This is a list of the academic articles published following the symposia of the ICTM Study Group on Music and Dance in Southeastern Europe. Those who know us will know that we keep everything databased and indexed! We are not aware this reference information is available elsewhere, so I have posted our data files here. Please note there could be OCR errors, particularly in the special characters.

 

• ICTM-SEE text-file – tab delimited UTF-8 text file suitable to import into Excel or Word.
• ICTM-SEE RIS-file – RIS standard import file for most reference managers.
• ICTM-SEE endnote-import – Endnote program import file.

index	Author	Symposium	Title	Theme
1	Hofman, Ana	2008 Struga	Sounding transition: musical practices as everyday experience in post-socialist Serbia	government policies, patronage and censorship
2	Eken Küçükaksoy, Fikret Merve	2008 Struga	Revival of tradition in a new composition	tradition-transition-revival
3	Tohumcu, Ahmed	2008 Struga	The identical change of taverna	tradition-transition-revival
4	Kostić-Marković, Branka	2008 Struga	Ethnomusicological data - stricto sensu et largo sensu	media
5	Girgin Tohumcu, Zeynep Gonca	2008 Struga	Choreography of kinetic revival	tradition-transition-revival
6	Rakočević, Selena	2008 Struga	Banatian dancing through the 20th century	tradition-transition-revival
7	Mellish , Liz; Green, Nick	2008 Struga	Performing tradition through transition in Romania: folk ensemble performances at Festivalul Inimilor, Timișoara, Romania	tradition-transition-revival
8	Christensen, Dieter	2008 Struga	Agents of change. a village in Hercegovina, 1957-1974	tradition-transition-revival
9	Hemetek, Ursula	2008 Struga	Musical representations of the balkans in Vienna	tradition-transition-revival
10	Ilić, Danijela	2008 Struga	The assimilation of the folk elements and diferent cultures and mentalities in the I suite of the bailey “Ohrid legend” from Stevan Iiristic	musicology
11	Dumnić, Marija	2008 Struga	Dance in cinema movies of Emir Kusturica	tradition-transition-revival
12	Kovačić, Mojca	2008 Struga	The music of the others or the music of the ours: balkan music among Slovenes	tradition-transition-revival
13	Özbilen, Berna	2008 Struga	First Ottoman - Turkish popular music kanto: transition from traditional to modern kanto period	tradition-transition-revival
14	Hunt, Yvonne	2008 Struga	Crossing the border: the case of the zurnaci-tapan ensembles of Bulgaria and the daoulia of the serres prefecture of Greece	tradition-transition-revival
15	Kurtişoğlu, Belma	2008 Struga	A guslar in Istanbul to keep the traditions alive	tradition-transition-revival
16	Marković, Mladen	2008 Struga	Ethnoorganology - friend or foe?	tradition-transition-revival
17	Ivanova, Daniela	2008 Struga	Horo se vie, izviva (observation on “horo se vie, izviva” festivalcompeting in dancing and on the activities of the new-born clubs for traditional dances in Bulgaria)	tradition-transition-revival
18	Balandina, Alexandra	2008 Struga	The youth open festival in Kumanovo, Macedonia: a proposal for inter-ethnic piece cooperation	tradition-transition-revival
19	Peycheva, Lozanka	2008 Struga	Studio ethno: a radio show from Bulgaria about the global pulsations of the local music	media
20	Dimov, Ventsislav	2008 Struga	Roma musicians in the media music from Bulgaria after 1989	media
21	Dunin, Elsie Ivancich	2008 Struga	The “cloning” of cocek in Macedonia: an example in the role of media afecting globalization as well as localization of belly dancing	media
22	Vlaeva, Ivanka	2008 Struga	Music in northeastern Bulgaria in 1950s and 1960s	government policies, patronage and censorship
23	Koço, Eno	2008 Struga	The preservation of an ancient tradition in the Arberesh ecclesiastical and secular musical practice	government policies, patronage and censorship
24	Velichkovska, Rodna	2008 Struga	The integrative function of the rite singing in Macedonia	musicology
25	Vasić, Olivera	2008 Struga	Inventing tradition: on the example of padalice from northeastern Serbia	tradition-transition-revival
