchanged people who came to Sel9uk from Greece | intercultural communication |
96 | Panova-Tekath, Gergana | 2012 Berovo | Europe - one and for all: intercultural communication through Bulgarian traditional dances | intercultural communication |
97 | Radulescu, Speranta | 2012 Berovo | Preserving traditions as a way of rejecting a social order perceived as oppressive | intercultural communication |
98 | Sençerman, Șebnem | 2012 Berovo | Music and dance of imagined ancestors in (re)constructing Afro-Turkish collective identity: observations from the revived calf festival in izmir, Turkey | intercultural communication |
99 | Sharif, Malik | 2012 Berovo | Performing (against) the Balkans | intercultural communication |
100 | Sönmez , Onur | 2012 Berovo | Negotiating authenticity in terms of pragmatic meaning: ülkücü (idealist) pop in Turkey | intercultural communication |
101 | Šorak, Marija | 2012 Berovo | The instrumental practice of ćemane player Stojan Stojanović: the life of one marginalized tradition | intercultural communication |
102 | Unlu, Omer Barbaros | 2012 Berovo | A henna night in Batman in the context of politics, popular culture, and dance | intercultural communication |
103 | Vlaeva , Ivanka | 2012 Berovo | The puzzle of music plurality in Bulgaria according to the music archives | intercultural communication |
104 | Vukobratović, Jelka | 2012 Berovo | The new paths and travels of ojkanje singing | intercultural communication |
105 | Wilson, Dave | 2012 Berovo | Teskoto and national sentiment in Macedonia: ascribing meaning, experiencing tradition | intercultural communication |
106 | Zdravkova Djeparoska, Sonja | 2012 Berovo | Culture, boundaries and their implementation in the field of dance | intercultural communication |
107 | Nenić, Iva | 2012 Berovo | A longing for the other: interculturality in (post) traditional and world music scene of Serbia | |
108 | Zakić, Mirjana | 2012 Berovo | Intercultural communication and multicultural context: the place of the kaval in Serbian musical practice | |
109 | Rakočević, Selena | 2012 Berovo | Interpreting culturality: dance practice of Svinica village | |
110 | Girgin-Tohumcu, Gonca | 2012 Berovo | Communicator behind the screen: Karagöz Shadow Play | |
111 | Tohumcu, Ahmed; Eken- Küçükaksoy, Merve | 2012 Berovo | The sound of identity: music in Karagöz Shadow Play | |
112 | Ziegler, Susanne; Primorac , Jakša | 2012 Berovo | The multiethnic face of balkan music in historical recordings | |
113 | Opetcheska-Tatarchevska, Ivona; Ahmedaja, Ardian | 2012 Berovo | The multiethnic face of balkan music in historical recordings | |
114 | Ivancich Dunin, Elsie | 2014 Petnica | Dancing Lindo in the Dubrovnik area | improvisation |
115 | Green, Nick | 2014 Petnica | Community chain dances in Banat: uniformity or variability, is this about the group or the individual? | improvisation |
116 | Ivanova-Nyberg, Daniela | 2014 Petnica | “Rachenitsa! try to outdance me!” - competition and improvisation the Bulgarian way | improvisation |
117 | Katsanevaki, Athena | 2014 Petnica | Is “traditional” improvised? “East” and “West” and the improvised traditions in Greece | improvisation |
118 | Eken- Küçükaksoy, F. Merve | 2014 Petnica | Improvisation in ensemble performances: Kemaliye Fasil music | improvisation |
119 | Kuzman, Aleksandra | 2014 Petnica | Some aspects of the solo instrumental improvisations in Macedonian Chalgia music | improvisation |
120 | Lévai, Péter | 2014 Petnica | Motif or/and movement improvisation in Hungarian solo dances. Find the “basic motifs” in different dances | improvisation |
121 | Özdinçer, Ferruh | 2014 Petnica | Improvisational dances in the Anatolian traditional village theatre | improvisation |