26	Özbilgin, Mehmet Öcal	2008 Struga	Government censorship and the impact on traditional dance and music performance in Bergama, Turkey	government policies
27	Özdinçer, Ferruh	2008 Struga	Hora and karsilama dances in Edirne region	tradition-transition-revival
28	Christensen, Dieter	2010 İzmir	The ICTM and 'the Europeans': globalism in theory, nationalism in research practice, and the role of our Study Group
29	Ahmedaja, Ardian	2010 İzmir	The role of the researchers and artists in public presentations of local music and dance in Albania	public presentations affect perceptions and practices
30	Aydın , Jaynie; Aydın, Emir Cenk	2010 İzmir	The folk essence of modern Turkish belly dance: a DVD presentation	public presentations affect perceptions and practices
31	Dunin, Elsie Ivancich	2010 İzmir	Romani dance and music programming on Macedonian national television (1997-2007)	public presentations affect perceptions and practices
32	Friedman, Victor A.	2010 İzmir	Presentations, perceptions, and practices of chalgija music in the Republic of Macedonia	public presentations affect perceptions and practices
33	Girgin Tohumcu, Gonca	2010 İzmir	From a cultural performance to an art production: Romani/Gypsy dancing bodies	public presentations affect perceptions and practices
34	Giurchescu , Anca; Radulescu, Speranta	2010 İzmir	Music and dance of pan-Balkan (and Mediterranean) fusion: the case of the Romanian manea	public presentations affect perceptions and practices
35	Green , Nick; Mellish, Liz	2010 İzmir	Public presentations, regional perceptions and dance learning processes in 21st century Romanian Banat	public presentations affect perceptions and practices
36	MacMillen, Ian	2010 İzmir	Tamburasi of the Balkanized peninsula: public concerts as international and interethnic connections in Croatia and its intimates	public presentations affect perceptions and practices
37	Niemčić, Iva; Ćaleta, Joško	2010 İzmir	Public practice versus personal narratives - the example of music and dance traditions of Boka Kotorska	public presentations affect perceptions and practices
38	Opetcheska Tatarchevska, Ivona	2010 İzmir	“The idea behind our folk dances” - public narratives about folk dances in Macedonia	public presentations affect perceptions and practices
39	Primorac, Jaksa	2010 İzmir	“Microtonal klapa” - northern Adriatic kanat singing versus Dalmatian klapa singing	public presentations affect perceptions and practices
40	Ranisavljević, Zdravko	2010 İzmir	Stage performance and process of “nationalization” of the traditional dance patterns: the case of kolo u tri in the repertoire of the Serbian national ensemble ”Kolo”	public presentations affect perceptions and practices
41	Šivić, Urš	2010 İzmir	The double identity of traditional musicians - the case of Slovenian vocal-instrumental group from Loka-Rosnja	public presentations affect perceptions and practices
42	Sugarman, Jane C.	2010 İzmir	Life and art: folklore videos and community identity in the Prespa Albanian diaspora	public presentations affect perceptions and practices
43	Tohumcu, Ahmed	2010 İzmir	A metamorphosis story: sema	public presentations affect perceptions and practices
44	Tschernokoshewa, Elka	2010 İzmir	How does Balkan music form life in Germany: some methodological and theoretical considerations	public presentations affect perceptions and practices
45	Velickovska, Rodna	2010 İzmir	Public presentation of the traditional harvest custom and singing in the Republic of Macedonia	public presentations affect perceptions and practices
46	Vlaeva, Ivanka	2010 İzmir	Strategy of the international folk festivals in Bulgaria in the last two decades	public presentations affect perceptions and practices
47	Blagojević, Gordana	2010 İzmir	From media to the street and vice versa: hip-hop dance in Belgrade today	educational systems
48	Dimov, Ventsislav	2010 İzmir	Images of Balkan musical traditions in music textbooks from Bulgaria	educational systems
49	Doğuş Varlı, Özlem	2010 İzmir	The process of educating and learning music and dance from the rural area to the city: while going from Trabzon to northern Cyprus, from Afyon to Istanbul	educational systems
50	Harizanov, Gueorgui	2010 İzmir	Learning, mastering and teaching traditional music	educational systems
51	Kurtişoğlu, Belma	2010 İzmir	Teferic: educational system of musical and dance experiences	educational systems
52	Özbilgin, Mehmet Öcal	2010 İzmir	Davul galdirma tradition in Akfaalan village, Gediz county, Kutahya: an example of the teaching and learning process for traditional dances in the rural area	educational systems
53	Özdinçer, Ferruh	2010 İzmir	Methods used in folk dance education in Turkey	educational systems
54	Panova-Tekath, Gergana	2010 İzmir	Teaching Bulgarian folk dances to amateur and professional dancers from Bulgaria and Germany	educational systems
55	Peycheva, Lozanka	2010 İzmir	Different educational systems for transmission of folk music in Bulgaria	educational systems
56	Rodel Hristova, Angela	2010 İzmir	Far from black and white: the role of the piano in Bulgarian folk singing pedagogy	educational systems
57	Sümbül, Muzaffer	2010 İzmir	A general view to staging process of Turkish folk dance of Adana provinces from People's Houses (Halkevleri) to nowadays	educational systems
58	Talam , Jasmina; Karača-Beljak, Tamara	2010 İzmir	New Bosnian ethnomusicology: perspectives and challenges	educational systems
59	Toksoy, Atilla Coşkun	2010 İzmir	An “elementary” outlook on folk dances training in elementary schools	educational systems
60	Zakić, Mirjana; Rakočević, Selena	2010 İzmir	Institutionalizing traditional music and dance: a case study of post-Yugoslav Serbia	educational systems
61	Zdravkova-Dzeparoska, Sonja	2010 İzmir	Methods of dance education	educational systems
62	Açıkdeniz, Banu	2010 İzmir	Nationalizing folk dance in Turkey and Greece: a historical review of zeybek and zeibekiko
63	Altınay, F. Reyhan	2010 İzmir	Functionality of traditional music and dance, revival of cultural identity: in the context of immigrants, religious and traditional communities in Izmir
64	Çolakoğlu, Gözde	2010 İzmir	The symbolic triangle of the island of Crete: lyra, lute and dance
65	Giorgoudes, Panikos	2010 İzmir	Cyprus music: the case of UTTM.org
66	Križnar, Franc	2010 İzmir	Trombonist, composer and conductor Vinko Globokar: an artist and/or a provoker?
67	Özgül Turgay, Nesibe	2010 İzmir	Immigrant songs from both sides of the Aegean
68	Pekşen, Gani	2010 İzmir	School of hard knocks carried on with oral tradition: mekteb-i irfan (school of wisdom)
69	Yaltirık, Hüseyin	2010 İzmir	A study of two folk dances depicting seasonal transition performed by western Anatolian Yoruks in the context of imitation
70	Ceribašić, Naila	2012 Berovo	The status of “tradition” in Croatian ethnomusicology, and the issue of ”going pidgin” ethnomusicology	terminology and theoretical approaches
71	Friedman, Victor A.	2012 Berovo	Musical terminology and the Balkan Linguistic League	terminology and theoretical approaches
72	Gerazov, Branislav; Velichkovska, Rodna	2012 Berovo	Rural singing parallels: comparison of formant shift in Macedonian and Bulgarian rural singing - first steps	terminology and theoretical approaches
73	Golemović, Dimitrije O.	2012 Berovo	Naming in Serbian folk singing	terminology and theoretical approaches
74	Green, Nick	2012 Berovo	A consideration of structural analysis methodology in context of southeast European dance: Brâul bătrân, an example from Romanian Banat	terminology and theoretical approaches
75	Peycheva, Lozanka	2012 Berovo	What is folk music: examples from Bulgaria	terminology and theoretical approaches
76	Ranisavljević, Zdravko	2012 Berovo	Whose dance is kolo? Kolo in the dance traditions of the Serbs, Bosniaks, and Roms from Serbia and Bosnia and Herzegovina	terminology and theoretical approaches
77	Stojkova Serafimovska, Velika	2012 Berovo	The term “voice” - social and/or music expression in ritualistic traditions (Macedonian case)	terminology and theoretical approaches