122 | Petac, Silvestru | 2014 Petnica | Variation as a form of improvisation in dance texts of Căluș. Case studies: Căluș from Izvoarele, Olt | improvisation |
123 | Peycheva, Lozanka | 2014 Petnica | Musical improvisation as a creative process: observations on Bulgarian folk music | improvisation |
124 | Radulescu, Speranta | 2014 Petnica | Improvisation and one of its motifs: comments on a Romanian case | improvisation |
125 | Stojisavljević, Miroslav | 2014 Petnica | Improvisation in Serbian music: the concept of improvisation through history | improvisation |
126 | Tohumcu, Ahmed | 2014 Petnica | Improvisational dynamics of sacred music genres in Turkey | improvisation |
127 | Vlaeva, Ivanka | 2014 Petnica | Between borders: improvisation with many faces | improvisation |
128 | Angelov, Goranco | 2014 Petnica | The function of the zurla players in the pelivan wrestling in some parts of the Republic of Macedonia | professionalisation |
129 | Beissinger, Margaret H. | 2014 Petnica | Professionalization among young Romani musicians: strategies of music-making in contemporary Romania | professionalisation |
130 | Ceribašićc, Naila | 2014 Petnica | Heritage music and professionalization - some examples from Croatia | professionalisation |
131 | Küçükebe, Hande Devrim | 2014 Petnica | The professionalism process of women musicians in Turkish traditional art music from the Ottoman Empire until today | professionalisation |
132 | Dumnic, Marija | 2014 Petnica | The establishing of a professional folk orchestra in the interwar period in Belgrade | professionalisation |
133 | Jovanović, Jelena | 2014 Petnica | Annual concerts of a cultural-artistic society in Serbia: the clash of two different concepts of professionalization | professionalisation |
134 | Keleş , Ali; Doğan, Öznur | 2014 Petnica | Alevi semah in the context of professionalization | professionalisation |
135 | Küçükebe, Murat | 2014 Petnica | Cremona and Izmir with respect to professional perception in violin making in the context of centre and periphery and authenticity attitude | professionalisation |
136 | Kurtişoğlu, Bülent | 2014 Petnica | Professionalism process of Turkish folk dances | professionalisation |
137 | Mellish, Liz | 2014 Petnica | Professionalism of Romanian ensemble dancers: performances and presentation | professionalisation |
138 | Özbilgin, Mehmet Öcal | 2014 Petnica | Professionalism in the traditional dance environments | professionalisation |
139 | Petkovski, Filip | 2014 Petnica | Professional folk dance ensembles in Eastern Europe and the presentation of folk dance on stage | professionalisation |
140 | Ranković, Sanja | 2014 Petnica | The role of formal music education in the process of professionalisation of rural traditional singing in Serbia | professionalisation |
141 | Revilla Gútiez, Sara | 2014 Petnica | Ethnic representations in Moldova (Romania): transmission and dissemination of traditional music | professionalisation |
142 | Șener, Serkan | 2014 Petnica | Communication apparatuses of string ensembles in the Turkish music industry | professionalisation |
143 | Sümbül, Muzaffer; Arslantaş, Omer | 2014 Petnica | The impact of village institutions on institutionalization of Turkish folk dance: a case study of village institute of Adana-Düziçi | professionalisation |
144 | Yildız, Burcu | 2014 Petnica | Turkish 'Dizi (TV Series) music' and the concept of professional Dizi musicianship | professionalisation |
145 | Bajić Stojiljković , Vesna | 2014 Petnica | Stage folk dance in Serbia as a phenomenon of professionalization | professionalisation |
146 | Krasin, Maja | 2014 Petnica | Professional or non-professional players on traditional instruments in Serbia: a case study of the Kaval | professionalisation |