78	Yamaner Okdan, Hale	2012 Berovo	The terminology problem of Turkish traditional dance training in conservatories	terminology and theoretical approaches
79	Akat, Abdullah	2012 Berovo	The structural changes in the process of adaptation of Black Sea kemenche to the changing conceptions on performance	intercultural communication
80	Aydın, Emir Cenk; Aydın, Jaynie	2012 Berovo	A zeybek wedding: the performance of music, dance, and customary wedding traditions in a modern village in Aydin, Turkey	intercultural communication
81	Beissinger, Margaret H.	2012 Berovo	Social dance and traditional weddings in pre- and post-1990 southern Romania	intercultural communication
82	Blagojević, Gordana	2012 Berovo	Dance as an emigrant: intercultural communication by salsa in Belgrade	intercultural communication
83	Christensen, Dieter	2012 Berovo	Conflict and expressive behavior: observations of a cultural musicologist in a Macedonian village, 1956	intercultural communication
84	Dimov, Ventsislav	2012 Berovo	Pan-Balkan musical practices in the field of recorded ethnomusic: the role of Romani music and musicians	intercultural communication
85	Dunin, Elsie Ivancich	2012 Berovo	Romani weddings in Macedonia and migrant family contexts	intercultural communication
86	Efthymiou, Lampros	2012 Berovo	Multiculturalism in Greek Thrace: Pomaks, native Greeks and Gagauz sing a pan-Balkan myth	intercultural communication
87	Giurchescu, Anca	2012 Berovo	Continuity and discontinuities in traditional dance	intercultural communication
88	Ivanova-Nyberg, Daniela	2012 Berovo	The South Slavic Club of the North American Midwest: Zivio Folk Dance Group repertoire today	intercultural communication
89	Kurtişoğlu, Bülent; Kurtişoğlu, Belma	2012 Berovo	Hidden Latin in Thrace: Notyalilar	intercultural communication
90	Margaritova, Rumiana	2012 Berovo	Saz across the border: maintenance of Turkish traditional practice in Bulgaria	intercultural communication
91	Mellish, Liz	2012 Berovo	Dancing ethnicity: a case study of Festivalul Etnilor, Timisoara	intercultural communication
92	Niemčić, Iva	2012 Berovo	The portraits of professional female dancers	intercultural communication
93	Njaradi, Dunja	2012 Berovo	She is belly dancing but what is he doing? Čoček dance in the social poetics of Balkan societies	intercultural communication
94	Özbilgin, Mehmet Öcal	2012 Berovo	The effects of migrations on traditional dances between southeastern Europe and Anatolia	intercultural communication
95	Özdinçer, Ferruh	2012 Berovo	Traditional folk dances of the exchanged people who came to Sel9uk from Greece	intercultural communication
96	Panova-Tekath, Gergana	2012 Berovo	Europe - one and for all: intercultural communication through Bulgarian traditional dances	intercultural communication
97	Radulescu, Speranta	2012 Berovo	Preserving traditions as a way of rejecting a social order perceived as oppressive	intercultural communication
98	Sençerman, Șebnem	2012 Berovo	Music and dance of imagined ancestors in (re)constructing Afro-Turkish collective identity: observations from the revived calf festival in izmir, Turkey	intercultural communication
99	Sharif, Malik	2012 Berovo	Performing (against) the Balkans	intercultural communication
100	Sönmez , Onur	2012 Berovo	Negotiating authenticity in terms of pragmatic meaning: ülkücü (idealist) pop in Turkey	intercultural communication
101	Šorak, Marija	2012 Berovo	The instrumental practice of ćemane player Stojan Stojanović: the life of one marginalized tradition	intercultural communication
102	Unlu, Omer Barbaros	2012 Berovo	A henna night in Batman in the context of politics, popular culture, and dance	intercultural communication
103	Vlaeva , Ivanka	2012 Berovo	The puzzle of music plurality in Bulgaria according to the music archives	intercultural communication
104	Vukobratović, Jelka	2012 Berovo	The new paths and travels of ojkanje singing	intercultural communication
105	Wilson, Dave	2012 Berovo	Teskoto and national sentiment in Macedonia: ascribing meaning, experiencing tradition	intercultural communication