147 | Ćaleta, Joško | 2014 Petnica | Construction and reconstruction of Croatian traditional “voice” through performances of the professional croatian national folk dance ensemble Lado | professionalisation |
148 | Stojkova Serafimovska, Velika | 2014 Petnica | The role of professionals in building the music repertoare in the State Ensemble of folk dances and songs of Macedonia “Tanec” | professionalisation |
149 | Niemčić, Iva | 2014 Petnica | From trainees to professional dancers: the case of the professional ensemble of folk dances and songs of Croatia “Lado” | professionalisation |
150 | Opetcheska-Tatarchevska, Ivona | 2014 Petnica | The influence of the national ensemble of dances and songs “Tanec” in the process of dissemination of the dance knowledge in the Republic of Macedonia | professionalisation |
151 | Dimov, Ventsislav | 2014 Petnica | Research on the Balkan music in Cyberia | inter/postdisciplinarity |
152 | Hnaraki , Maria; Aligizakis , Agisilaos | 2014 Petnica | Moving bodies and souls: Cretan dancing your way to physical, social and emotional fitness | inter/postdisciplinarity |
153 | Kurtişoğlu, Belma | 2014 Petnica | Ethnomethodology in the use of ethnomusicology and ethnochoreology | inter/postdisciplinarity |
154 | Njaradi, Djunja | 2014 Petnica | More than meets the eye: re-thinking movement in dance anthropology and dance studies | inter/postdisciplinarity |
155 | Rakočević, Selena | 2014 Petnica | Is ethnochoreology an interdicipline? Some conceptual and methodological issues in dance and music research | inter/postdisciplinarity |
156 | Sugarman, Jane C. | 2014 Petnica | Nexhmije Pagarusha, Radio Prishtina, and the discourse of cultivation in socialist Kosova | inter/postdisciplinarity |
157 | Živčić, Ana | 2014 Petnica | Dialect, melos, intonation - determination and definition in the vocal practice on the Pester- Sjenica plateau | inter/postdisciplinarity |
158 | Zoric, Jana | 2014 Petnica | Community and criticism through Reggae music in Serbia | inter/postdisciplinarity |
159 | Zakić , Mirjana | 2014 Petnica | In search for ethnomusicological semiotics: models and tendencies | |
160 | Nenić, Iva | 2014 Petnica | Envisioning ethnomusicological praxis: theory, action-intervention and situated knowledge | |
161 | Peycheva, Lozanka | 2016 Blagoevgrad | Sound syntax of masquerade games in Bulgaria | myth and ritual |
162 | Dimov, Ventsislav | 2016 Blagoevgrad | Balkan music and media myths | myth and ritual |
163 | Vlaeva, Ivanka | 2016 Blagoevgrad | Rituals and their interpretations in some Bulgarian movies | myth and ritual |
164 | Islam , Aida; Leshkova Zelenkovska, Stefanija | 2016 Blagoevgrad | Musical tradition in wedding ceremony: the role of music in masking the bride | myth and ritual |
165 | Özdinçer, Ferruh | 2016 Blagoevgrad | Anatolia village theatres with ritual features | myth and ritual |
166 | Markoff, Irene | 2016 Blagoevgrad | Veneration of Bektashi and Baba’i Saints in Bulgaria through Nefesler and local lore: demystifying the intersection of legends, history, and mystical poetry | myth and ritual |
167 | Margaritova, Rumiana | 2016 Blagoevgrad | From Meydan Evi to the stage: continuity and change in meaning and uses of ritual music of the Alevis/Bektashis in the Eastern Rhodope Mountains in Bulgaria | myth and ritual |
168 | Ahmedaja, Ardian | 2016 Blagoevgrad | “Gegen jede Touristenkritik”: insights into local musical practices in the “Albanesische Studien” (1854) by JohanGeorg von Hahn | myth and ritual |
169 | Panic Kasanski , Dragica; Karin, Vesna | 2016 Blagoevgrad | Manifestation “Kozara-ethno” in Piskavica - audiovisual representations of music and dance | myth and ritual |