106	Zdravkova Djeparoska, Sonja	2012 Berovo	Culture, boundaries and their implementation in the field of dance	intercultural communication
107	Nenić, Iva	2012 Berovo	A longing for the other: interculturality in (post) traditional and world music scene of Serbia
108	Zakić, Mirjana	2012 Berovo	Intercultural communication and multicultural context: the place of the kaval in Serbian musical practice
109	Rakočević, Selena	2012 Berovo	Interpreting culturality: dance practice of Svinica village
110	Girgin-Tohumcu, Gonca	2012 Berovo	Communicator behind the screen: Karagöz Shadow Play
111	Tohumcu, Ahmed; Eken- Küçükaksoy, Merve	2012 Berovo	The sound of identity: music in Karagöz Shadow Play
112	Ziegler, Susanne; Primorac , Jakša	2012 Berovo	The multiethnic face of balkan music in historical recordings
113	Opetcheska-Tatarchevska, Ivona; Ahmedaja, Ardian	2012 Berovo	The multiethnic face of balkan music in historical recordings
114	Ivancich Dunin, Elsie	2014 Petnica	Dancing Lindo in the Dubrovnik area	improvisation
115	Green, Nick	2014 Petnica	Community chain dances in Banat: uniformity or variability, is this about the group or the individual?	improvisation
116	Ivanova-Nyberg, Daniela	2014 Petnica	“Rachenitsa! try to outdance me!” - competition and improvisation the Bulgarian way	improvisation
117	Katsanevaki, Athena	2014 Petnica	Is “traditional” improvised? “East” and “West” and the improvised traditions in Greece	improvisation
118	Eken- Küçükaksoy, F. Merve	2014 Petnica	Improvisation in ensemble performances: Kemaliye Fasil music	improvisation
119	Kuzman, Aleksandra	2014 Petnica	Some aspects of the solo instrumental improvisations in Macedonian Chalgia music	improvisation
120	Lévai, Péter	2014 Petnica	Motif or/and movement improvisation in Hungarian solo dances. Find the “basic motifs” in different dances	improvisation
121	Özdinçer, Ferruh	2014 Petnica	Improvisational dances in the Anatolian traditional village theatre	improvisation
122	Petac, Silvestru	2014 Petnica	Variation as a form of improvisation in dance texts of Căluș. Case studies: Căluș from Izvoarele, Olt	improvisation
123	Peycheva, Lozanka	2014 Petnica	Musical improvisation as a creative process: observations on Bulgarian folk music	improvisation
124	Radulescu, Speranta	2014 Petnica	Improvisation and one of its motifs: comments on a Romanian case	improvisation
125	Stojisavljević, Miroslav	2014 Petnica	Improvisation in Serbian music: the concept of improvisation through history	improvisation
126	Tohumcu, Ahmed	2014 Petnica	Improvisational dynamics of sacred music genres in Turkey	improvisation
127	Vlaeva, Ivanka	2014 Petnica	Between borders: improvisation with many faces	improvisation
128	Angelov, Goranco	2014 Petnica	The function of the zurla players in the pelivan wrestling in some parts of the Republic of Macedonia	professionalisation
129	Beissinger, Margaret H.	2014 Petnica	Professionalization among young Romani musicians: strategies of music-making in contemporary Romania	professionalisation
130	Ceribašićc, Naila	2014 Petnica	Heritage music and professionalization - some examples from Croatia	professionalisation
131	Küçükebe, Hande Devrim	2014 Petnica	The professionalism process of women musicians in Turkish traditional art music from the Ottoman Empire until today	professionalisation
132	Dumnic, Marija	2014 Petnica	The establishing of a professional folk orchestra in the interwar period in Belgrade	professionalisation
133	Jovanović, Jelena	2014 Petnica	Annual concerts of a cultural-artistic society in Serbia: the clash of two different concepts of professionalization	professionalisation
134	Keleş , Ali; Doğan, Öznur	2014 Petnica	Alevi semah in the context of professionalization	professionalisation
135	Küçükebe, Murat	2014 Petnica	Cremona and Izmir with respect to professional perception in violin making in the context of centre and periphery and authenticity attitude	professionalisation
136	Kurtişoğlu, Bülent	2014 Petnica	Professionalism process of Turkish folk dances	professionalisation
137	Mellish, Liz	2014 Petnica	Professionalism of Romanian ensemble dancers: performances and presentation	professionalisation
138	Özbilgin, Mehmet Öcal	2014 Petnica	Professionalism in the traditional dance environments	professionalisation
139	Petkovski, Filip	2014 Petnica	Professional folk dance ensembles in Eastern Europe and the presentation of folk dance on stage	professionalisation
140	Ranković, Sanja	2014 Petnica	The role of formal music education in the process of professionalisation of rural traditional singing in Serbia	professionalisation
141	Revilla Gútiez, Sara	2014 Petnica	Ethnic representations in Moldova (Romania): transmission and dissemination of traditional music	professionalisation
142	Șener, Serkan	2014 Petnica	Communication apparatuses of string ensembles in the Turkish music industry	professionalisation
143	Sümbül, Muzaffer; Arslantaş, Omer	2014 Petnica	The impact of village institutions on institutionalization of Turkish folk dance: a case study of village institute of Adana-Düziçi	professionalisation
144	Yildız, Burcu	2014 Petnica	Turkish 'Dizi (TV Series) music' and the concept of professional Dizi musicianship	professionalisation
145	Bajić Stojiljković , Vesna	2014 Petnica	Stage folk dance in Serbia as a phenomenon of professionalization	professionalisation
146	Krasin, Maja	2014 Petnica	Professional or non-professional players on traditional instruments in Serbia: a case study of the Kaval	professionalisation
147	Ćaleta, Joško	2014 Petnica	Construction and reconstruction of Croatian traditional “voice” through performances of the professional croatian national folk dance ensemble Lado	professionalisation
148	Stojkova Serafimovska, Velika	2014 Petnica	The role of professionals in building the music repertoare in the State Ensemble of folk dances and songs of Macedonia “Tanec”	professionalisation
149	Niemčić, Iva	2014 Petnica	From trainees to professional dancers: the case of the professional ensemble of folk dances and songs of Croatia “Lado”	professionalisation
150	Opetcheska-Tatarchevska, Ivona	2014 Petnica	The influence of the national ensemble of dances and songs “Tanec” in the process of dissemination of the dance knowledge in the Republic of Macedonia	professionalisation
151	Dimov, Ventsislav	2014 Petnica	Research on the Balkan music in Cyberia	inter/postdisciplinarity
152	Hnaraki , Maria; Aligizakis , Agisilaos	2014 Petnica	Moving bodies and souls: Cretan dancing your way to physical, social and emotional fitness	inter/postdisciplinarity
153	Kurtişoğlu, Belma	2014 Petnica	Ethnomethodology in the use of ethnomusicology and ethnochoreology	inter/postdisciplinarity
154	Njaradi, Djunja	2014 Petnica	More than meets the eye: re-thinking movement in dance anthropology and dance studies	inter/postdisciplinarity
155	Rakočević, Selena	2014 Petnica	Is ethnochoreology an interdicipline? Some conceptual and methodological issues in dance and music research	inter/postdisciplinarity
156	Sugarman, Jane C.	2014 Petnica	Nexhmije Pagarusha, Radio Prishtina, and the discourse of cultivation in socialist Kosova	inter/postdisciplinarity
157	Živčić, Ana	2014 Petnica	Dialect, melos, intonation - determination and definition in the vocal practice on the Pester- Sjenica plateau	inter/postdisciplinarity
158	Zoric, Jana	2014 Petnica	Community and criticism through Reggae music in Serbia	inter/postdisciplinarity
159	Zakić , Mirjana	2014 Petnica	In search for ethnomusicological semiotics: models and tendencies
160	Nenić, Iva	2014 Petnica	Envisioning ethnomusicological praxis: theory, action-intervention and situated knowledge
161	Peycheva, Lozanka	2016 Blagoevgrad	Sound syntax of masquerade games in Bulgaria	myth and ritual
162	Dimov, Ventsislav	2016 Blagoevgrad	Balkan music and media myths	myth and ritual
163	Vlaeva, Ivanka	2016 Blagoevgrad	Rituals and their interpretations in some Bulgarian movies	myth and ritual