170 | Petrović, Ana | 2016 Blagoevgrad | Contemporary ritual behaviour of Serbs in the village of Boljare on the Pester plateau (case study of the celebration of St. Peter’s day) | myth and ritual |
171 | Efthymiou, Lampros | 2016 Blagoevgrad | The song “The bridge of Arta” in the ritual dance of Easter: the case of Papadates community | myth and ritual |
172 | Bólya, Anna Maria | 2016 Blagoevgrad | Two ritual dances in the Macedonian folklore: Djolomarsko oro and Epiphany oro - connection to the layers of folk belief system | myth and ritual |
173 | Stojkova Serafimovska, Velika | 2016 Blagoevgrad | Rituals and context - changes and continuity in two winter rituals in the Republic of Macedonia | myth and ritual |
174 | Ćaleta, Joško | 2016 Blagoevgrad | (Traditional) music in Carnival traditions - experience of repetitive symbols and open meaning procedures in contemporary Bell ringer’s processions | myth and ritual |
175 | Opetcheska-Tatarchevska, Ivona | 2016 Blagoevgrad | Dance rituals in contemporary urban and rural context: Novljansko kolo v.s. Svetijovanovo oro [St. John’s dance] | myth and ritual |
176 | Niemčić, Iva | 2016 Blagoevgrad | Theatrical interpretation of ritual or ritual on stage | myth and ritual |
177 | Zebec, Tvrtko | 2016 Blagoevgrad | Traditional Tanac dance: a climax of the Koleda ritual on the island of Krk in 2015 | myth and ritual |
178 | Beissinger, Margaret | 2016 Blagoevgrad | Wedding repertoire in Southern Romania: political, social and cultural identity in the music of Lautari | post-1989 |
179 | Radulescu, Speranta | 2016 Blagoevgrad | Traditional music, folklore and folklorization in Romania before and post-1989 | post-1989 |
180 | Rayzhekova, Gergana | 2016 Blagoevgrad | Finding the core of alternative sound in Bulgarian folklore music | post-1989 |
181 | Ivancich Dunin, Elsie | 2016 Blagoevgrad | Romani celebration of George’s day / Erdelezi post-1991 in Skopje: dancing continuities within social change | post-1989 |
182 | Leibman, Robert | 2016 Blagoevgrad | Similarities and differences in dances and dance events in the area around the borders between Pirin Macedonia (Bulgaria), Aegean Macedonia (Greece), and the eastern and southeastern regions of the Republic of Macedonia | post-1989 |
183 | Ivanova-Nyberg , Daniela | 2016 Blagoevgrad | Bulgarian folk dance club repertoire ten years later: What genre? Where shall we put it? | post-1989 |
184 | Kurtişoğlu, Belma | 2016 Blagoevgrad | Performing in the streets | post-1989 |
185 | Mellish, Liz | 2016 Blagoevgrad | The southeast Europeans are (still) dancing: recent dance trends in Romania and among southeast Europeans in London | post-1989 |
186 | Zdravkova-Djeparoska, Sonja | 2016 Blagoevgrad | High school graduation quadrille - a contemporary dance ritual | post-1989 |
187 | Akat, Abdullah | 2016 Blagoevgrad | Cross-cultural interactions in Crimean Tatar Music after returning to the homeland | post-1989 |
188 | Petrova, Angelina | 2016 Blagoevgrad | Emigration and intercultural symbols by Bulgarian composers after 1989 | post-1989 |
189 | Angelov, Goranco | 2016 Blagoevgrad | Traditional musical instruments used in strengthening the national identity of the Macedonian people since 1989 | post-1989 |
190 | Petkovski , Filip | 2016 Blagoevgrad | UNESCO and the notion of “staged rituals”: the case with the National Folk Dance Ensemble of Croatia “Lado” | post-1989 |
191 | Rice, Timothy | 2016 Blagoevgrad | Film as a medium for conveying theory: the case of “May It Fill Your Soul” | audiovisual ethnographies |
192 | Kaplan Ekemen , Gul; Ekemen, Cenker | 2016 Blagoevgrad | Cinematographic transmission of ethnographic materials | audiovisual ethnographies |