164	Islam , Aida; Leshkova Zelenkovska, Stefanija	2016 Blagoevgrad	Musical tradition in wedding ceremony: the role of music in masking the bride	myth and ritual
165	Özdinçer, Ferruh	2016 Blagoevgrad	Anatolia village theatres with ritual features	myth and ritual
166	Markoff, Irene	2016 Blagoevgrad	Veneration of Bektashi and Baba’i Saints in Bulgaria through Nefesler and local lore: demystifying the intersection of legends, history, and mystical poetry	myth and ritual
167	Margaritova, Rumiana	2016 Blagoevgrad	From Meydan Evi to the stage: continuity and change in meaning and uses of ritual music of the Alevis/Bektashis in the Eastern Rhodope Mountains in Bulgaria	myth and ritual
168	Ahmedaja, Ardian	2016 Blagoevgrad	“Gegen jede Touristenkritik”: insights into local musical practices in the “Albanesische Studien” (1854) by JohanGeorg von Hahn	myth and ritual
169	Panic Kasanski , Dragica; Karin, Vesna	2016 Blagoevgrad	Manifestation “Kozara-ethno” in Piskavica - audiovisual representations of music and dance	myth and ritual
170	Petrović, Ana	2016 Blagoevgrad	Contemporary ritual behaviour of Serbs in the village of Boljare on the Pester plateau (case study of the celebration of St. Peter’s day)	myth and ritual
171	Efthymiou, Lampros	2016 Blagoevgrad	The song “The bridge of Arta” in the ritual dance of Easter: the case of Papadates community	myth and ritual
172	Bólya, Anna Maria	2016 Blagoevgrad	Two ritual dances in the Macedonian folklore: Djolomarsko oro and Epiphany oro - connection to the layers of folk belief system	myth and ritual
173	Stojkova Serafimovska, Velika	2016 Blagoevgrad	Rituals and context - changes and continuity in two winter rituals in the Republic of Macedonia	myth and ritual
174	Ćaleta, Joško	2016 Blagoevgrad	(Traditional) music in Carnival traditions - experience of repetitive symbols and open meaning procedures in contemporary Bell ringer’s processions	myth and ritual
175	Opetcheska-Tatarchevska, Ivona	2016 Blagoevgrad	Dance rituals in contemporary urban and rural context: Novljansko kolo v.s. Svetijovanovo oro [St. John’s dance]	myth and ritual
176	Niemčić, Iva	2016 Blagoevgrad	Theatrical interpretation of ritual or ritual on stage	myth and ritual
177	Zebec, Tvrtko	2016 Blagoevgrad	Traditional Tanac dance: a climax of the Koleda ritual on the island of Krk in 2015	myth and ritual
178	Beissinger, Margaret	2016 Blagoevgrad	Wedding repertoire in Southern Romania: political, social and cultural identity in the music of Lautari	post-1989
179	Radulescu, Speranta	2016 Blagoevgrad	Traditional music, folklore and folklorization in Romania before and post-1989	post-1989
180	Rayzhekova, Gergana	2016 Blagoevgrad	Finding the core of alternative sound in Bulgarian folklore music	post-1989
181	Ivancich Dunin, Elsie	2016 Blagoevgrad	Romani celebration of George’s day / Erdelezi post-1991 in Skopje: dancing continuities within social change	post-1989
182	Leibman, Robert	2016 Blagoevgrad	Similarities and differences in dances and dance events in the area around the borders between Pirin Macedonia (Bulgaria), Aegean Macedonia (Greece), and the eastern and southeastern regions of the Republic of Macedonia	post-1989
183	Ivanova-Nyberg , Daniela	2016 Blagoevgrad	Bulgarian folk dance club repertoire ten years later: What genre? Where shall we put it?	post-1989
184	Kurtişoğlu, Belma	2016 Blagoevgrad	Performing in the streets	post-1989
185	Mellish, Liz	2016 Blagoevgrad	The southeast Europeans are (still) dancing: recent dance trends in Romania and among southeast Europeans in London	post-1989
186	Zdravkova-Djeparoska, Sonja	2016 Blagoevgrad	High school graduation quadrille - a contemporary dance ritual	post-1989
187	Akat, Abdullah	2016 Blagoevgrad	Cross-cultural interactions in Crimean Tatar Music after returning to the homeland	post-1989
188	Petrova, Angelina	2016 Blagoevgrad	Emigration and intercultural symbols by Bulgarian composers after 1989	post-1989
189	Angelov, Goranco	2016 Blagoevgrad	Traditional musical instruments used in strengthening the national identity of the Macedonian people since 1989	post-1989
190	Petkovski , Filip	2016 Blagoevgrad	UNESCO and the notion of “staged rituals”: the case with the National Folk Dance Ensemble of Croatia “Lado”	post-1989
191	Rice, Timothy	2016 Blagoevgrad	Film as a medium for conveying theory: the case of “May It Fill Your Soul”	audiovisual ethnographies
192	Kaplan Ekemen , Gul; Ekemen, Cenker	2016 Blagoevgrad	Cinematographic transmission of ethnographic materials	audiovisual ethnographies
193	Kurtişoğlu , Bulent; Üner, Kubra	2016 Blagoevgrad	Evaluation of visual training materials in folk dances: sample study of Kirklareli step by step folk dances	audiovisual ethnographies
194	Özbilgin, Mehmet Öcal	2016 Blagoevgrad	The production and archiving of the educational audiovisual ethnographic dance recordings	audiovisual ethnographies
195	Küçük, İdris Ersan	2016 Blagoevgrad	Preparation and usage of audiovisual ethnographic dance recordings as “educational material” in Turkey	audiovisual ethnographies
196	Rakočević, Selena	2016 Blagoevgrad	Filming in the field: some methodological issues in video recording in ethnochoreology	audiovisual ethnographies
197	Green, Nick	2016 Blagoevgrad	Fieldwork recordings and visual dance: questioning methodologies for analysing the process of local dancing	audiovisual ethnographies
198	Mihajlović, Danka Lajić	2016 Blagoevgrad	Towards the audiovisual ethnomusicology: the contribution from the research of Serbian epics	audiovisual ethnographies
199	Akat, Abdullah	2018 Sinj	The role and influence of “Bulgar” musicians in the Turkish music scene in Berlin	migration
200	Burton, Kim	2018 Sinj	To Stuttgart then I came: epic and ethic in a translocal musical practice of the Bosnian Posavina	migration
201	Cimardi, Linda	2018 Sinj	Folklore shaping the diaspora: cultural-artistic associations from Bosnian Posavina in Zagreb and Vienna	migration
202	Dunin, Elsie Ivancich	2018 Sinj	Knighthood connections – Korčula and Sinj?	migration
203	Ivanova-Nyberg, Daniela	2018 Sinj	Bulgarian dance style(s) in migration: fieldwork in Bulgaria and the United States	migration
204	Kurdova, Dilyana	2018 Sinj	Virtual migration of dances: the case of Sofka na tatko	migration
205	Mak , Mahir; Oğul, Belma	2018 Sinj	Doms with their intermediary role in the cultural construction	migration
206	Özbilgin, Mehmet Öcal	2018 Sinj	The effects of the population exchange between the Balkan Peninsula and Turkey on the traditional dances of Izmir	migration
207	Öztürkmen, Arzu	2018 Sinj	On the changing landscape of urban dance in Istanbul	migration
208	Panova-Tekath, Gergana	2018 Sinj	Ambassadors and Emissaries: The very first in the line of propagators of Bulgarian dances abroad	migration
209	Stojiljković, Vesna Bajić	2018 Sinj	Serbian diaspora in Slovenia and other European countries and challenges of their new stage presentations1	migration
210	Stojkova Serafimovska, Velika	2018 Sinj	From love song to song of conflict – contextual music migration	migration
211	Eken Küçükaksoy, F. Merve	2018 Sinj	A masquerade from Balkans to Turkey: Bocuk night	carnivals
212	Mellish , Liz; Green, Nick	2018 Sinj	Crazy week, the disorganised and the organised: Fărșang and “inverted” weddings in the Banat mountains	carnivals
213	Opetcheska Tatarchevska, Ivona	2018 Sinj	Between the monsters: The dances of rusalii and călușari	carnivals
214	Rakočević, Selena	2018 Sinj	Socio-political implications of dance and dance movements in contemporary carnival events in Southeastern Banat in Serbia and Romania	carnivals
215	Vlaeva, Ivanka	2018 Sinj	Masquerades, festivals and cultural politics in Bulgarian context	carnivals
216	Altınbay-Çakır, Gökçe Asena	2018 Sinj	The concept of “feeling” in terms of sustainability in traditional folk dances	carnivals
217	Ćaleta, Joško	2018 Sinj	Ethnomusicologist vs. the dynamics of music sustainability – case study of Glagolitic (traditional church) singing of Croatia	carnivals
218	Vukobratović, Jelka	2018 Sinj	The everyday work of musicians in the Križevci area and their economic and affective sustainability	carnivals