193 | Kurtişoğlu , Bulent; Üner, Kubra | 2016 Blagoevgrad | Evaluation of visual training materials in folk dances: sample study of Kirklareli step by step folk dances | audiovisual ethnographies |
194 | Özbilgin, Mehmet Öcal | 2016 Blagoevgrad | The production and archiving of the educational audiovisual ethnographic dance recordings | audiovisual ethnographies |
195 | Küçük, İdris Ersan | 2016 Blagoevgrad | Preparation and usage of audiovisual ethnographic dance recordings as “educational material” in Turkey | audiovisual ethnographies |
196 | Rakočević, Selena | 2016 Blagoevgrad | Filming in the field: some methodological issues in video recording in ethnochoreology | audiovisual ethnographies |
197 | Green, Nick | 2016 Blagoevgrad | Fieldwork recordings and visual dance: questioning methodologies for analysing the process of local dancing | audiovisual ethnographies |
198 | Mihajlović, Danka Lajić | 2016 Blagoevgrad | Towards the audiovisual ethnomusicology: the contribution from the research of Serbian epics | audiovisual ethnographies |
199 | Akat, Abdullah | 2018 Sinj | The role and influence of “Bulgar” musicians in the Turkish music scene in Berlin | migration |
200 | Burton, Kim | 2018 Sinj | To Stuttgart then I came: epic and ethic in a translocal musical practice of the Bosnian Posavina | migration |
201 | Cimardi, Linda | 2018 Sinj | Folklore shaping the diaspora: cultural-artistic associations from Bosnian Posavina in Zagreb and Vienna | migration |
202 | Dunin, Elsie Ivancich | 2018 Sinj | Knighthood connections – Korčula and Sinj? | migration |
203 | Ivanova-Nyberg, Daniela | 2018 Sinj | Bulgarian dance style(s) in migration: fieldwork in Bulgaria and the United States | migration |
204 | Kurdova, Dilyana | 2018 Sinj | Virtual migration of dances: the case of Sofka na tatko | migration |
205 | Mak , Mahir; Oğul, Belma | 2018 Sinj | Doms with their intermediary role in the cultural construction | migration |
206 | Özbilgin, Mehmet Öcal | 2018 Sinj | The effects of the population exchange between the Balkan Peninsula and Turkey on the traditional dances of Izmir | migration |
207 | Öztürkmen, Arzu | 2018 Sinj | On the changing landscape of urban dance in Istanbul | migration |
208 | Panova-Tekath, Gergana | 2018 Sinj | Ambassadors and Emissaries: The very first in the line of propagators of Bulgarian dances abroad | migration |
209 | Stojiljković, Vesna Bajić | 2018 Sinj | Serbian diaspora in Slovenia and other European countries and challenges of their new stage presentations1 | migration |
210 | Stojkova Serafimovska, Velika | 2018 Sinj | From love song to song of conflict – contextual music migration | migration |
211 | Eken Küçükaksoy, F. Merve | 2018 Sinj | A masquerade from Balkans to Turkey: Bocuk night | carnivals |
212 | Mellish , Liz; Green, Nick | 2018 Sinj | Crazy week, the disorganised and the organised: Fărșang and “inverted” weddings in the Banat mountains | carnivals |
213 | Opetcheska Tatarchevska, Ivona | 2018 Sinj | Between the monsters: The dances of rusalii and călușari | carnivals |
214 | Rakočević, Selena | 2018 Sinj | Socio-political implications of dance and dance movements in contemporary carnival events in Southeastern Banat in Serbia and Romania | carnivals |
215 | Vlaeva, Ivanka | 2018 Sinj | Masquerades, festivals and cultural politics in Bulgarian context | carnivals |
216 | Altınbay-Çakır, Gökçe Asena | 2018 Sinj | The concept of “feeling” in terms of sustainability in traditional folk dances | carnivals |
217 | Ćaleta, Joško | 2018 Sinj | Ethnomusicologist vs. the dynamics of music sustainability – case study of Glagolitic (traditional church) singing of Croatia | carnivals |
218 | Vukobratović, Jelka | 2018 Sinj | The everyday work of musicians in the Križevci area and their economic and affective sustainability | carnivals |